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emily dickinson analysis
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emily dickinson poetry analysis
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Dickinson’s Work with Human understanding and the Individual
(A detailed analysis of Emily Dickinson’s poetry, and how it related to human understanding and, Dickinson’s view of the individual) Sometimes known as one of America’s greatest poets, Emily Dickinson has made a name for herself in American literature books throughout the world. Dickinson’s work has become increasingly popular over the last century; only being truly discovered in 1955. Since then Dickinson’s work has been the study of many philosophers and literary critics; who strive to understand Dickinson’s poetry with little help coming from the now deceased author. Emily Dickinson was born December 10th, 1830 in Amherst Massachusetts. Dickinson lived a rather normal childhood
In (Brain.) Dickinson explores the potential of human understanding, the brain, and compares it to many seemingly infinite places, or ideologies. Dickinson holds this same view in many of her other writing however it is fully expressed in (Brain.). The short poem, explains, “The Brain--is wider than the Sky/ For--put them side by side--/ The one the other will contain/ With ease-- and you--beside--...” (Dickinson, pg 415; Lines 1-4). In this short excerpt from Dickinson’s poem it can clearly be seen how Dickinson sees human understanding as boundless. In the text provided Dickinson adequately uses a paradox to express her ideology. Dickinson’s comparison of the human brain to the sky is not meant to be taken literal, but metaphorical. To take the statement literally, it would be found to have no true meaning; however metaphorically, it holds an incredible amount of meaning. What Dickinson is actually comparing is the ability of the human brain to hold knowledge to the vast accountability of the sky. To Dickinson the sky may seem infinite; however the brain is even bigger, because, nothing can bound knowledge. Dickinson makes a bold statement to the idea of knowledge being incredibly powerful, and uncontainable. This idea shows how Dickinson views human understanding as unboundable or more
In (Soul.) Dickinson begins to explore the idea of individuality in her works of literature. The short poem can be regarded as Dickinson’s view of the individual and how society can affect the individual; but more importantly how the individual should react. The poem begins by Dickinson indirectly giving her view of the importance of the individual, in society by, expressing, “The Soul selects her own Society--/ Then--shuts the Door--/ To her divine Majority--/ Present no more--...” (Dickinson pg. 414; Lines 1-4). The opening lines, as stated before, actually indirectly give Dickinson’s view of the individual in society as being important. In her opening lines Dickinson, explains how the soul, which represents the individual, picks it’s own society and closes the door to others. What this can translate to is Dickinson, stating her opinion as fact. Dickinson’s opinion being that individuals should not conform to society, but rather become reclusive from it and pick an individual path way; one that express what the soul of that individual truly wants. Dickinson will continue the poem speaking about the importance that the individual never conform to others or to society; thus only further proving the point that, Dickinson believes that the individual is
...Dickinson has for the most part conquered her fears. As the second poem gave us the unsettling idea that the author of the poem we were reading was afraid to compose poetry, this poem shows us her coming to terms with that. Her list of creatures blessed with wonders they had not dared to hope for extends quite naturally to include her. She has come to her “Heaven” through poetry—“unexpected”, but eventually with confidence brought about by the trials dealt with throughout the fascicle. The poems are very closely linked, each one showing us some new aspect of Dickinson’s personality that leads toward her confidence. Finally, Dickinson has found her voice and in this final poem proclaims that she has found a peace to which she had not dared aspire at the beginning. Now she has both nature and poetry within her grasp—this is “Heaven” and “Old Home” all at once.
The very first line proclaims the intense metaphor of books sustaining life. By equating words to food, or something worthy of consumption, Dickinson creates an idea of literature essential to the continuation of human life. The capitalization of the word “Words” lends itself to the idea of words as their own entity, and as something with more substance than merely the words themselves. Continuing to the next line, the theme of words as food persists. The connotations of the word robust are most commonly well-fed and vigorous, so the point the narrator makes is the nourishment of the spirit can only literature can facilitate. By
During the late nineteenth century, Emily Dickinson (1830 - 1886) featured as one of the few female poets in the largely male-dominated sphere of American literature. Although she authored 1800 poems, only seven were published during her lifetime - why? Emily Dickinson has always provoked debate; over her life, her motivations for the words she wrote and the interpretations of those words. It can be argued that Emily Dickinson herself, was as ambiguous, as misunderstood and as elusive as her poetry. As a outlet for relentless examination of every aspect of her mind and faith her poems are both expository and puzzling. Her conclusions are often cryptically implicit and largely dependant on the readers ability to put together the pieces - to see the connections and implications. Amy Lowell said "She was the mistress of suggestion....and to a lesser degree, irony" The ruses and riddles in her poems came from her; and as such she too was a riddle.
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
Emily Dickinson was born December 10th, 1830 in her family home on main street in Amherst, Massachusetts to her two parents Edward and Emily Norcross Dickinson. The homestead in which she was born was a family home owned by her grandparents who, soon after her sister’s birth in 1833, sold it out of the family. The Dickinson’s held residence in the home as tenants for the next seven years. Once her father’s political career took off, around the age she was nine, they moved to, and bought a new house in the same town. Dickinson was very close to her siblings, her older brother Austin and younger sister Lavinia. She had a strong attachment to her home and spent a lot of her time doing domestic duties such as baking and gardening. Dickinson also had good schooling experiences of a girl in the early nineteenth century. She started out her education in an Amherst district school, then from there she attended Amherst Academy with her sister for about seven years. At this school it is said that she was an extraordinary student with very unique writing talent. From there she attended Mount Holyoke Female Seminary for a year in 1847. this year was the longest she had spent away from home. In her youth, Dickinson displayed a social s...
The famous well-known poet, Emily Elizabeth Dickinson, was born on December 10, 1830 in Amherst, Massachusetts. Growing up, she was busy with schooling, religious activities, gardening, baking, and exploring nature. Her family was well known in Massachusetts; her dad was a member of the governor’s cabinet and a US Congressman. In 1840, she attended Amherst Academy. At Amherst Academy, she was an excellent student. Many said she caught much attention and was very original in the way she presented herself. Dickinson’s poetry has a great amount of scientific vocabulary and she gained most of her knowledge about it at this academy. Seven years later, she enrolled in Mount Holyoke Female Seminary. At Mount Holyoke, she was academically successful and was very involved. Like most institutions at the time, Mount Holyoke believed that the students’ religious lives were part of responsibility. Dickinson refused to take part of the school’s Christian evangelical efforts. She had not given up on the claims of Christ, but didn’t think it was an important matter.
Emily Dickinson is one of the most well known poets of her time. Though her life was outwardly uneventful, what went on inside her house behind closed doors is unbelievable. After her father died she met Reverend Charles Wadsworth. She soon came to regard him as one of her most trusted friends, and she created in his image the “lover'; whom she was never to know except in her imagination. It is also said that it was around 1812 when he was removed to San Fransico that she began her withdrawal from society. During this time she began to write many of her poems. She wrote mainly in private, guarding all of her poems from all but a few select friends. She did not write for fame, but instead as a way of expressing her feelings. In her lifetime only six of her poems were even printed; none of which had her consent. It was not until her death of Brights Disease in May of 1862, that many of her poems were even read (Chelsea House of Library Criticism 2837). Thus proving that the analysis on Emily Dickinson’s poetry is some of the most emotionally felt works of the nineteenth century.
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
Emily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after years of practice she began to give room for experiments. Often written in the meter of hymns, her poems dealt not only with issues of death, faith and immortality, but with nature, domesticity, and the power and limits of language.
One of Emily Dickinson’s greatest skills is taking the familiar and making it unfamiliar. In this sense, she reshapes how her readers view her subjects and the meaning that they have in the world. She also has the ability to assign a word to abstractness, making her poems seemingly vague and unclear on the surface. Her poems are so carefully crafted that each word can be dissected and the reader is able to uncover intense meanings and images. Often focusing on more gothic themes, Dickinson shows an appreciation for the natural world in a handful of poems. Although Dickinson’s poem #1489 seems disoriented, it produces a parallelism of experience between the speaker and the audience that encompasses the abstractness and unexpectedness of an event.
Although, Emily Dickinson physically isolated herself from the world she managed to maintain friendships by communicating through correspondence. Ironically, Dickinson’s poetry was collected and published after her death. Dickinson explores life and death in most of her poems by questioning the existence of God. Dickinson applies common human experiences as images to illustrate the connection from the personal level of the human being, to a universal level of faith and God. This can be seen in Dickinson’s Poem (I, 45).
Imagery is a big component to most works of poetry. Authors strive to achieve a certain image for the reader to paint in their mind. Dickinson tries to paint a picture of ?death? in her own words. Thomas A. Johnson, an interpretive author of Dickinson's work, says that ?In 1863 Death came into full statue as a person. ?Because I could not stop for Death? is a superlative achievement wherein Death becomes one of the greatest characters of literature? (Johnson). Dickinson's picture to the audience is created by making ?Death? an actual character in the poem. By her constantly calling death either ?his? or ?he,? she denotes a specific person and gender. Dickinson also compares ?Death? to having the same human qualities as the other character in the poem. She has ?Death? physically arriving and taking the other character in the carriage with him. In the poem, Dickinson shows the reader her interpretation of what this person is going through as they are dying and being taken away by ?Death?. Dickinson gives images such as ?The Dews drew quivering and chill --? and ?A Swelling of the Ground --? (14, 18). In both of these lines, Dickinson has the reader conjure up subtle images of death. The ?quivering an chill? brings to the reader's mind of death being ...
Porter, David T. The Art of Emily Dickinson’s Early Poetry. Cambridge: Harvard University Press, 1966. Print.
Emily Dickinson was an unrecognized poet her whole life. Her close family members recognized her talent, and her needs to write poetry, but the literary establishment of her time would not recognize her skill. Even though she was unrecognized, she was still quietly battling the established views through her poetry. Her literary struggle was exposed after her death since, while living, only five of her poems were published.
Kennedy, X. J.. "Two Critical Casebooks: Critics on Emily Dickinson." An introduction to poetry. 13 ed. Boston: Little, Brown, 1966. 343-344. Print.