After spending a semester experiencing and analyzing the work of D.H. Lawrence, it has become obvious that he had several messages to convey to his audience. Through his characters, Lawrence commented on the condition of England, on social issues, and also on relationships. In his novels Sons and Lovers, Women in Love, and Lady Chatterley's Lover, Lawrence reveals three important aspects of relationships, and shows his audience the devastating results when one or more of those aspects are missing. When it comes to intellectual, spiritual and sexual connections, Lawrence makes it clear that all of these elements must be present in order for a relationship to be successful; it's either all or none.
Lawrence's first example of relational incompleteness comes through Paul in Sons and Lovers. By the middle of the novel, the reader is well aware of Paul's connection to his mother, Mrs. Morel. Paul's awareness of his mother comes in the notion that ?when she fretted he understood, and could have no peace,? (51) and also in the way they act like excited ?lovers having an adventure together.? (81) Through Paul?s relationships, Lawrence reveals how ?an exaggerated intense spiritual love from the parents,? can make it difficult for the receiver of that love to cultivate healthy relationships outside the familial sphere. (Yudhishtar, 87) Because of his deep spiritual connection with his mother, it is difficult for Paul to give himself to other women, as can be seen through his relationship with Miriam. Although Paul likes Miriam and the two get along very well, his connection to his mother prevents the young man from really giving himself to her. Paul is turned off not only by how spiritual Miriam makes him (165), but also ...
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...ming deeply connected spiritually with one?s children, and how that connection can prove disastrous for non-familial relations. Through Birkin, Ursula, Gudrun and Gerald in Women in Love, he shows the crippling effects that result when intellect is emphasized drastically more than spirituality and sexuality. Lawrence arrives at a perfect balance between Connie and Mellors in Lady Chatterley?s Lover, and although Connie suffers through two failed relationships before meeting success, Lawrence shows that intellectual, spiritual and sexual connects can indeed simultaneously exist on the same plane. Through these characters, Lawrence demonstrates the importance of having a balance of all three ingredients. Without a physical connection based on spirituality and a common intellect, Sir Jon would not be able to ?say good night to Lady Jane?with a hopeful heart.? (328)
Many hearts are drawn to history's greatest love stories, such as Romeo and Juliet, Bonnie and Clyde, and Helen and Paris to name a few. One could argue that humanity’s way of finding happiness is to seek love. Pure, unadulterated love is one of the hardest feelings to acquire, but when one does, they’d do anything to keep it. Through Nathaniel Hawthorne’s The Scarlet Letter and his characters, Hester Prynne and Arthur Dimmesdale, readers discover that this innate desire to be accepted and loved is both our most fatal flaw and our greatest virtue.
Much like Lorraine Hansberry, Madeleine L’Engle believes that “the growth of love is not a straight line, but a series of hills and valleys.” Lillian Hellman’s The Little Foxes, Tennessee Williams’ Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Glass Menagerie, and Robert Harling’s Steel Magnolias use the idea that even through struggles their characters show that love always endures. Although loving someone, who is not particularly loveable, is one of the most difficult parts of being human, it is possible by remembering that addictions can be reversed, blood is forever, and a ring is more than just an object.
The opposition of “second attachments” was a common belief among women during the late 17th century. Dublin’s He is found at last: or, memoirs of the Beverley family, which was published in 1781, discusses how many women who are “romantic souls” also consider it “impossible to love twice (21). However, Dublin discusses the topic further by disputing these opinions on “second attachments” by describing how once a first love is “extinguished” another will “naturally supply” its position (21). Although falling in love once was considered the logical way to achieve romance for many women of the late 17th century, Dublin’s publication indicates that the idea of refuting this common belief was also introduced during Austen’s life. Thus, Dublin’s work and those similar to it served to be an inspiration for Jane Austen’s future
Lawrence tries to subvert his society’s notions about sex by writing about the subject in a candid manner. In his essay “A Propos of Lady Chatterley’s Lover,” Lawrence urged, “I want men and women to think sex, fully, completely, honestly and cleanly, through a proper reverence for sex” (13). He endeavoured to sanctify sex and to remove the opposition between the sacred and the profane that had been introduced by Christianity, as he states in the essay“Pornography and Obscenity”: “The Christian religion lost, in Protestantism finally, the togetherness with the universe, the togetherness of the body, the sex, the emotions, and the passions, with the earth and sun and stars”
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
Clarissa's relationships with other females in Mrs. Dalloway offer great insight into her personality. Additionally, Woolf's decision to focus at length on Sally Seton, Millicent Bruton, Ellie Henderson, and Doris Kilman allows the reader to see how women relate to one another in extremely different ways: sometimes drawing upon one another for things they cannot get from men; other times, turning on one another out of jealousy and insecurity. Although Mrs. Dalloway is far from the most healthy or positive literary portrayal of women, Woolf presents an excellent exploration of female relationships.
The greatness of Lady Chatterley's Lover lies in a paradox: it is simultaneously progressive and reactionary, modern and Victorian. It looks backwards towards a Victorian stylistic formality, and it seems to anticipate the social morality of the late 20th century in its frank engagement with explicit subject matter and profanity. One might say of the novel that it is formally and thematically conservative, but methodologically radical.
In Literature and Life, Love is a powerful force. Sans love; feelings, desires and relationships may seem empty. This force however, can also be destructive, even may end a marriage. Marital discord, arising in general, due to infatuation, lust or affection for a third person, may crop up primarily facilitated by adverse familial, economic or societal conditions that do frequently find their mention in the written word. Some of these concerns like family, marriage, sexuality, society and death, are notably illustrated by the authors, Gustave Flaubert in Madame Bovary and Laura Esquivel in Like Water for Chocolate.
In this essay I would like to emphasize different ideas of how love is understood and discussed in literature. This topic has been immortal. One can notice that throughout the whole history writers have always been returning to this subject no matter what century people lived in or what their nationality was.
Literature is the analytical, critical, emotional and psychological expression of human life which is nothing but a bouquet of multi-coloured relationships like filial relationship, conjugal relationship and sibling relationship. Though all the relationships are important part of life yet man-woman relationship is considered the most pervading human relationship. Emphasizing the importance and value of the man-woman relationship, D.H. Lawrence, a great English novelist, points out in ‘Morality and the Novel’, “The great relationship for humanity will always be the relation between man and woman. The relation between man and man, woman and woman, parent and child will always be subsidiary.” (1972: l30)
Ultimately, concepts such as happiness cannot be guaranteed to skeptics like Jane Eyre and “hideous” men like Rochester -- only the divine union of passion can be guaranteed. Yet, for Bronte’s characters, this is sufficient reward and an appropriate closure for a love story about such atypical characters. Below, I will use characterizations of the Romantic literary school, as well as criticism of Jane Eyre, to explain how the ending of the novel fits perfectly with the rest of the landmark novel.
Spilka, Mark. The Love Ethic of D.H. Lawrence. (1955): 244. Rpt. In TCLC. Ed. Dennis Poupard. Vol. 16. Detroit: Gale, 1985. 289-293.
she is always looking for things to love her. In the case of Paul she
Stephen's relationship with the opposite sex begins to develop early in his life. Within the first few pages of the novel lie hints of the different roles women will...
D.H. Lawrence re-created his own life experience through the writing of Son’s and Lovers, an intensely realistic novel set in a small English mining town, much akin to the town in which he was raised. The son of a miner, Lawrence grew up with a father much like the character of Mr. Morel in Son’s and Lovers. Morel (as the father is called) is an ill tempered, uneducated, and rather crude man. A man with little ability to express his feelings to his wife and family, who love him dearly despite the fact that he was seldom cordial to any of them.