On July 27th, I went to Woody’s Palm House in Palm Springs California and watched Elaine Woodward perform. Her music was described on the Palm House website as soulful jazz pop. Woodward did not play any instruments, but she did have a man on the electric keyboard play backup to her vocals. I was unable to find this mans name it was not announced on the night I went and it is not on the restaurants website. The first song Elaine Woodward sang when I got to the restraint was “Route 66” originally produced by Bobby Troup in 1946. This is an extremely well known and popular blues standard that was been preformed by several famous groups such as the King Cole Trio and Bing Crosby. Woodward’s version of the song was very simple it was just her
The first work was played was called Suite: 3 Airs, composed by Elisabeth Jacquet de la Guerre (1666-1729) from the Baroque period. This piece had a very stepwise and conjunct melody. The key was mostly bright and major. The harmony was a bit resolving and consonant. The polyphonic texture was recognizable because of the multiple melodies playing together. The tempo of this piece was very constant and remained allegretto throughout. The dynamics was mezzo forte or moderately loud. The formal structure was in the ternary form in which the main idea of the piece was repeating after a small contrast in the middle. Overall, this piece seemed quite unique to me because it was my first time listening to the organ.
A couple of months ago, I went to a concert up in Denver. The band that played was called dada. They are a three-man pop rock band that have been playing since their first album was released in 1992. The band has a small following, but the amphitheater still was still quite full by the time the band started playing. Before this concert, I had been to a couple others in the past with bands of a similar type playing in a similar setting to that of the amphitheater I found myself in a couple of months ago. After going to the dada concert, I noticed there was an interesting pattern of where different people sat or stood at these concerts. This pattern divided people up by their social rank, age, and class. There were three different areas to this pattern: the people standing in the front at the stage, the people standing in the middle of the theater, and the people sitting in the back.
I am going to talk about the intonation, balance and blend of the Sartell High School Wind Ensembles most recent performance. The style of the pieces played were mostly themes from musicals, movies, and television shows. The pieces performed were titled Star Wars, Baba Yetu, Somewhere, Into the Woods, and What’s up at the Symphony. The concert took place on March 9th, 2016 in the Sartell High School auditorium at 7:30 p.m.
On Monday, April 21, 2014, along with my friend JJJJ and my Mom, we went to see Alter Bridge perform in concert at Rams Head Live down in the Marketplace in Baltimore, Maryland. The doors opened at 7 o’clock and the concert started at 8 p.m. with the band Monster Truck as the opening act. We went and ate dinner before going to the concert, but when we entered the venue, Rams Head was packed. The show was sold out and there were people ranging from ages fifteen to mid-fifties. There were both men and women in attendance, but I noticed there were more men than women. When we arrived, we only made it for Monster Truck’s final song, but the song we heard was better than I had expected. Monster Truck is comprised of four members: a guitar player, an organ player, a drummer, and a bass player who also is the lead singer. Based on the one song I heard of Monster Truck, they reminded me of a modern-day Deep Purple with even hints of Boston in the way they sounded. After Monster Truck finished, everyone was full of excitement for Alter Bridge to come on.
On May 2, 2014, Yoron Israel and The Key Players performed at the Amazing Things Arts Center in Framingham. The concert lasted approximately an hour and a half and seven pieces were performed. The program included many original songs as well as a few covers from Stevie Wonder and Louis Armstrong. This performance was quite different from the last concert I attended, in that it was a much different style of jazz. Yoron Israel and The Key players concert was very entertaining. However, it was not only the music but also several different works of art that made the show successful.
Hamilton: An American Musical, the spellbinding play by Lin-Manuel Miranda, nominated for a record breaking sixteen Tony Awards and winning eleven. How have they gotten their success? It doesn't only consist of an amazing sore and script, actors can make or break a musical/play. What makes Hamilton: An American Musical revolutionary is not only the talent and experience of the cast its the background and races of the cast. Though all the characters are white, the main actors are all different races. The founding fathers and mothers of the United States are played by an assortment of African Americans, Asians, Hispanics, Pacific Islanders, Puerto Ricans, and Caucasians. 2016-17 has proved to be a very diverse year for Broadway, with revivals
At the St-Deborah which is Waterside town, Cole tried to find her friends and learned that they had gone to a "Museum of Civilizations" that was said to have retained the old ruins. In the theater, the appearance of a mad prophet forced the orchestra to flee the road, and the end of the journey is the Museum of civilization. And they found that only 12-year-old stowaway Eleanor, and let her join the Travel Symphony. On the road, the discussion turned to Kirsten's tattoo and "survival"-a famous quote from Star Trek. Dieters don't like tattoos because they see someone die from an infected tattoo. Other people in the symphony talk about what they do, not remembering Star Trek and nostalgic air conditioners. Kirsten began to recall Alexandra. She
Toronto-born Broolyn-based Harris Eisenstadt is not only an efficacious drummer but also a skillful composer and arranger. With 19 records already under his belt and precious collaborations with highly respected jazz figures such as Sam Rivers, Yusef Lateef, Nate Wooley, Tony Malaby, and Bennie Maupin, Eisenstadt feels comfortable playing both small and large ensembles.
For my concert write up, I attended the UCR Chamber Singers Valentine's concert on February 9th at the Culver Center of the Arts in downtown Riverside. It was a mix of ensemble pieces, solos, duos, and trios. The setting for the performance was a beautifully lit spot in the center surrounded by art. The audience seats were set up close to the performance area, in about 5 or so rows surrounding the front half of the 'stage'. By the time the performance started, it was nearly full, seemingly diverse, and made up of all ages. Certain members of the audience were very responsive to each performance and it was very easy to tell who was engaged and enjoying the show. They showed this by smiling, laughing, making eye contact, and recording, or taking
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
A third and final tune that both Ella and Billie performed is “Willow Weep for Me,” with Ella recording it in 1960 on Hello, Love and Billie recording it in 1956 on Lady Sings the Blues. In Ella’s rendition, she again expertly exercises her range, going from highs to lows easily, and still keeping the tempo slow. This song is actually an impressive piece of work for Billie, who utilizes her vocals to the best of her ability, and is able to thoroughly embody the
Lindsay Sanwald transforms into a free version of a being in the form of Idgy Dean. Coming from Brooklyn, New York, Idgy Dean's latest album OMINOUS HARMINUS is an 8 track vivid journey of sounds. The Psychedelic-pop woman credits and dedicates her tracks to "all the people who couldn't stay," bringing attention to the memory of her late father. With such a heavy dedication, and inspiration, the creativity and true emotion of Dean shines on this album, and notably in the experimental sounds.
Throughout history, women’s only function in music was as a muse, as a man’s “impulse support, and consolation”. However, through Amy Beach, “one of America’s leading composer”, we know that women can be more than just an inspiration for men. Despite being tied down by her aristocrat background, she went against the expectations imposed on her by society and succeeded. Her life remains an example that it isn’t women who are incapable of becoming great composer and musicians but rather the societal limitations that are hindering their success.
On Wednesday, March 22nd, I watched a DVD performance, Gustavo Dudamel and the Los Angeles Philharmonic: The Inaugural Concert, which was performed on October 8th, 2009 at the Walt Disney Concert Hall. The performance consisted of instruments in the Woodwind family such as: flutes, oboes, clarinets, and bassoons. The Brass family: horns, trumpets, trombones, and tubas. The Percussion family: timpani, cymbals, triangle, tam-tam, and a bass drum. Finally, the String family consisted of: a harp, violins, violas, violoncellos, and double basses. Gustavo Dudamel conducted Gustav Mahler’s Symphony No. 1 in D Minor “Titan”, which composed of four movements which were: (I) Langsam, schleppend. Immer sehr gemächlich, (II) Kräftig bewegt, doch nicht zu schnell Recht gemächlich, (III)
On November 10, 2016, I attended a concert at Washburn. The concert I attended was located at White Concert Hall. It consisted of a baritone opera singer from California state University, a soprano singer, and a piano player. Dr. Anthony Radford was the name of the guest baritone singer from California. The soprano singers name was Dr. Andrea Gibson. Lastly the solo piano player’s name was Patricia Gibson.