Critical Analysis: Elaine Showalter on The Awakening In Elaine Showalter’s essay on The Awakening, she illustrates choices women writers faced; either of the narrative of conformity of being a housewife or not conforming of being an artist, but living a single life. At the time when Kate Chopin wrote this novel, was not a common choice. Artwork by women was outside the norm and was often banned, as was her work for this time. Many people considered Edna’s choices in The Awakening to be trying to influence women to breaking the family unit. Nineteenth-century women accepted the idea of passionlessness created sexual solidarity among women; it allowed women to consider their love relationships with one another of higher character …show more content…
The crashing of the waves are likely the contrast of values raining down upon her soul. Showalter believes water represents the fluidity of human spirit and the blood, milk, and tears of feminism (Showalter 219). Agreeing with Showalter this to me also symbolizes the washing of all bad that many women do for their homes, a good cleanse of former views tied to patriarchal ways, and a celebration for liberated feminine thought. This makes me think of a rebirth of sorts from the unholy and unkempt to renewed fluidity and a wave of fresh, light, and foamy new …show more content…
Her twenty-ninth birthday party is a salient example from the text. My party has come and gone bye a few years back. The author describes her focus on minor transgressions like the Madame who shows at the last moment or the disagreeable remarks made at her expense in French, also the opulence and luxury displayed and all the while so very alone but surrounded by many friends. The text describes her as having “an acute longing for the unattainable” (Showalter 219) and I understand that she wants the power and glory of the riches without the trappings and all of the lady-like ways. Hers is an existence of indulgence, magnifying as her choices which do not match up with that of someone who is connected to wealthy society and a lady. However, this likely distance from others can bring her creativity which in many ways is an
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
Throughout Kate Chopin’s The Awakening, Edna Pontellier, the main protagonist, experiences multiple awakenings—the process in which Edna becomes aware of her life and the constraints place on it—through her struggles with interior emotional issues regarding her true identity: the confines of marriage vs. her yearning for intense passion and true love. As Edna begins to experience these awakenings she becomes enlightened of who she truly and of what she wants. As a result, Edna breaks away from what society deems acceptable and becomes awakened to the flaws of the many rules and expected behavior that are considered norms of the time. One could argue that Kate Chopin’s purpose in writing about Edna’s inner struggles and enlightenment was to
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
The Awakening, by Kate Chopin seems to fit neatly into twentieth century ideals. Chopin addresses psychological issues that must have been difficult for people of the late nineteenth century to grasp. Just as Edna died a premature death, Chopin's book died too. The rejection of this book, at the time, ironically demonstrates the pressure many women must have felt to conform to society. Chopin shows the reader, through Edna Pontellier, that society restricts women the right to individuality. This restriction by society can be seen in the clothing Victorian women wore during the time.
This essay will include “The Necklace”, “Civil Peace”, and “The Thrill of the Chase”. The necklace is a great example of how our desires can create tragedy rather than happiness. Madame Forestier would have rather been idolized for her wealth instead of buying items that grant her survival. She says,”It’s just that I have no evening dress and so I can’t go to the party.”
As a teenager, Marie spent her time enjoying Versailles' and Paris' night life with a notorious clique and fondness of making fashion statements through extravagant couture and bold coiffures (“The Grand Dauphin”). ...
Edna's Awakening Kate Chopin's "The Awakening" is a work of litature like none other I have read. It is not hard to imagine why this major work of Chopin's was banished for decades not long after its initial publication in 1899. Most of society did not like the fact that "The Awakenings" main character, Edna Pontellier, went against the socially acceptable role of women at that time. At that time in history, women did just what they were expected to do. They were expected to be good daughters, good wives, and good mothers.
In “Tradition and the Female Talent: The Awakening as a Solitary Book,” Elaine Showalter makes a compelling argument that “Edna Pontellier’s ‘unfocused yearning’ for an autonomous life is akin to Kate Chopin’s yearning to write works that go beyond female plots and feminine endings” (204). Urging her reader to read The Awakening “in the context of literary tradition,” Showalter demonstrates the ways in which Chopin’s novel both builds upon and departs from the tradition of American women’s writing up to that point. Showalter begins with the antebellum novelists’ themes of women’s roles as mothers—especially the importance of the mother-daughter relationship—and women’s attachments with one another and then moves to the local colorists of the post-Civil War who claimed male and female models but who wrote that motherhood was not a suitable partner for the true artist. According to these women writers, a woman had to choose to be either an artist or a wife and mother; one negatively affected the other. The literary history then delves...
Mac Shaughnessy Mrs. Schroder AP Literature January 2, 2017 The Awakening Essay In the novel, The Awakening by Kate Chopin, many characters are able to influence the protagonist of the novel, Edna Pontellier, through their views on life, culture, class, gender and creed. Social values in the book were very progressive for the time when the novel was initially released, giving a sort of scandalous vibe to readers. With this, Kate Chopin was able to have a wide range of characters from the average, respectable housewife, Adèle Ratignolle, to the free-spirited, frowned-upon single women, Mademoiselle Reisz.
In the short story “An Adventure in Paris” by Guy De Maupassant an unnamed woman seeks for adventure, love, and excitement. An unnamed narrator starts to explain the inner nature and curiosity of a woman. The story transitions to the point of view of an unnamed lawyer’s wife which allows us to see her deepest desire to travel to Paris and be part of the lavishing life she has seen in the magazines. To escape her regular routine she makes a plan to go to Paris; however, her family members are only middle class and cannot help her fulfill her desire to live the life of a celebrity, fame, and fashion. Just when her trip seems to be monotonous she comes across the chance to live the life of an extravagant person. This chance happens when she meets Jean Varin, a wealthy author, in a store wanting to purchase a Japanese figurine. When Varin decides that the figurine is too expensive the lawyer’s wife steps up to buy the figurine which causes Varin to notice her. She flirtatiously invites herself into Varin’s daily activities which intrigue Varin. As the day closes she invites herself to Varin’s house and has an affair with Varin; however, she doesn’t feel she is satisfied because of his many needs. She anxiously waits till morning to come so that she can leave which only confuses Varin. When Varin asks her why she is leaving after all they have been through she states that she wanted to know what depravity felt like; however, it was not what she expected. The central idea of the story is about a woman’s psychological desire for romance, adventure, and an opulent lifestyle that leads to curiosity and the immoral act of adultery.
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
Authors like Chopin helped people realize what was going on during the 1800s. They were able to incorporate the thoughts of women, and what duties society expected them to fulfill during the era. Although these authors were criticized because of what they wrote, they were honest with their opinions and outlooks. According to the Los Angeles Sunday Times, Chopin “…wanted to preach the doctrine of the right of the individual to have what he wants, no matter whether or not it may be good for him” (4). The Los Angeles Sunday Times acknowledges that Chopin’s focus was to convey the rights of women no matter how consequential it might be. Kate Chopin’s upbringing, views on society, and the era she lived in are all incorporated in her novel The Awakening, which expresses the inequalities between male and female.
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Elaine Showalter defines Ophelia in many typical ways in her essay "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism." She discusses her significance in reference to how she reveals Hamlet's characteristics. Showalter touches upon the idea that Ophelia's character is one that is symbolic of the psychiatric theories of Freud. Showalter also attributes the characterization of Ophelia to not only the audience, but also to the actress that plays the part. Never does she suggest that Ophelia could be just that, "Ophelia." Her entire article is devoted to individual interpretation of the play in its entirety, focusing primarily on Ophelia. Showalter presents her own ideas by bringing together the ideas of many others such as Jacques Lacan, Susan Mountfort, Ellen Terry, and more. Showalter provides suffice evidence in addressing each argument, but in doing so, she never takes into account the possibilities of Shakespeare's reasoning.