Edwin Booth

1359 Words3 Pages

Born on November 18, 1833 near Bel Air, Maryland, Edwin Thomas Booth was the son of Junius Brutus Booth and Mary Ann Holmes. He was the seventh of ten children, six of whom lived to adulthood. Edwin’s father was an actor, and Edwin used to accompany him on tours to make sure he wasn’t drinking. It was then he was introduced to theater, and it was at fifteen years old when Edwin made his stage debut as Tressel in Richard III. (Giblin, 2-20) From then on, Edwin was captivated. His life was not perfect though, in fact, much of it was darkened by tragedy and sadness. Edwin Booth overcame his tragic personal life to become one of the most accomplished and well-respected American actors of the nineteenth century. Edwin was never without sorrow or regrets. His father, Junius Brutus, caught a severe cold on a ship from New Orleans, up the Mississippi River heading to Cincinnati. It caused him to become very thirsty and parched, and his father drank glasses of contaminated river water. On November 30, 1852, the famous actor died. Edwin was only nineteen years old when he heard the news, and it brought on waves of depression. Edwin developed a drinking habit trying to escape from his depression, much like his father. (Giblin, 27, 31) After his father died, Edwin (who was living in San Francisco at the time) performed with local theater companies. On April 25, 1853 Edwin played Hamlet for the first time. Critics were impressed and forecast an impressive future for the budding actor. “We can even predict a high degree of success for the promising young artist when he shall have overcome a few disagreeable faults in intonation and delivery, and reached a profound conception of the part.” –Ferdinand C. Ewer for the Daily Alta California (G... ... middle of paper ... ...m, but he still went on with his acting. On April 4, 1891, he played Hamlet for his last time on stage. The performance was average, but Edwin’s fans were never disappointed in seeing him act. During some parts of the show, Edwin showed his true brilliance, and critics noticed. “The familiar words seemed to come from Booth’s lips for the first time,” David Belasco, a Broadway producer said, referring to the “To be, or not to be” soliloquy. (Giblin, 216) Edwin Booth suffered much of his life with grief and gloom, but he never let it get in the way of theatre. He always returned to the stage, performing in many tours, breaking records, gaining international admiration, and earning the high opinion of critics. This was more than most actors of his time could say, making Edwin one of the most accomplished and well-respected American actors of the nineteenth century.

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