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Research on gender roles in literature
Gender equality in literature
Gender equality in literature
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Recommended: Research on gender roles in literature
Throughout literature in history, women have been viewed through many lenses. The treatment of women ranges from degrading horror stories, to the reciprocal stories of women’s justice and triumph. Two authors in particular, Edwidge Danticat and Graham Greene, take one perspective on women. Danticat, being a strong woman herself, relates her own encounters with men to “The Dew Breaker.” In the same light light, Greene objectifies women in “The Power and he Glory.” Both novels view women through the eyes of the common man, restricting women’s social freedom and dignity. In the novel “The Dew Breaker,” by Edwidge Danticat, women are viewed as inferior to men. Danticat uses her personal experiences as a Haitian woman to create characters in her book. …show more content…
The best representation of this is found in the chapter titled “The Funeral Singer.” This chapter involves three women from Haiti trying to attain a degree in the English language. Together, they gather at a Haitian restaurant to do their homework. One of the students, Rézia, owns the restaurant. Through their studies, the women are able to socialize and share stories of their past. The chapter portrays the agony of all three women. We learn that they were forced to flee after Mariselle’s husband is shot. The narrator verbalizes her feelings by saying; “Four scones and seven tears ago, our fathers blew up this condiment,” to convey the women’s personal suffering (Danticat 165). Rézia, another one of the women, tells how she had been treated as an item and raped by a man while she is sleeping at her aunt’s business. Danticat writes; “She said this man had threatened to put her in prison if she didn’t let him have it that night,” supporting the argument that women were viewed as items (173). It is clear that Danticat uses Rézia, as well as the other two women, to show how unfairly women are being treated. All of the women in the book have
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
When we consider the patriarchal societies presented in Cat on a Hot Tin Roof by Tennessee Williams (1954), Frankenstein by Mary Shelley (1818) and Othello by William Shakespeare (1602), and attempt to draw conclusions between them, perhaps due to the two-hundred years passing amid the texts, the patriarchal society presented in Othello, one which values bravery and honour, as seen in act I scene II, by Othello ascribing Desdemona’s love of him as owing to the “battles, sieges, fortunes that I have pass’d”; contrasts with that shown in Frankenstein, whereby, as Dr Siv Jannsson comments, Shelley reveals the, “confrontation between a scientific pursuit as seen as masculine and a feminine nature which is perverted and destroyed by masculinity”2. Consequently, these differences allow us to establish how far the treatment imposed upon women in the texts, is due to the differing patriarchal societies presented by the writers, or whether the suffering of the women, is caused by the individual dispositions of the male and female characters. Yet, what makes this question so intriguing is that, despite the age gap between the texts, each writer presents universal truths about human nature, jealousy and ambition. In contrast to Othello and Frankenstein, whose main female protagonists are relatively ineffectual; Williams presents Maggie in Cat on a Hot Tin Roof, as a strong woman enduring the patriarchal society, yet simultaneously challenging it to save her husband, Brick, from his flaw of alcoholism.
In the late 19th century and early 20th century, idea for the equality of women began to ignite a fire within the world. Women wanted to fight oppression and have a chance to experience the same rights as men. However, although suffragettes would not fight fire with fire until a couple of decades later, the idea of escaping societal roles and gain freedom within society and marriage possibly inspired literary works during this time period. These issues of the inequality between men and women in marriage and society plays strong roles in literary works. In “A Doll’s House” by Henrik Ibsen, “Trifles” by Susan Glaspell, and “The Yellow Wallpaper” by Charlotte Perkins Gilman all have something in common: the women are oppressed by the men and society, and ultimately pull away from their societal roles and break free.
The subjugation of women is a key theme across my three chosen texts, Othello, The Great Gatsby and Wuthering Heights, that is presented both subtly and obviously through forms of physical, sexual and mental denegation. As a subtler example of subjugation, each woman is ultimately controlled and manipulated by a male figure, whether it be through Othello’s suppression of Desdemona upon believing she is unfaithful, Heathcliff’s domination over Isabella or Tom Buchanan’s economic control of Daisy via his financial stability within a class defined society. This confirms Evelyn Cunningham’s perception that, “Women are the only oppressed group in our society that lives in intimate association with their oppressors”, notably in the way that women’s roles are dictated and restricted by the domineering, patriarchal men in their lives, however there are still aspects of female rebellion in each of the texts.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Throughout time women have been written as the lesser sex, weaker, secondary characters. They are portrayed as dumb, stupid, and nothing more than their fading beauty. They are written as if they need to be saved or helped because they cannot help themselves. Women, such as Daisy Buchanan who believes all a woman can be is a “beautiful little fool”, Mrs Mallard who quite died when she lost her freedom from her husband, Eliza Perkins who rights the main character a woman who is a mental health patient who happens to be a woman being locked up by her husband, and then Carlos Andres Gomez who recognizes the sexism problem and wants to change it. Women in The Great Gatsby, “The Story of an Hour,” “The Yellow Wall Paper” and the poem “When” are oppressed because the fundamental concept of equality that America is based on undermines gender equality.
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
“On her eighteenth birthday, my mother had disposed of a man-eating tiger that had ravaged the villages in the hills north of Hanoi. Now, without a moment’s hesitation, she raised my father’s gun, took aim and put a single, irreproachable bullet through my husband’s head.” (Carter 44) The role that women portray in the works of both Joyce and Carter is femininity. The advocacy of women 's rights on the grounds of political, social, and economic equality to men is called feminism. The author’s portrayal show that the man does not have to be more superior and that the woman can be equally as intelligent. We can see that the superhero is not always a man and that a woman can save the day as well. In “The Dead” there is a woman who embarrasses
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
Rebekka, Lina, Florens, and Sorrow all experience the unimportant role of females during this time. The four women live in fear for their lives, and are subject to the merciless world filled with men and hierarchy. It does not matter whether you are a slave, free, European, or African. If you are a woman, you are presumed to aid for others, and anything that you want to do or be in life is disregarded. Women are not given the chance to truly live they way that they want to, and are stripped of their right to freedom and an unrestricted
Throughout literature’s history, female authors have been widely recognized for their groundbreaking and eye-opening accounts of what it means to be a woman in society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women characters in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a woman during the time of the Restoration Era and give authors and essayists of the modern day, such as Chimamanda Ngozi Adichie, a platform to become powerful, influential writers of the future.
Women have taken an increasingly important role in literature. Only recently have authors portrayed women in a dominant, protagonistic light. Sophocles and other classical writers portrayed women more as reactors than heroines. Since the ancient Greeks, however, a trend has been established that gives women characters much more substance and purpose. A definite shift from the antediluvian ways can be seen, and the overall complexity of women characters has increased exponentially. In Conrad?s Heart of Darkness, however, the portrayal of women takes a backwards step and is reverted back to the primitive, more demeaning viewpoint. Conrad employs characters that reflect the archaic perspectives concerning women. The main character, Marlow, generalizes all women and depicts every woman as living in a dream-like state merely ?going through the motions? of life.