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Social commentary on edward scissorhands
Social commentary on edward scissorhands
Social commentary on edward scissorhands
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The Tim Burton Film, Edward Scissorhands, is about a man made character named Edward. Edwards’s creator was a scientist who unfortunately died before he was finished making him. In fact, he was nearly done with Edward but was unable to give the character hands. Therefore, Edward dangerously has scissors for hands, hence his name. After the death of the inventor, Edward was left alone in the mansion on top of the hill. A door-by-door sales representative named Peg was determined to sell her product to the owners to the mansion, so she walked inside of the house when no one answered the door. She was surprised to see Edward in the corner of the upstairs room, all alone. Peg has a big heart and made Edward come live with her and her family so …show more content…
The ending goes back to the grandma and little girl. Basically, the older woman was telling the little girl the whole story of Edward throughout the movie, the audience now realizes this and are now thinking why is this older lady and girl are so important. But what she doesn’t tell the audience is that the older woman is the daughter that Edward fell in love with. The line that really gave it away that the older lady was the daughter was when she was talking about the snow and her saying “sometimes you can still see me dancing it in” which is a reference to the scene where the daughter was dancing in the snow earlier in the movie. That was the line that the filmmakers were trying to hold off as long as possible. Holding that line till the very last minute of the film made the movie have the most intense “aha” like moment. Immediately after she said that dialog, we cut back to Edwards house. Where Peg found Edward in the beginning stands a bunch of ice sculptures that Edward created, one being a sculpture of the daughter dancing in the snow. Editing wise, the juxtaposition between the two scenes fitted nicely together to have an overall great ending that the audience will understand. I believe that they did the jump cuts between the bedroom and the mansion is to show that she really is thinking and still cares for Edward after all of these years. I
From the very beginning, Edward is cast as the monster – but is he really? We first see Edward when Peg searches for the owner of a dark, ominous, gothic mansion. She climbs up a set of gigantic spiral stairs that lead to “Edward’s room”. The setting is quite dark and the only lighting is coming through a gaping hole in the roof. Her curiosity gets the better of her, and as she examines this foreign place, we can hear in the bac...
Use of Allusion and Symbolism in Edward Scissorhands Nothing just happens in film. Directors all make certain choices in production in order to invite a particular response from the audience. The film, Edward Scissorhands is based around the introduction of a social outcast into a community and his attempts at acceptance. Although at first he is accepted whole heartedly and somewhat smothered, he later learns that despite how human he is, he cannot co-exist in the same world due to his differences.
Everyone has that one friend who is a complete goofball: the one who is just different from the rest and can be a little abstract. The misfit may be easy to spot in a crowd and be judged; however, Tim Burton accepts the oddball and takes the concept of character dramatization one step further. Through his movies, Edward Scissorhands and Charlie and the Chocolate Factory, the outcast tries to break through the social barrier by reaching out to the community and trying to fit in. With Burton’s imaginative characters, Burton shows how being an outcast gives a person the potential for success.
Edward exercised in a way that was excessive, violent and on the verge of punishment, he also ate food sparingly, he was practically suffering from anorexia and worried excessively about the way he looked particularly about the thinness of his legs, he had slight OCD, an unusual manner of speaking, social insensitivity and often had nervous tics such as constant fiddling, this is why some believe Edward may have suffered from Autism or Asperger's Syndrome, some thought Edward may ha...
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
Quentin Tarantino’s Pulp Fiction is one of the most daring, puzzling, and ultimately exciting pieces of cinema to hit the screen in years. As wholly original as it is a copy of hundreds of films before it about tales of hit-men and criminals, it dares you to step out of the dull and enter a colorful, exhilarating world that could only be Los Angeles. The intensity level of the movie is off the scale. People are laughing like crazy in the theater to the intelligent dialog and other scenes that have the audience gasping for air in shock over what just happened. Although one might say that Pulp Fiction is overly violent and disturbing, it is in fact, one of the greatest movies ever produced. Quentin Tarantino’s incredible screenplay, the intensity of the actors, and music to set the mood, created movie worthy five stars.
Would you let a man with scissors for hands in your, that you found in a dark evil-looking castle? I know I wouldn’t, but a mom named Peg would. Peg, who is very empathetic, decides to go sell Avon to the evil mansion across the street, but then finds a boy with scissors for hands and decides to take him home. Edward seems to be doing fine in the community, but is soon seen as a monster because he is framed by a bully name Jim. The movie is Edward, the protagonist, trying to recuperate his innocence and he won’t stop until he does. Throughout the movie, director Tim Burton used the stylistic elements of juxtaposition and symbolism to show the character’s personalities and to show how some places in the story are opposites.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
The true test of a film’s greatness is time. The 1984 science-fiction/comedy classic, Ghostbusters, has stood the test of time, producing both a sequel (in 1989) and a hit cartoon series. Ghostbusters is the story of three offbeat scientists interested in paranormal matters: Peter Venkman (played by Bill Murray), Raymond Stanz (played by Dan Aykroyd), and Egon Spengler (played by Harold Ramis), who have just lost their university grant, and are suddenly forced out onto the streets of New York. What will they do now to survive? After taking a third mortgage out on Ray’s family home, Peter, Ray, and Egon decide to pursue the idea of catching and containing ghosts in the private sector. Their business, fittingly named: “Ghostbusters”, starts out slow, but quickly the word spreads of their ghost investigation and extraction services. Within seemingly no time at all, the Ghostbusters are a hot commodity in New York where ghost activity is on the rise.
Tim Burton’s movie Edward Scissorhands explores the idea of an outcast by applying symbolism in a variety of ways. The journey that Edward faced while trying to become part of society falls under the typical “hero story archetype,” but Burton’s unique symbols make the story unprecedented. One symbol that illustrated the theme of individuality was the costuming. When Edward first was found he was wearing leather from head to toe, but Peg gave him a dress shirt and pants to wear so he would fit in with the rest of the neighborhood. Even though he put the clothes on without hesitation, he never took off his leather attire, which implies that although he could be changed on the outside, on the inside he refused to conform. Furthermore, as the movie progressed, Edward’s social acceptance declined rapidly. In turn, Burton made Edward’s costume slowly tear up, until the “mob” scene where he ripped off the dress shirt completely, which showed how he will never become what everyone else wanted him to be. Another symbol Burton included in Edward Scissorhands that sup...
Film adaptations based on particular works such as Dickens’s Great Expectations are not the only means through which we get a glimpse of Victorian culture and society. Animated films such as Tim Burton’s Corpse Bride (2005) represent the Victorian era through humor and exaggeration and reveal Burton’s awareness of 19th century English society. In his study Gothic Fantasy: The Films of Tim Burton, Edwin Page argues that Burton’s films are not realistic in nature, but like fairy tales they communicate through symbolic imagery, as they speak of “things far deeper within our conscious and subconscious minds than most films would dare to delve” (7). His films are believed to be personal and reflect dark humor, as he combines elements of fairy tales, the gothic, parody and grotesque. Most importantly, Burton usually identifies himself with subordinate characters in horror films that exhibit grand melodramatic emotion and also finds himself “identifying with the monsters rather than the heroes, as the monsters tended to show passion whereas the leads were relatively emotionless” (13). The monsters in his films symbolize the outsider and the alienated, a figure that defies society and is almost always exaggerated in representation. Significant examples from his numerous films include Edward in Edward Scissorhands (1990), demonic Mrs. Lovett and the blood thirsty barber in Sweeney Todd: The Demon Barber of Fleet Street (2007) and the tragicomically grotesque jilted bride Emily in Corpse Bride (2005).
Specifically social isolation. Social isolation is the lack of social interaction with society or friends (Miller, 2011), neither which Edward had because he was not fully educated by his creator yet. Edward was all by himself in the mansion up the hill after his creator died. Because the creator died before he could teach Edward the basic lifestyle etiquette, Edward had hid himself in the mansion the whole time void of social interactions until Peg decided to venture into the mansion in hopes of selling cosmetics and ended up bringing Edward back to her home. The social isolation that Edward experienced since the death of his creator was quickly eased from him after he got introduced to the townspeople. The talent Edward had for having scissor as his hand was impeccable. He managed to capture the attention and trust of the townspeople in a short amount of time he was there. However, the attention that Edward had when introduced to the townspeople was short lived after he was arrested by the police for breaking and entering a home. Edward went back to his mansion after a few unsuccessful attempt of reconciliation with the townspeople. The study by Ahmetoglu, Swami and Chamorro-Premuzic, (2010) stated that reconciliation tactic was used to maintain positive relationship but it did not worked for Edward when he was trying to get back on the good side of the
...er he dies, Edward remained alone in his mansion for however long he was alive.
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
The movie that I have chosen to review is called the League of their own, which was based on a true story took place in during World War 2. The main focus of this film is fore the view to see that although baseball was a sport that was designed for man, women would be able to be just as good at it, if not better than man. Although it was the women who were going to be playing a man's sport, they would still have to act and be a lady and fallow certain rules.