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Line by line poem analysis
Line by line poem analysis
Line by line poem analysis
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In the 1920’s and 1930’s, Edward Estlin Cummings came up with an innovated and unique way of creating poetry. Although, many poets had created their own rules, Cummings broke all those classic rules and did what no one else had done before. He was a painter as well as poet and used both of his talents to create new poetry. The way Cummings exposes his poems help the reader to distinguish his attitude and go deeper into what he’s trying to say. Cummings can be most likely known for his unusual way to use punctuations. He uses white spaces on his poems as much as he uses periods, commas, and colons to make the reader think about his poems. As a reader, it is really hard sometimes to read or understand most of his poems, however it gives a creative …show more content…
What Cummings is trying to do in this poem is to emphasize what is important to him. So, “in” is not important, it’s a part to complete what he is going to say. However, “Just-” being capitalized gets the reader attention. The next line starts with “spring” if we put this in a whole sentence it would say “in Just- spring” and it can be referred as it only happens in this season, spring. This poem not only gives an example of capitalized letters, but also uses compound words and blank spaces. For example, “whistles far and wee/ and eddieandbill come/ running from marbles and piracies and it’s/ spring” (953). The words whistles and far have a big white space between them and also, he leaves blank spaces in each line of his stanzas. He uses this tool to cause emotions in the reader. When you read an article or any other type of poem, you stop when you see a comma, period or colons. However, Cummings poems makes the reader create their own pauses and wonder why those blank places are …show more content…
When you first read this poem is hard to understand the reason of this type of writing. Cummings did not use any periods, commas, or colons to create pauses. However, the use of some words and the way they are place in each line makes a clear understanding of what his poem is referring to. For example, he opens his poem with quotations marks, the reader can get confused at first, but at the end of the poem we realized that is a speech. Cummings did not punctuate his poems to emphasize the tone of the speaker. The speaker is opposing patriotism and is trying to convince others to see America the way is: people killing each other for liberty. Cummings also adds the compound word “deafanddumb” this can help the reader know that it’s only one word to say “everyone”, but using that makes the poem more interesting. By the end of this poem, Cummings closes with the line “He spoke. And drank rapidly a glass of water” Can you see how he uses the white space again? This help the reader pause and think about what he just read and relate it to the speech being told. The last part of this line tells the reader that the speaker used most of his voice and probably was yelling because of the need of
Fulton, Alice. “You Can’t Rhumboogie in a Ball and Chain.” Approaching Poetry: Perspectives and Responses. Ed. Peter Schakel and Jack Ridl. New York: St. Martin’s Press, 1997. 128-29.
The first poetic device the speaker uses to convey his or her meaning in this poem is the unorthodox grammar and sentence structure. The poem starts with the lines “anyone lived in a pretty how town / (with up so floating many bells down)” (1 – 2). In this case, this improper grammar reinforces the point that is the story of “anyone” (1). As such, the “how town” (1) represents the fact that the name of the town does not need to be specified, as this happens to everyone in every town. The speaker therefore alludes that the events of this poem are natural and they happen to anyone anywhere. E.E. Cummings deliberately uses “anyone” (1) and “no one” (12) as pronouns with ambiguous antecedents to generalize the poem’s meaning to society and all people in it. In this way, the speaker uses these thoughts as social commentary.
Edward Estlin Cummings was born in Cambridge, Massachusetts on October 14, 1894. He earned a BA from Harvard and volunteered to go to France during World War I with the Ambulance Corps. After the war, he stayed in Paris, writing and painting, and later returned to the US. He died in Conway, New Hampshire, in 1962. Cummings is one of the most innovative contemporary poets, he used unconventional punctuation and capitalization, and unusual line, word, and even letter placements - namely, ideograms. Cummings' most difficult form of poetry is probably the ideogram; it is extremely terse and it combines both visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot convey the same message if pronounced and not read. Four of Cummings' poems "la," "mortals," "!blac," and "swi" illustrate the ideogram form quite well. Cummings utilizes unique syntax in these poems in order to convey messages visually as well as verbally.
The poem does not have a perfect rhyme; however, it still has some rhythms making the poem connected. For instance, “Immortality” (line 4) with “Civility” (line 8), “finally” and “Eternity”; they all make the poem has beautiful rhythms and poetic musicality. Dickinson also uses many art techniques; for instance, personification and metaphors, to make the poem more appealing. Dickinson personified “Death” as a gentleman in the poem, which it the most important personification in the poem. Dashes are another literary trope commonly used by Dickinson, in this poem she also uses many dashes. Dashes can make readers’ reader speed slow down. Hence, readers can have more time to consider the meaning of the poem. Besides that, the tempo of the poem also influenced by the use of capital letters for common nouns. The speaker of the poem is a woman who has an unusual trip with death and immortality, at the end of the trip, the woman realizes that death is not the end of the
Robert Creeley, a famous American poet, lived from 1926 to 2005. Creeley was normally associated as a Black Mountain poet because that is where he taught, and spent most of his career. Throughout his life, Creeley wrote many different pieces of poetry. Four great poems by Robert Creeley are, “For Love”, “Oh No”, “The Mirror”, and “The Rain”. The poem “For Love”,was written by Creeley for his wife. In this poem Creeley explains, the love someone has for another person, and how complicated it is making his life because the person doesn’t know how to explain their love. “Oh No” is a poem that is literally about a selfish person who ended up in hell, but this poem has a deeper meaning. Part
Edgar Allan Poe’s poetry is a fascinating study of Gothic fiction that deals with darkness towards death and emptiness. On the other side his love for his wife (Virginia Clemm) somehow shined through his poetry. Imagine reading his poems for the first time, one could think Poe was a man possessed by a dark mind. A person with such darkness, yet at the same time expressed his love for his lovely wife Virginia Clemm through his poetry. In addition, Edgar Allan Poe was a person who suffered from depression and melancholy, he expressed his feelings through his writings. According to Douglas Birch, “Poe himself wrote that ‘I fell in love with my melancholy.’” Let’s take a trip inside a poet’s mind and the life of Edgar Allan Poe, through his
Magistrale, Tony. "The Art of Poetry." Student Companion to Edgar Allan Poe. Westport, Conn. ;London: Greenwood, 2001. 39-41. Print.
Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2. Berkeley: University of California, 1998.
Phillips 1 Alana Phillips Professor Jean ENC 1102 4 December 2014 Lost in Society Edward Estlin Cummings (E.E. Cummings) is a poet, a novelist, and an artist known for his individualistic style. Readers of all ages were drawn to his poems because of his unique form of unorthodox literary elements. Throughout his life, E.E. Cummings had many experiences which he projected into all of his writings including his famous poems. For example, after his father died, he wrote poems such as my father moved through dooms of love and others.
Cummings work is his pattern use of metaphors. Metaphors, much like capitalization make up a great deal of the poetry E.E. Cummings writes. In the poem “I Have Found What You Are Like”, this use of metaphors can be seen through the entirety of the poem. A great example of this is the metaphor; “...your smile is/stirringofbirds…”. The effect of this is for the reader (who has no knowledge of “you” prior to reading the poem) to understand what he sees and what he feels when he see’s “You’s” smile, even though they might not know them.
"Icarus", written by Edward Field, is based on the classic myth of Daedalus and Icarus but portrays it in a contemporary setting. Field uses specific details, structure, and diction to help him adapt this mythical tale of tragedy to a modern story relevant to today's society. Although much of the plot and the characters stay the same, the detail used by Field allows the reader to experience the modern adaption of the myth. Reference's to, "Police", "gangs", and "commuter trains" show the reader the setting of the poem as those things were non-existent at the time the Icarus myth is told in.
Literary critic, Brita Lindberg-Seyersted has noted that Dickinson’s language is more like that of a modern poet. Her rhymes and use of imagery are also viewed as modern. The uniqueness of her poetry “places
E.E. Cummings suggests, "feeling is first who pays any attention to the syntax of things." According to Cummings, poetry is purely defined by the feelings the poem expresses and syntax plays no role. This is evident when he writes "for life's not a paragraph And death I think is no parenthesis." While poetry must express feelings and must create "imaginary gardens with real toads in them." Poetry cannot be defined by these standards alone. After all, without certain rules to define poetry any expression of emotion can be defined as poetry. While it is true that the main purpose of poetry is to create worlds and express emotions, poetry must also accomplish more.
To begin with the poem flows very smoothly and evenly throughout. This is because of the perfect iambic meter. Iambic meter, with its emphasis on the second syllable and the division of the lines it creates, gives the poem a feeling that life flows into death without trouble. Lines one and three both have eight syllables and the second and fourth lines have six syllables. This shows that Dickinson went out of her way to make the poem feel this way and the smooth transition of lines contrasts the overall lack of full rhyme and the dashes the make it seem choppy. The en dashes, which Dickinson is known for doing throughout her poems, are used to force the reader to stop in weird place and take pauses in awkward spots. Dickinson starts off with a cold dull and blunt entrance to the poem with the line “I heard a fly buzz -- when I died --” (Baskett 340). The first en dash separates the two main topics in the poem, the transition from life to death and the fly. In the first stanza there are only four dashes as well, proposing that the person has little interference compared to the last stanza which is preceded by the introduction of the fly “There interposed a Fly –“ (12) . Once the fly interrupts there are suddenly substantially more dashes going from three to seven because the fly has entered and this gives a uneasy feeling of the world around slowly flickering
Through alliteration and imagery, Coleridge turns the words of the poem into a system of symbols that become unfixed to the reader. Coleridge uses alliteration throughout the poem, in which the reader “hovers” between imagination and reality. As the reader moves through the poem, they feel as if they are traveling along a river, “five miles meandering with a mazy motion” (25). The words become a symbol of a slow moving river and as the reader travels along the river, they are also traveling through each stanza. This creates a scene that the viewer can turn words into symbols while in reality they are just reading text. Coleridge is also able to illustrate a suspension of the mind through imagery; done so by producing images that are unfixed to the r...