It is in his concepts of man versus himself, his studying of light, capturing a moment and use of large shapes to flatten space that makes Edgar Degas an impressionist. In comparison to his peers, Degas has a tight style of painting and defined, characterized, figures; yet, it is not style that defines impressionism:
“Unlike realism, impressionism rarely responded to politics… impressionist painters preferred genre subjects, especially scenes of leisure activities, entertainment and landscape, and impressionism was more influenced by Japanese prints and new developments in photograph…” (Adams, 805)
Laurie Schneider Adams defines the impressionist movement, being careful not to describe the use of paint and its thick application. She does this to clarify that impressionism is a concept not a style. While most impressionist do coat their canvas, style is second to the idea that the observed properties of light and color. It is in this understanding that Edgar Degas’ Ballet Dancer with Arms Crossed is an impressionistic painting.
With an asymmetrical composition, Edgar Degas’ 1872 painting, Ballet Dancer with Arms Crossed is 24 1/8 x 19 7/8 inches large. Large graphic shapes, mostly red or yellow in tone, form a brooding dancer. A sensation of three dimensionality is achieved with two light sources, one bring and the other dim. The front of her body is dimly lit, allowing soft light to give great detail to the collarbone and face. Although never confirmed, this painting is most likely one of Degas numerous sketches. A notorious perfectionist, Degas would often bring his original charcoal drawings to finish in order to prepare for a future piece.
Before impressionism, during the realist movement, there was an underlining message of man versus nature. With the industrial revolution, a new message arrived: man versus himself. This message was most evident in Degas’ many equestrian paintings; Laurie Schneider Adams states,
“In At the Races, Degas’ figures are in a state of restlessness… At the left, a single horse gallops into the picture plane as his jockey reins him. The arrested movement of the galloping horse draws attention to the distant train that continues on… Degas refers to the contrast between mechanized and natural movement and to the changing modes of transportation created by the industrial revolution.” (Adams, 821)
The industrial Revolution continued mans affair with himself: the ambition to always perfect, refine, and move forward. Degas often composes natural and unnatural forms juxtapose, in Ballet Dancer with Arms Crossed the comparison is in light.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Impressionist paintings can be considered documents of Paris capital of modernity to a great extent. This can be seen in their subjects, style of painting, and juxtaposition of the transitive and the eternal.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
Abuse takes on various forms ranging from physical, mental, emotional, and neglect. Abuse is not limited to one particular group culture, but happens to people from all walks of life. Women are often the victims of abuse especially when dealing with spousal or intimate partner valance. Each year, increasingly more women have been reported to be victims of some form of spousal or intimate partner violence. Generally in a relationships abuse being to happen, the abuse begins to forms or a combination of the two. Physical violence or abuse is the first form in which actual violence takes place in the mental abuse. In this form of abuse actual violence does not occur, but the abuser is the demander or belittles the victim, causing the victim to feel worthless; other abusers combine the two forms. The emotional or mental abuse is by far the worst. According to Reed and Enright (2006) “Spousal psychological abuse represents a painful betrayal of trust leading to serious negative psychological outcomes for the abused partner,” (R. The main purpose of spousal or intimate partner abuse, contrary to popular belief, is to inflict emotional pain, not physical pain. There are several categories of spousal psychological abuse; criticizing ridiculing, jealous control, purposeful ignoring, threats of abandonment, threats of harm, and damage to personal property spousal abuse produces a more negative emotional affect when compare to physical abuse. The negative physiological affects produce depression, anxiety, low self-esteem, and post traumatic stress disorder.
The 19th century was a time of massive change socially, politically and scientifically. This time saw the rise of Imperialism and of the Industrial Revolution in Britain, seeing massive changes in the way industry was run. Also during this time the literary movements of Romanticism and Victorianism emerged. Romanticism dealt with the issues of reality versus illusion, childhood and man versus nature. The first book I will examine in this essay, Mary Shelley’s Frankenstein, comes from this literary period and focuses on the man versus nature theme, namely the theme of scientific development and it’s contrast to nature. The second book I will look at in this essay comes from the Victorian period of the 19th century. This period saw the rise of the Industrial Revolution and of huge social and political change. Hard Times by Charles Dickens deals with these issues very closely, focussing mainly on the rise of industry in Britain and its effects on the people of Britain. Both of these novels challenge the social, political and scientific developments of the 19th century, namely the advent of science and technology.
Picasso ignored the traditional aesthetic canons governing the representation of the female nude. The bodies are deformed. The woman sitting presents both his back and his face. The influence of African art, which replaces that of Orientalism of the nineteenth century, is very clear in the
...uring his later years; he painted almost no people in his work as he physically ripened. Both these artists’ lifestyles largely affected the aesthetic principals in their works. Degas depicts incredible detail on his subjects foreground and faces in particular while leaving the backgrounds of his works slightly hazing; therefore rendering them almost unimportant to his works. An example of this would be one of Degas earlier works: “Achille De Gas in the Uniform of A Cadet” c. 1855. However, Monet varied his work much more than Degas did. The evolution of Monet’s artistic style was extreme.
In Franz Kafka’s the Metamorphosis, the author conveys the consequences of the Industrial Revolution on the working class of society as they became increasingly dehumanized through Gregor Samsa’s transformation into a bug as he slowly loses his human characteristics and privileges as a human.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
In addition to these two works, Degas seemed to be particularly interested in the subject of ballet across many of his other works as well. He focused on elements such as its elegant scenery, costumes, and movements made by the dancers themselves. He was fascinated by the spontaneity of the performance and yet the amount of restraint that must be exercised by its participants at the same time. More often than not, Degas chose to recreate the ballerinas who were off guard. For example he chose to depicting them as they stood backstage in an ...
Dementia is defined by the World Health Organization as a syndrome due to damage of the brain cells that most often chronic and progressive in nature. Some of the cortical functions that become impaired include memory, thinking, orientation, comprehension, calculation, learning capacity, language and judgment. Other manifestations that may accompany this disease are deterioration in emotional control, social behavior or motivation (Ouldred & Bryant, 2009) Dementia is not a normal part of aging, however it occurs most frequently in the older population. Fifteen percent of Americans over the age of sixty-five have dementia, and as the average life span continues to increase, so will the number of those affected by dementia (Fredman, James, Johnson, Scholz, & Weuve, 2012). The purpose of this paper is to discuss the pathophysiology, risk factors, symptoms, and treatment options for different types of dementia.
Seemingly redefined, art during the time period of Impressionism had astounding beauty, almost unseen at that time. Depicting light and movement on a canvas was a huge part of the Impressionist style. Artists started to use brighter colors, more casual poses, less harsh brushstrokes, and more graceful styles, as shown in Blue Dancers c. 1899 by Edgar Degas. Utilizing vibrant colors like blues, greens, and pinks, an unusual vantage point, and the depth created from the layering of pastels, Degas illustrates a stunning picture of graceful dancers getting ready for their ballet performance.
Traditionally, the medical model dominated research on dementia, and studies on the lived experiences of people with dement...
Pablo Picasso was one of the most recognized and popular artist of all time. In Pablo’s paintings and other works of art, he would paint what he was passionate about and you can see his emotions take control throughout his paintings and other works of art. Pablo Picasso works of art include not only paintings but also prints, bronze sculptures, drawings, and ceramics. Picasso was one of the inventors of cubism. ” Les Demoiselles d'Avignon” is one of Picasso famous paintings; this is also one of Pablo’s first pieces of cubism. Picasso went through different phases in his paintings; the blue period, rose period, black period, and cubism. Picasso was a born talented artist, with his dad setting the foundation; Picasso became the famous artist of the twentieth century.