Edgar Allan Poe’s Tale of the Ragged Mountains and Lovecraft’s The Outsider
Both Edgar Allan Poe and H.P. Lovecraft were known for their tales of horror, shocking discoveries and mysterious characters. Lovecraft was known to have mimicked Poe’s style in his popular horror stories of the early 20th century. Poe, one of the most famous writers of short stories and poems in the 19th century, amazed readers with his rich descriptions and chilling plots. Neither disappoint in two of their stories: Poe’s “Tale of the Ragged Mountains” and Lovecraft’s “The Outsider.” Although these are not the most famous of each authors’ works, scholars often debate over the meaning and themes of each story. One common theme in both the stories is the shocking discovery made by the characters. In “The Outsider,” the narrator discovers his true identity by glancing into a mirror as he explores his new world. “A Tale of the Ragged Mountains” tells both of Bedloe’s discovery of the similarity of Oldeb’s past to his own, as well as the narrator’s discovery of who Bedloe might actually be, himself. The common thread between the two lies in those discoveries, and also in the entrance of each to a new, foreign world; however their personal reactions to their respective discoveries are very different.
In his “Outsider,” H.P. Lovecraft tells the story of a man who lives in a dark, musty world, void of any light. His entire knowledge comes from the thousands of books that line the dark wet castle he inhabits. Since he has never seen another person, he can only imagine the human language or what he himself looks like. After scaling a tall tower, he stumbles into a world above his, on a night with a clear moon. His joy i...
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...ered the writer and his style. Their similarities are common in many of their stories. The themes of these two works are no exception, and share many mutual points, despite the plot differences.
Works Cited
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Edgar Allan Poe, an often misinterpreted literary mastermind, known predominantly by his extraordinary tales of horror, forbidden love, madness, and mystery, is more than meets the eye. Though his genres of expertise may indicate otherwise, Poe was a very social person, a gentleman by trade, and he possessed more hands-on military experience than any other major American author in history. As a writer, Poe gained a great deal of his inspiration from his surroundings. His enlistment in the army contributed significantly to his repertoire, and inspired some of his greatest works, including “’The Gold Bug;’ ’The Man Who Was Used Up,’ a satire of southern frontier politics; ‘The Balloon Hoax,’ set along the mid-Atlantic Carolinas coast; ‘The Oblong Box,’ involving a voyage out of Charleston harbor; [and] ‘The Cask of Amontillado,’ possibly based on a Fort Independence/Castle Island Legend”(Beidler, Soldier 342). The death of his mother and his unfortunate love life played another major role in his authoring, giving him the ability to write about “. . . the intense symbiosis between love and hatred . . . [illustrating that] love is seldom as simple or as happy as popularly hoped” (Hoffman 81). Poe’s chilling tales remain popular today, and have a long history of providing inspiration for major books and other cultural staples of entertainment.
Socrates was wise men, who question everything, he was found to be the wise man in Athens by the oracle. Although he was consider of being the wises man alive in those days, Socrates never consider himself wise, therefore he question everything in order to learned more. Socrates lived a poor life, he used to go to the markets and preach in Athens he never harm anyone, or disobey any of the laws in Athens, yet he was found guilty of all charges and sentence to die.
If a human being is a material composite substance, she does not have freedom in the libertarian sense. (3,4)
New York: A.C. Armstrong & Son., 1884. xv-xxvi. EPUB file. Sova, Dawn B. "Poe, Edgar Allan.
Poe, Edgar Allan, and Arthur Hobson Quinn. Complete Tales and Poems. New ed. : Dorset P., U.S., 1992. Print.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
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Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately undesirable truth. Its fundamental conflict lies in the compartmentalization that allows the downtrodden to hope and carry on. Sunset Boulevard carefully considers the intricate honeycombs of dishonesty and deception that constitute a human life, then dissolves the barriers and watches the emotions, lies, and self-contradictions slurry together and react in often volatile and destructive ways.
...ce, although both writings are interesting in their own ways, the most interesting aspect of both writings together is that they both have a similar plot and theme. It is rare that two
As an aside, I would like to note that, though I believe that a further objection could be made to Socrates conclusions in “The Philosopher's Defense”, due to space considerations, I didn't write the fourth section “Failure of the Philosopher's Defense”.
Mosig, Dirk W. “The Four Faces of The Outsider.” Discovering H.P. Lovecraft. Ed. Darrell Schweitzer. Mercer Island, Washington: Starmont House, 1987.
Silverman, Kenneth. Edgar A. Poe: Mournful and Never-Ending Remembrance. New York: Harper Collins Publishers, 1991. book.
Smith, D. N., & Brickhouse C. T. (1989). Socrates On Trial. Princeton New Jersey: Princeton University Press
Nails, Debra, N. (2005, September 16). Socrates. Stanford University. Retrieved November 11, 2013, from http://plato.stanford.edu/entries/socrates/