Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How did tv, radio and movies impact rock and roll
Development of music in the "40's and 50's
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How did tv, radio and movies impact rock and roll
Peoples of various countries around the world during the 1940’s spent countless hours tuned into to their radio for news, entertainment, and inspiration; the popularization of television sets was given immense cursory due to this. With the rise of television came heartwarming comedies, such as The Andy Griffith Show, thrilling episodic shows, such as Twilight Zone, and prime time variety shows, such as the wildly popular Ed Sullivan Show. These variety shows featured countless up and coming rock and roll performers and catapulted them into the hearts and minds of the American public.
While television was an extreme influence on the rising popularity of many rock and roll stars, radio performances did not go away. In actuality, these exposures
…show more content…
Stars and starlets such as Aretha Franklin, Marvin Gaye, The Doors, even Zippy the Chimp, and many more made appearances on the show. The show ran in both black and white and in color; it truly created stars overnight and pioneered its genre. The Beatles performed their live American debut on this show. The Jackson 5 performed as well. It is almost as if Sullivan has a hand in every bit of the rise of many of our favorite classic rock musicians. Every Sunday night, over half of the total television viewers would be glued to their sets, ready to experience the new delights Sullivan wished to share this week. Viewing the show’s “Parody” section of its wikipedia page is enough to convince anyone of the tremendous impact of this show on present day media. How, one may ask, did Sullivan specifically influence the public? He seems to have had the perfect mix: a devoted audience, connections to up and coming performers, and a coveted time slot. Nevertheless, it was not without incident. For example: Bo Diddley appeared on the show and was to sing “Sixteen Tons”; however, he decided to play his own song, “Bo Diddley,” which was a smash …show more content…
This show was controversial and satirical, thusly, it got cancelled after only three seasons - or seventy-two episodes. The modern-day ‘claim to fame’ that arose from this show took place on September 17, 1967. One of the most influential bands of the 20th century, the Who, infamous for their destructive tendencies towards instruments, planted explosives in the kick drum during rehearsal; however, said explosives were not used during rehearsal. Because of this, the drum had double the power during the real show— so much so, the show got literally knocked off the air for a few moments. Pete Townshend, vocalist and guitarist, attributed his 90% hearing loss to this incident. This series over-all was another great influencer and teleported the sounds of rock to American households. Possibly the opposite end of the spectrum, The Dinah Shore Show was a very short, live variety show. It debuted on November 27th, 1951. The show was praised for its simplicity, and it quickly expanded into an hour long show of nearly the same name: The Dinah Shore Chevy Show. Though the show only aired in 15 minutes blocks, many guest stars made appearances, including Fred Waring, Kitty Kallen, and Gene Nelson! When the show transitioned to The Dinah Shore Chevy Show, it attracted many more guests, such as Groucho Marx, Roy Rogers, and many others. It also increased to 1 hour long, creating more time for rock and
This PBS documentary of Bob Hope as an entertainer was well done. It looks at Bob's contributions as an actor, comedian, dancer and humanitarian. The film's footage, from the early 1900's to present, is revealing to the eras of Bob Hope's career. It takes you through Bob's career in vaudeville, Broadway, radio, movies, television and live performances. As narrator Les Brown Jr. states " Bob Hope is an American icon and the only entertainer to be # 1 in all facets of the entertainment field". This documentary is proof that this statement is true.
Cullen, Frank, Florence Hackman, and Donald McNeilly. Vaudeville, Old & New: An Encyclopedia of Variety Performers in America. New York: Routledge, 2007. Print.
With ominous opening monologues, mind-bending special effects (at the time, anyway) and totally unexpected-twist endings, The Twilight Zone captured the attention and imagination of America at the end of one of the most influential and change-inspiring decades of the century. During the fifties, Americans experienced vast changes not only in our country's position in the world, but also in our own culture -- and one of the leading vehicles for this change was television. In a time when situation comedies and game shows dominated the air waves, Rod Serling's science fiction anthology program stood out as an example not only of the artistic potential of television in terms of writing and special effects, but also of the power television had as social commentary and a thought...
The biggest influenced T.V. on music was the show American Bandstand, first hosted by Bob Horn on a local station in Philadelphia and then called Bob Horn's Bandstand. On July 9 of 1956 the show got a new host, a 26 year old named Dick Clark. ABC picked the show up, in 1957 and renamed it American Bandstand. Its very first show was on August 5, 1957 the 1st song played on the national edition was Jerry Lee Lewis' "Whole Lotta Shaking Goin' On.". Filmed in the cramped quarters of the WFIL Studios at 46th and Market Streets in Philly, Bandstand is such a part of Americana that Dick Clark's podium now resides in the Smithsonian. Every big artist wanted to be on America Bandstand and every preteen to teen wanted to dance on American Bandstand. A neat fact that is B.B. King is the only performer NOT to lip-synch on American Bandstand.
...In this segment of the show, Richard gives scarves to the women as he sings to them. A tribute to Elvis is done while Richard sings the songs “American Trilogy”, all Elvis fans are invited to the front were Richard stands. The people form a half moon circle with Richard standing in the middle. The American Flag with Elvis’ picture in the center of it is held up and the people join their hands together. While rocking back and forth on Richard’s command hands are raised high in the air until the end of the song. The seventies show and the night are brought to an end with the song “I Can’t Help Falling in Love with You”, Just as Elvis Closed all of his Concerts. Richard then invites everybody back for the next performance. Autographs are signed while he talks to the fans for a bit. Everybody parts their way with a good felling, a since of love and friendship.
One of the next popular African-American shows to appear was The Jefferson’s. It was about a nouveau riche African-American couple, George and Louise Jefferson. Jefferson was a successful businessman, millionaire and owned seven dry cleaning stores. They lived in a ritzy penthouse on the East Side. In fact, the theme song referred to the fact that they “were movin’ on up!” They lived their lives filled with money and success. It was the first television program that...
The early days of television held great optimism and hope for this new form of media as an avenue for African Americans to assimilate into white American culture. However, a pattern became evident, a pattern of type casting African Americans in roles which did not accurately and wholly portray the individual. A misrepresentation of African Americans became the common image on television. Variety shows initially promoted the new media as an opportunity for equal representation and communication between the races. However, a trend developed with African Americans often being “portrayed as custodians, maids, servants, clowns, or buffoons” (Crenshaw). The negative image, which was developed by these stereotypes, was perpetuated in the Amos and Andy Show. This television show began as a radio show featuring two white men
I love Lucy was a very popular sitcom in the 1950s. Through humor and plot it brings out more of positive aspects and less of negative aspects for the 1950's that Coontz described in `What we really missed about the 1950s.'
As vaudeville grew in the early 1900’s, it was mainly composed of northern performers. However, their example showed southern performers that one could make music playing in public. This realization spawned the first generation of “hillbilly” performers. The term “hillbilly” was popularized in the 1920’s after a musician by the name of Al Hopkins. He told his producer to name his band whatever he liked because they were just a bunch of hillbilly’s from North Carolina and Virginia.
Every Wednesday evening, all across America in the 1960s, a very familiar tune could be heard seeping out of the speakers of a plethora of televisions. “Come and listen to a story ‘bout a man named Jed, poor mountaineer barely kept his family fed” are the opening lyrics of a song that everybody knew (VinylNostalgia). The song is entitled “The Ballad of Jed Clampett”, and it is the theme song for The Beverly Hillbillies, a popular comedic television show from the 1960s and early 1970s (“The Ballad of Jed Clampett.”).
Television is the guide to the past present and future. It has guided the world since the early 1900’s, bringing information and entertainment right to your home. It’s incredible just how much television changed from then until now, and with it, the world. Two television shows in particular helped with the disbursement of ideas; I Love Lucy, and The Andy Griffith Show. What are these shows, what is so different about these two shows, and what ideals led to the world being the way it is today?
The Andy Griffith Show, was a television sitcom that aired in the 1960s. Watching it from the perspective of someone in today’s society, a number of norms stood out to me. The norms of that time have changed dramatically as well as the ways they were enforced.
Epstein, Dan. 20th Century Pop Culture: The Early Years to 1949. Philadelphia: Chelsea House Publishers, 2001. Print.
One example is shown the by circumstance of fame for the Beatles. The Beatles first became a band in the 1960’s as the Quarrymen with the original members being Paul, George, and John. As a group, they played many gigs for hours and days while having to abuse drugs to keep them awake most of the time. With Ringo eventually joining the group, it still took the Beatles landing a gig on the Sunday Night at the London Palladium, to be considered to finally become noticed. Whereas Ed Sullivan just so happened to be at the right place at the right time to find the Beatles and decided to give them a chance on his show. The Beatles had been shut down for many times by United States music labels. If it wasn’t for chance, it would not be known how long it would have taken for the Beatles to take rise into
American musicals just weren’t proving successful- as they were focusing on the previous century’s trend of “substance over spectacle”. However, ‘Brit Hits’ became overwhelmingly successful by breaking away from the previous ideal and creating a theme of ‘bigger and better!’, focusing primarily on creating sights over substance. With casts and creative teams of the shows being larger than ever, as well as the aid of technology advancements- it proved to be the way to go! Larger sets and bigger special effects were introduced, including helicopters flying onto stage and chandeliers crashing on stage. Due to higher budgets and musical theatre reaching its peak, shows like Cats changed the way theatre published and promoted. In the past, shows had only souvenir programs or shirts, but Cats’ signature pair of yellow eyes, plastered the show’s logo, across coffee cups, jackets, ornaments, key chains, pins etc.- anything that could be thought of, changing the course of advertising. These “Brit Hits” showed a promising future for musical theatre, bringing in tens of thousands of new fans and showcasing a real ‘WOW’ factor through the ideal of big budgets, big effects, big orchestration, big casts and overall, big