Durgapur of India
Home is where the heart is, and for someone, who has been born and brought up in a place, for someone who has seen the city striking roots amidst the social milieu and become a part of the lives of the people it sustains, the home is a synonym for the heart. Durgapur is a city that matches up to all the above protocol, as far as I am concerned.
I used to hear from my grandfather about his journeys to the Bankura High Court, back in the 1930’s. People had to disembark from a train at a halt, not even a stop, called Durgapur. Dense, forbidding forests encircled the railway clearing. There would congregate a myriad assemblage of travelers, and when the group became a multitude, they would set off on bullock carts across the forest which was Durgapur. People had their hearts within their mouths for behind the thick crochet of bushes and the sal and seesam trees lurked many a critter and the abominable brigands, who threw stout sticks at the ankles and then looted the incapacitated victims. Downright chilly, I guess it was.
Then came the transformation, thanks to the visionary endowments of one man, Dr. B.C.Roy. He seems to have realized that a state cannot be sustained by a lone city of opportunity. Other cities had to be developed, and if need be, set up. Durgapur falls under the second category of his achievements. And what an achievement it has been. From a sprawling wilderness, it has developed and how! In terms of commerce and industry, it is oft compared to the Ruhr in Germany. Today it houses around 60 large and medium sized industries and umpteen smaller ones. Everything from steel, power, natural gas, paper, chemicals to biscuits, cement and software can be found under production in this city. The f...
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... generally associates with an industrial city. Stadiums have been built and the city plays host to many cultural and sports meets. Its political impact is also on the rise and more than 2000 crore rupees have been pumped into it for the last three years. There are clubs for those prefer to be social. Otherwise it is a retreat for sages. The serenity, the almost deafening silence, soothes ones senses. Violence and excitement are concepts alien to Durgapur.
Durgapur is where you can still witness the seasonal changes and the city changes likewise. From scorching summers, punctuated by primitive thundershowers, to the aesthetic fall, to the chilly winter – you can feel it all. Durgapur is a supreme fusion of the essential and the ethereal, a fusion I’m proud to be part of. The city endears people, rekindles lost emotions and insurrects new ones, fond ones.
What is home? Home does not necessarily have to be a specific place it could also be a place that you feel safe or comfortable in. From the early 1500s to the late 1900s, Britain used its superior naval, technological, and economic power to colonize and control territories worldwide which affected how most of these people's thoughts on what home is. In “Back to My Own Country” this story is about a girl that moved to london at a young age and was forced to change her morals and beliefs to try and seem less than an outsider to the community. The second story “Shooting an Elephant” is about orwell, a sub divisional police officer in Moulmein who was hated by large numbers of people and didn't feel welcome where he was and later was forced
The city of Syracuse has many opportunities to offer its citizens. It is imperative to know what opportunities are available in order to get the most out of life in Central New York.
The definition of home is: the place where one lives permanently. Home is a place where one feels accepted, loved, and comfortable enough to be themselves completely. In Nella Larsen’s “Quicksand”, main character Helga is a bi-racial woman in the 1920’s who struggles internally with where she feels she belongs and where she can call home. Throughout the entire novel Helga moves to many different places to try and feel at home. In the society that Helga is cursed to have to live in, biracial people are not common and rarely accepted in many communities. Personally I don’t feel like Helga would have ever found a place to call her real home, using the definition where home is a permanent place to comfortably live, where she would chose to stay
Home is experienced in a multitude of ways using our senses. Impressions of our past and present homes materialize from a familiar smell, sight, feeling, taste or sound. We all live in a multi-sensory environment, where we can use one or more of our senses on a daily basis to absorb our surroundings. However, it is easily arguable that although each sense can conjure up a memory, or imprint a grasp of where we live or lived, certain senses are stronger with the recollection or the feelings we have of our home. If we live in the same home as other people, some of us will associate a certain smell to the home, while others will not; or a sound, etc., that I would not associate with that home.
Webster's College Dictionary defines home as: An environment offering security and happiness" and "a valued place regarded as refuge or place of origin." Anyone can build a house but the emotional security a home provides is created by the people who live there. In Homer's Odyssey, the Greek hero Odysseus leaves his home in Ithica to fight in the Trojan war. The Odyssey tells the story of his treacherous journey back to Ithica, and the turmoil he experiences. Due to his strong desire to return to the place he remembered as home, Odysseus endurs the hardships of his journey. He hopes his homecoming will return him to the same home, and same life he built twenty years ago. Odysseus will never truly return home because he is not the same king, husband, or man he once was; He is not capable of recreating the home he once had.
In order to understand why Whitty’s argument is effectively communicated it must be noted that this article was published in the politically progressive magazine, Mother Jones. The audience of Mother Jones mostly consists of young adults, mostly women, who want to be informed on the corruptness of the media, the government and the corporate world. In order to be fully effective in presenting her points, Whitty starts her article by creating a gloomy imagery through her story of the city of Calcutta and the hard lives which its citizens live. Through her use of words such as “broken down…. Smoky streets” to describe the scene at Calcutta, she is able to create this gloomy image. She ties this gloomy story to how the population of Calcutta is the reason for the harsh living environment and how immense its population density is when compared to cities like New York. Additionally, she discusses how the increase in population has caused harsh lives for individuals in the Himalayas, the rest of India and the rest of the world. Through these examples she ties the notion that the root causes of such hard lives are because of the “dwindling of resources and escalating pollution,” which are caused by the exponential growth of humankind. She goes on to
Everyone always has a safe place in their hearts for their homes. Home doesn’t always have to be a place where someone just sleeps in. However, home to some people is where they feel comfort. Somewhere or someplace can be one’s home. Some of the characters in Enrique’s Journey by Sonia Rozario and The Odyssey by Homer express the theme of home through an emotional journey. Enrique’s Journey is about a boy named Enrique who goes on a journey to find his beloved mother who he has believed abandoned him. The Odyssey is about a mythology where a hero named Odysseus tries to find his way back to his homeland after participating in a war. Odysseus from The Odyssey shows the theme of home by trying to return home to his family. Enrique from Enrique’s Journey shows the theme of home by looking for his mother who he considers to be his home. Telemachus in The Odyssey shows home when he decides to go find his father,
A home is a place where one lives. In The Odyssey, home is a physical place where one dwells. For Odysseus, his dwelling was in Ithaca, it is where he resides and where the people he cares for work and live. His home is a physical place where he has always lived. In Monkey, home is not where the companions were born or raised, but it is where they end up.
Home is where you go and everyone, everyone has to love you, Home is where your Family is. Loung Ung grew up much of her life with little family in comparison to the large group she left behind half way across the globe in Cambodia in exchange for promise in America. We read about this in the novel Lucky Child an autobiography by Loung Ung. All the big moments of Loung’s life, all the people, and memories by the end of the day that she remembers most are the ones Loung shares with family the same is true for her sister and at the moments when she felt hate she was alone without her sister and vis versa.
I often like to say I was born on the Silk Road. Similar to this ancient phenomenon, my identity grew upon the cultural transmission routes across the world by accepting the gifts of its trade. My journey upon the road sources itself on the coast of the Yamuna Rivers, in a town named Aligarh. My passport undeniably marks me as Indian, and I am named as such wherever I go, yet India isn’t the first picture in my mind when I think of the comforts of home, yet it is still a part of me. It’s a gateway to my ancestors, religious customs, celebrations, social practices and beliefs. In essence, when I want to look closer within myself I often reflect off the fruits of trade upon which my Indian background has blessed me. Noteworthy are the folk tales of my esteemed Rajput ancestors that my grandmother whispered in m...
Katherine Boo’s Behind the Beautiful Forevers seeks to describe the sharp contrast between the lives of the inhabitants of Annawadi and the surrounding reflection of India’s thriving economy. Essentially, Boo’s documentation of the social, political and economic factors that shape daily choices in Annawadi, a slum and conflation of a variety of cultures and religions, creates an accurate depiction of life beyond the misleading exterior of Mumbai. Abdul’s expertise in trash sifting transforms his family’s fortune, their new standing beyond “subsistence” evoking jealousy in neighbors. The family of eleven inhabits one of the huts in the “squatter settlements” located between “elegant modernities”
Sri Nandanandana, “Preaching in India’s Northeast For Cultural Preservation” VaiShnava News February 21, 2003; Retrieved information Dec. 9,2003 http://www.vnn.org/world/WD0302/WD21-7837.html
The word "Durga" in Sanskrit means a fort, or a place which is difficult to overrun. Another meaning of "Durga" is "Durgatinashini," which literally translates into "the one who eliminates sufferings."
A home is a place of residence for everyone which they use to take rest or to even gather with family. Most young people think about living away from home as the best part in their lives because they will have more freedom. however, they do not realize that living at home has more benefits compared to living away from home. Inside the differences between living at home and living away from home, there are similarities in both of them.
With the passage of time, its significance is getting even more realized and recognized, to the extent of considering ‘culture’ as the mainstay of the largest democracy in the world. ‘Incredible India’ campaign has risen to a higher pedestal owing to the importance being given to the cultural symbols of the country. The socio-economic, political, legal, environmental and technological vibes of India are closely knitted to form part and parcel of the nation’s culture- where in lies its strength and indomitable spirit. In the realm of domestic tourism too, the diverse cultural expressions have played a great role. Indian art and architecture are classic representations of aesthetic beauty and time-tested creativity. The backgrounds of artistic productions are unique to India. Several inspirational and influential factors could be attributed to art and architecture of India. Yet, the humility and unclenched commitment to the society, which were the hallmarks of early artists, are depreciating in the 21st century. This is not at all a good sign for the cultural elation and dignity of the nation. On the basis of the pattern and direction of selective cultural adaptation that is taking place in India in the process of globalization of culture, and considering the historical features of its social structure and institutions it could be concluded that the Indian culture, whether local or national has sufficient resilience to succeed in preserving its cultural identity and also workout a successful and creative synthesis between the global and the local, regional and national levels of cultural styles, forms, and