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Importance of music in a film
The history of the film industry
History of the film industry
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During the 1920s and 1930s, the movie industry was a critical factor in the social and psychological state of Depression-era Americans. The concept of motion picture alone was an exciting and appealing form art, and when produced skillfully, it was able to create a fantasy world that allowed people to escape the stressful reality for the few hours and enjoy the movie. Over time film industry has evolved and produced distinct genres like film noir, French new wave and the German expressionist. They each embrace its own aesthetics and iconography. In order for a movie to be magically captivating, it had to be believable and visually appealing- and that is the job of a production designer. Production designers are at the core center of the film …show more content…
Caligari (1920) by Robert Wiene.A classic prototype of Germans expressionism that captivated the audience with its cinematographic style. Upon seeing the script of The Cabinet of Dr. Caligari, the production designers agreed to create eccentric and nightmarish style cinematography. The visual style included high contrasts, chiaroscuro lighting, shadows everywhere, oblique angles. several sharp-pointed structures combined with swirly twisted landscapes, and/or oddly sized props. To further emphasize the high key lighting, some of the shadows were actually painted on. With the addition of the disturbing choice of the background music, the production designers successfully delivered the sinister atmosphere to the …show more content…
Which is why in a movie like The Thief of Bagdad, it is essential for a production designer to knowledge of architecture of all periods and nationalities. What truly set this movie apart was the excellent work on set design. The special effects and sheer scale of the spectacle which successfully put the viewer an Arabian Night inspired atmosphere. Even though the movie was set in timeless period, sets still needed to be historically accurate. Fairbanks had to be familiar with The Arabian Night tales, get an idea of what Bagdad used to look like, and get an idea of what key architectural elements would best characterize a city like Bagdad as described in the Arabian nights. Even today, one can appreciate the usage of convincing matte painting backdrops to create the illusion of massive scale sets. In addition, a great deal of thought went into the details of how the immense sets were designed. Prominent set design characteristics include the spiral staircase, the clever positioning of entranceways and their scalloped/arched style. Spiral staircase create long lines that give the illusion of a bigger space and it can make a room feel more expensive. With the creation of immense sets came the need to hire hundreds of extras to keep the city looking believable. Which brings ties in to the second idea of the strategic positioning of entranceways across sets. It
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the “Sixties” saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.
Phillips, W. (2002). Thinking about film . In Film an introduction (pp. 403-438). Boston : Bedford/St.Martin's .
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
During the “Roaring Twenties,” the film production was focused on silent films. However, films became bigger, longer, and with more quality. Their production was divided into parts: writing, makeup,
The Cabinet of Dr. Caligari is a 1920’s German silent-horror film. Robert Weine, the director, collaborated with the German cinematographer, Willy Hameister to create this German Expressionist masterpiece. The idea was taken from the screenplay written by Hans Janowitz and Carl Meyer. It is also considered one of the greatest horror films during the silent period. The Cabinet of Dr. Caligari and its historical context in terms of the German Expressionist movement will be discussed further in the essay.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
__Expressionism__ is an artistic style that distorts and exaggerates reality to cause a strong emotional response from the audience. It attempts to depict the subjective, rather than the objective reality, through the use of shapes, color, and contrast. Specifically, __German Expressionism is an innovative and influential movement that began as a response to World War II. German Expressionists included novelist, poets, playwrites, and filmmakers. German Expressionism, in its early years, was a response to the massive casualties of the war and developed into an anguished style which tended to explore death, the supernatural, and the darker sides of the human psyche.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Seen in the contrasted blacks and white in both the scenery and characters, it plays as an intensifier of emotions; the extremes of shade play on the extremes of morality, of good and evil, the known and unknown. The dark shadows serve as foreboding spaces, voids of unfamiliarity, of moral ambiguity, of uncertainty that the less appealing aspects of society live in. The light only brings out the darkness. Poe-like make-up is applied to Caligari’s actors—the heavy eyeliner, dark eye shadows, and stark-white complexions--, which exaggerated the emotions of the characters. It made the hypnotizing eyes of Cesare, the somnambulist, all the more enrapturing; the wrinkles on Dr. Caligari’s forehead became more menacing when defined. Later, Expressionist films achieved this effect through lighting techniques, but a low budget (or eccentric artistry) meant that these shadows were painted onto the architecture. This gave a severe, sharp distinction that added to the surreal atmosphere of Caligari’s tale. In the more realistic Kammerspielfilm -Expressionistic properties of The Last Laugh, elements of chiaroscuro are seen in the atmospheric lighting and framing devices; also, the use of flashlights to command attention in the darkness of to draw focus to the faces of characters occurs several times; and, i.e., as seen above, when the doorman (Emil Jannings) is told he is being replaced due to a
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
The art of filmmaking has been around for over a hundred years and now has over a hundred different specialized jobs in its field. According to the Bureau of Labor Statistics, “key grip, gaffer, best boy, boom operator, and director of photography are just a few of the jobs in the field of filmmaking that are essential to the process of creating a movie or TV show” (From Script #1). But before any of these people are able to get a job, they must go through an average of four years of college in order to specialize in film (Zeke). Filmmaking is a very complex and involved career that is crucial to the pursuit of happiness on earth and the telling of history.
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.