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Down Goes Hurston The Harlem Renaissance of the 1920’s is a great time for black artists; it is a rebirth of art, music, books and poetry. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie, the protagonist, is treated kindly for a black women. She does not go through the torment of black culture during that era or the previous eras. Throughout the book Hurston "fibs" about racial oppression. Janie gets respect by the white people she encounters. Hurston makes the reader imagine that African-American life is easygoing. Richard Write’s critique of Their Eyes Were Watching God is accurate and therefore, the book should not be included in the Harlem Renaissance. Hurston breaks several of the themes of the Harlem Renaissance. One in particular is to make other Americans aware of the African-American experience. Richard Write states, "Their eyes, as a novel, exploits those quaint aspects of Negro life that satisfied the tastes of a white audience. It did for literature what the minstrel show did for theater, that is, made white folks laugh"(1). Write, as a critic, fulfills his duty to critique literature truthfully. In Hurston’s novel she rarely states anything about the reality of the South at that time. ‘"Brothers and sisters, since us can’t never expect tuh better our choice, Ah move dat we make Brother Starks our Mayor until we can see further"’(40). In this passage Hurston uses a soft pleasant type of diction. In that south at the time, people were not accepted into towns if they were new to the area. Jody, Janie’s second husband, takes charge and becomes the mayor. The people in the novel respect Jodie and Janie. Being a black man and also the mayor seems a little strange for the South. Most white people of the South dislike black people because most black people are thought to be only "slaves" even though slavery was abolished. Towards the end of the novel Janie is on trial for the murder of Tea Cake, who is Janie’s third husband. ‘"We find the death of Vergible Woods to be entirely accidental and justifiable, and that no blame should rest upon the defendant Janie Woods"’(179). Janie is found not guilty for the murder of her husband. The reader thinks that Janie is really lucky. She is, but in history books black people are always guilty in every singl...
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...hat Hurston refuses to state the truth about life is, ‘"But Nanny, Ah wants to want him sometimes. Ah don’t want him to do all de wanting"’(22). In this quote Hurston tries to tell the reader that Janie can love and cherish someone, and someone can treasure and love Janie back. Janie has a lot more to worry about than loving somebody. She has to learn the value of her life. Most blacks of Janie’s time get treated badly. Janie is a very lucky person. She is on the top of the world she does not go through the harsh environment that her fellow brothers and sisters go through. Hurston breaks the three most important rules of the Harlem Renaissance: to protest racial oppression, to make other Americans aware of the African-American experience, and to define and exalt the African-American heritage experience. Hurston takes no time to include these three major themes of the rebirth. Janie is treated like a white woman of the time. Hurston does not include any evidence of racial oppression. She makes black life seem comfortable and pleasant. All of this adds up to a potent argument and that is why Their Eyes Were Watching God should be exiled from the Harlem Renaissance.
Zora Hurston’s novel “Their Eyes Were Watching God” depicts the journey of a young woman named Janie Crawford’s journey to finding real love. Her life begins with a romantic and ideal view on love. After Janie’s grandmother, Nanny, soon grows fearful of Janie’s newfound sexuality and quickly marries Janie off to Logan Killicks, an older land owner with his own farm. Janie quickly grows tired of Logan and how he works her like a slave instead of treating her as a wife and runs away with Joe Starks. Joe is older than Janie but younger than Logan and sweet talks Janie into marring him and soon Joe becomes the mayor of an all African American town called Eatonville. Soon Joe begins to force Janie to hide not only her
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
The character Janie in Zora Neale Hurston’s novel Their Eyes Were Watching God is portrayed as a woman who has a modern mindset that is much too advanced for her thinking. Janie does things that raise much controversy with the community and endures situations that would be deemed inhumane in today’s society. Examining the abuse, oppression and criticism Janie undergoes in Zora Neale Hurston's Their Eyes Were Watching God from both a contemporary woman's viewpoint and an early twentieth century woman's viewpoint reveals differences, as well as similarities in the way people respond to events.
The author also vividly expresses that Janie has been through hard times and still managed to make it through because she is strong of mind and heart. Hurston’s sympathy seems to be coming out of admiration as well as affirmation.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
Hurston begins the essay in her birth town: Eatonville, Florida; an exclusively Negro town where whites were a rarity, only occasionally passing by as a tourist. Hurston, sitting on her porch imagines it to be a theatre as she narrates her perspective of the passing white people. She finds a thin line separating the spectator from the viewer. Exchanging stances at will and whim. Her front porch becomes a metaphor for a theater seat and the passers
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
In Zora Neale Hurston’s powerful feminist novel, “Their Eyes Were Watching God,” she tells the story of Janie Stark and her journey into becoming a powerful black woman during the time when those words were not spoken together. Hurston uses Janie as an archetype for what we should all aspire to be, because in Hurston’s eyes, and the eyes of many others, Janie is the only character in the novel that gets it right. The thing about Janie that set her apart from everyone else, the reason that she got it right, was not because she was just born that way, but it was because she used all of the trials and hardships in her life to her advantage. She never crumbled or quit, but she continued to move on and use her life experiences to help mold to her
Hurston, however, does not present the reader with the nihilistic hopelessness of Fitzgerald or Hemingway, but rather offers an understanding of the basic human aspect that causes us to fear emptiness. Janie, the main character in the novel, understands this emptiness and is dissatisfied with it. In an attempt to solve the problem, Janie sets out on a quest to make sense of her inner void. Although she is beset on all sides by tragedy, Janie does not become discouraged - quite the opposite actually. She uses her tragedy as emotional fuel to keep her moving toward her destiny.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Of Zora Neale Hurston's novel Their Eyes Were Watching God, Alice Walker says "it speaks to me as no novel, past or present, has ever done." Though 45 years separate Their Eyes Were Watching God and The Color Purple, the two novels embody many similar concerns and methods. Hurston and Walker write of the experience of uneducated rural southern black women. They find a wisdom that can transform our communal relations and our spiritual lives. As Celie in The Color Purple says, referring to God: "If he ever listened to poor colored women the world would be a different place, I can tell you."
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
... middle of paper ... ... Through Janie's experiences and feelings regarding the love of her life, his death, and the hurricane, it is obvious that Hurston meant for the reader to relate self-realization to questioning God. Although God is not a dominant theme in the novel, it is likely that Hurston was mirroring the people she came into contact with throughout her endeavors as a folklorist.
... Janie is free-spirited and unconcerned about what others think of her. When she returns to Eatonville after Tea Cake’s death, she shows no shame for what she has done or where she has been, because she is finally able to live the life she always wanted to lead. Hurston’s own struggles in life for individuality and an outlet for her suppressed spirit clearly contribute to the development of Janie’s character. Just as Hurston struggled for recognition, equality, and purpose in the literary world during the Harlem Renaissance, Janie’s struggle for the recognition, equality, and purpose in her relationships.