Lastly, the deceased wife in “An Alpine Idyll” was a prime example of negative treatment of women in this book. She passed away in the winter, therefore her body was not able to be laid to rest until the season came to an end. Instead of respectfully placing his beloved into a pine box to await the end of the season, the husband decided to prop her up against the shed wall. If this was not impudent enough, he then decided to “hang a lantern” from her mouth. From these actions, it is clear to see that this man lacks any kind of respect for his
women in the novel does not allow them any kind of deviant acting since a happy marriage is the only
Like the Good Other Woman, the Evil Other Woman often spends much of her life hidden away in the castle, secret room, or whatever, a fact suggesting that even a virtuous woman’s lot is the same she would have merited had she been the worst of criminals. The heroine’s discovery of such Other Women is in the one case an encounter with women’s oppression-their confinement as wives, mothers, and daughters-and in the other with a related repression: the confinement of a Hidden Woman inside those genteel writers and readers who, in the idealization of the heroine’s virtues, displace their own rebellious
In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled.
When studying gender roles in history, one will find that females are often depicted in similar ways no matter the era or region of study. Even when comparing the industrialized, early, twentieth century to today’s progressive era, there are striking similarities between female roles. We can see that over the course of the twentieth century, the qualities of loyalty and honesty have decreased in marriages due to the treatment of the two main female roles as depicted literature. The first was the role of the wife. The wife was often portrayed as a housekeeper and a nanny. Dull in appearance, there was no aesthetic beauty to this typical female. The other main role was the “other woman.” The more mysterious and promiscuous character, this woman portrayed the other part of the female population. Both of these types of characters are composites that portrayed the average, disposable female while how they were treated conveyed the general handling of females in the early, twentieth century.
The Shipman's Tale starts off this debate with his depiction of women, which was less than favorable. The woman who is depicted in this tale is the wife of a merchant. She is not treated well by her husband, but certainly is not trustworthy or honorable herself. She sells her body to the best friend of her husband for a measly 100 francs. Her faithfulness to her husband was worth only a few extravagant garments for her to wear. It is her greed for these material goods that drives her into cuckolding her unsuspecting husband. Her worldly desires are more important than her marriage, and in the end she is hardly punished at all. She does manage to keep her husband from finding out, by saying that the Monk was simply repaying his debt and she used the money to buy some clothes. So, she gets away with a crime that would have dealt her a far greater punishment. This outcome, while it certainly wasn't perfect for the wife, was much less than she deserved.
“Yes, this is Vanity Fair, not a moral place certainly, nor a merry one, though very noisy.” (Thackeray xviii) It is here, in Vanity Fair that its most insidious resident, selfishness,-veiled with alluring guises-has shrewdly thrived among its citizens, invading, without exception, even the most heroic characters and living so unheeded that it has managed to breed monsters of them. There are those in Vanity Fair, however, who have heeded the vicious selfishness, and, though not having lived unaffected by it, were still able to point out its many evils. One such man is William Makepeace Thackeray who exposed this truth in his novel Vanity Fair: A Novel Without a Hero which was published in 1848. Thackeray draws upon the work of a fellow author, John Bunyan, in creating a setting for his story that allows him to starkly portray human egocentric inclinations the way he saw them, as he did with his character Becky Sharp. According to biographical accounts, Thackeray’s personal life may have been the basis for some of the elements in his story, particularly the love affair of one of his main characters, Captain Dobbin.
The final concept of “Double standards” is also shown in the play. In my opinion double standards are used mostly to protect people (usually parents and children) however in the play double standards are used with males and females. One instance that this is shown through is different genders and their sexual activity, which is shown in act six. In act six Ricko, Scott and Davo sleep with multiple women however when Shana sleeps with multiple partners she gets called
Both Vanity Fair and A Room of One’s Own explore and challenge the idea that women are incapable of creating a name and a living for themselves, thus are completely dependent on a masculine figure to provide meaning and purpose to their lives. Thackeray, having published Vanity Fair in 1848, conforms to the widely accepted idea that women lack independence when he makes a note on Ms Pinkerton and remarks “the Lexicographer’s name was always on the lips of the majestic woman… [He] was the cause of her reputation and her fortune.” The way that a man’s name was metaphorically “always on the lips of the majestic woman” and how he was the source of “her reputation and her fortune” expresses this idea, especially through Thackeray’s skilful use of a sanguine tone to communicate that this cultural value, or rather inequality, was not thought of as out of the ordinary. From viewing this in a current light and modernised perspective...
The novel shows women like Calpurnia and Miss Maudie to have strong morals that they not only follow, but share with people around them. Women are role models for children, they try to teach the difference between good and bad. Also women are confined to follow certain social rules like Alexandra a talented women but sits in the hose having tea and gossiping