According to W.E.B. DuBois, “double consciousness” is the “sense of always looking at one’s self through the eyes of others, of measuring ones soul by a tape of a world that looks on in amused contempt and pity” (DuBois 5). In other words, it is the self that a person views themselves as, compared to the self that comes from the outside perspective, where the person viewing it rather believe in the outside view. This idea connects to gender stereotypes, how women cannot see themselves as equal in society because they are often portrayed as being voiceless, lonely, or dependent on men. Despite such stereotypical views that separate women from men, Audre Lorde “challenges her feminist community to deliver a collective voice ale to attend …show more content…
After dealing with “double-consciousness” of being seen as having no voice, Janie’s choice to speak up against Joe Stark’s stereotypical view on women leads to feminist empowerment, where she breaks his gender identity by emasculating him and wounding his pride, as she gains self-determination and, most importantly, the freedom of …show more content…
From this point, “double-consciousness” is obliterated when a man is unexpectedly voiced by a woman in front of society, resulting in his masculinity and pride being destroyed. This is evident in the story when Janie speaks up against Joe Starks when he continues to humiliate and degrade her in public. Janie breaks Joe Stark’s gender identity when she “took the middle of the floor to talk right into Jody’s face, and that was something that hadn’t been done before…‘Hmph! Talkin’ about me lookin’ old! When you pull down yo’ britches, you look lak de change uh life” (Hurston 78-79). Before Janie speaks up against Joe Starks, he is upset with her because she did not cut the tobacco correctly. When he ridicules her in front of the townspeople, she is fed up because anything she does is not perfect for him and he always downgrades her. For the first time, she lashes out at him. Brian Norman agrees when “Hurston turns to nature to compare Janie to the mule of the world in Their Eyes were watching God...In this way, Walker is able to address—ad protest—suffering, injustice, and division while at the same time lay the groundwork for an earthbound collective vision that can analyze and refuse sociological, historical, and political divisions” (Norman 127). From this point, Joe Starks’s gender identity is destroyed because his pride and masculinity are broken by Janie’s voice
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
The beginning of Janie’s marriage to Joe shows promise and adventure, something that young Janie is quickly attracted to. She longs to get out of her loveless marriage to Logan Killicks and Joe’s big dreams captivate Janie. Once again she hopes to find the true love she’s always dreamed of. Joe and Janie’s life is first blissful. He gives her whatever she wants and after he becomes the mayor of a small African American town called Eatonville, they are the most respected couple in town. Joe uses his newfound power to control Janie. When she is asked to make a speech at a town event, she can’t even get out a word before Joe denies her the privilege. He starts making her work in the store he opens and punishes her for any mistakes she makes. He enjoys the power and respect her gets when o...
The first time Janie had noticed this was when he was appointed mayor by the town’s people and she was asked to give a few words on his behalf, but she did not answer, because before she could even accept or decline he had promptly cut her off, “ ‘Thank yuh fuh yo’ compliments, but mah wife don’t know nothin’ ’bout no speech-makin’/Janie made her face laugh after a short pause, but it wasn’t too easy/…the way Joe spoke out without giving her a chance to say anything on way or another that took the bloom off things” (43). This would happen many times during the course of their marriage. He told her that a woman of her class and caliber was not to hang around the low class citizens of Eatonville. In such cases when he would usher her off the front porch of the store when the men sat around talking and laughing, or when Matt Boner’s mule had died and he told her she could not attend its dragging-out, and when he demanded that she tie up her hair in head rags while working in the store, “This business of the head-rag irked her endlessly. But Jody was set on it. Her hair was NOT to show in the store” (55). He had cast Janie off from the rest of the community and put her on a pedestal, which made Janie feel as though she was trapped in an emotional prison. Over course of their marriage, he had silenced her so much that she found it better to not talk back when got this way. His voice continuously oppresses Janie and her voice. She retreats within herself, where still dreams of her bloom time, which had ended with Joe, “This moment lead Janie to ‘grows out of her identity, but out of her division into inside and outside. Knowing not mix them is knowing that articulate language requires the co-presence of two distinct poles, not their collapse into oneness’ ” (Clarke 608). The marriage carries on like this until; Joe lies sick and dying in his death bed.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
Contemporary sociology grows from work of the past, this is no different in the manner that Patricia Hill Collins builds off W.E.B Du Bois understanding of double consciousness. In her essay, “Learning from the Insider Within: The Sociological Significance of Black Feminist Thought”, Patricia Hill Collins analyses Black feminist thought through a discourse following three distinct themes that allow for Black Women within the field of sociology an unique perspective outside the boundaries. Collins diverges into the topic by breaking down the historical example of “outsider within” which provides black women a distinct point of critical lens that is beneficial. Following, Collins “[examines] the sociological significance of the Black feminist
Janie’s life with Joe fulfilled a need -- she had no financial worries and was more than set for life. She had a beautiful white home, a neat lawn and garden, a successful husband, and lots of cash. Everything was clean, almost too clean. A sense of restraint is present in this setting, and this relates to the work as a whole due to the fact that this is the epitome of unhappiness for Janie.
In the early months of their marriage, Jody is able to transform Janie into a wife representative of his newly acquired wealth and rank as he instructs her to wear her finest dress for the opening of the store (Hurston, p. 41). Her submission to this request allows Jody to believe that Janie can be made in to an obedient wife who will bolster his reputation and connections within their community. Therefore, as their marriage progresses Jody’s attempts at dominance increase. For example, when Jody is elected mayor of Eatonville Janie is asked to give a speech in celebration of his accomplishment and Jody answers for her saying she will not speak because “She’s uh woman” (Hurston, p. 43). Here, in particular, control is intertwined with language and speech because allowing Janie to speak would be allowing her to assert her identity in her own words. Janie is taken aback by her husband’s decision but does not speak against him instead she “made her face laugh after a short pause, but it wasn’t too easy” (Hurston, p. 43). Her reluctance to speak against him and her forced laugh are significant because they indicate once again that Janie is willing to submit to her husband in order to share in his
When Janie first met her second husband, Joe, he was very caring and reassuring - an ideal husband. Joe was an ambitious young man with many goals set out for him. And like Janie, he was raised around a white background. Joe strived to be and have the best at everything. However, once Joe got Janie as his wife, he became a jealous and demanding man, just as Logan had been. Joe saw himself as a god, his sentences began with " I god..." ...
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
According to W.E.B. DuBois, “double consciousness” is the “sense of always looking at one’s self through the eyes of others, of measuring ones soul by a tape of a world that looks on in amused contempt and pity” (DuBois 5). In other words, it is the self that a person views themselves as, compared to the self that comes from the outside perspective, where the person viewing it believes more in the outside view. This idea connects to gender stereotypes, how women cannot see themselves as equal in society because they are often portrayed as being voiceless, lonely, or dependent on men. Despite such stereotypical views that separate women from men, Audre Lorde “challenges her feminist community to deliver a collective voice ale to attend
Sexual dominance of males in this novel was a prominent view held by most of the main characters. Women are supposed to follow the demands of men and this is especially true for Janie in her relationship with Jody. Jody set very strict regulations for Janie during the time of their
Hurston uses the power of language and different narrative techniques to show Janie's transition throughout the novel. It is important to notice that in Janie's journey from object to subject, the narration of the novel shifts from third person to a mixture of first and third person; thus, the shift shows the awareness of self within Janie. Language becomes an instrument of injury and salvation and of selfhood and empowerment. The use of powerful language is exemplified well in the text when Janie is asked to say a few words as the new Mrs. Mayor. Joe, her second husband, quickly cuts in and says, "Thank yuh fuh yo' compliments, but mah wife don't know nothin' 'bout no speech-makin'. Ah never married her for not...
...at she had to be strong and much more than a house-wife. Moving on with her life, in the next marriage with Joe she was constantly belittled, but she stayed by his side even after the abuse. Janie had develop faithfulness in this relationship, but still she had not found true love. In addition, Joe had left her with a huge sum of money and the store leaving her more stable and independent. From Janie last relationship with Tea Cake she had developed her own identity. Leading Janie to true happiness and love. Through Janie’s long journey she was able to find out who she was and she finally found her true love.
The main thesis of The Second Sex revolves around the idea that woman has been held in a relationship of long-standing oppression to man through her relegation to being man's "Other." In agreement with Sartrean philosophy, de Beauvoir finds that the self needs otherness in order to define itself as a subject; the category of the otherness, therefore, is necessary in the constitution of the self as a self. In other words, for one gender to feel more important the other must be made inferior. de Beauvoir confronts history from a feminist perspective; however, within her arguments against the “oppression” of women, elements of Existentialist ideas can be seen. Though she attempts to bring to light the historical oppression of women, there is a slight undertone to her writing; a small air melancholy and malcontent hides under her meticulous research. de Beauvoir carries a whiff of depression as the timeline has gone too long in what she is trying to fix; even though she brings to light the idea of the Other, de Beauvoir knows well that the way things are will not change. And if they do change, the ideals behind the change will remain the same;