Donne's Holy Sonnet XIV - Batter my heart, three person'd God
Batter my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend;
That I may rise, and stand, o'erthrow me, 'and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, t'another due,
Labor to 'admit you, but Oh, to no end,
Reason your viceroy in me, me should defend,
But is captiv'd, and proves weake or untrue,
Yet dearely'I love you, and would be lov'd faine,
But am betroth'd unto your enemy,
Divorce me, 'untie, or breake that knot againe
Take me to you, imprison me, for I
Except you 'enthrall me, never shall be free,
Nor ever chaste, except you ravish me. --John Donne
The analogous language of romantic passion ("I am my Beloved's and my Beloved is mine" [Song Sol. 2.16, New International Version]) and intellectual paradox ("Whoever will lose his life for my sake will find it" [Matt. 10.39, NIV]) has always seemed natural to those seeking to understand and speak of spiritual mysteries. Even so, John Donne's image of the Divine Rape in the "Holy Sonnet XIV," by which the victim becomes, or remains, chaste is at first startling; we are not accustomed to such spiritual intensity.[1] Previous explications have attempted to downplay this figure; for example, Thomas J. Steele, SJ [The Explicator 29 (1971): 74], maintains that the "sexual meaning" is "a secondary meaning" and "probably not meant to be explicitly affirmed." Moreover, George Knox [The Explicator 15 (1956): 2] writes that the poem does not "require our imagining literally the relation between man and God in heterosexual terms" and that "the traditions of Christian mysticism allow such symbolism of ...
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... as he tears down, possesses as he frees, is as honorable as passionate--that is, in him all paradoxes find their supra-rational resolution, resolution not only presented in the imagery of the closing couplet, but reflected in the sudden tranquillity of the completely regular iambic pentameter.
Thus Donne links content to form throughout the "Holy Sonnet XIV." His aesthetic presentation of the relationships "implicit in the ancient theological conceit of the righteous soul's marriage to God"[3] is therefore doubly moving.
NOTES
1. John Donne, "Holy Sonnet XIV," John Donne: The Complete English Poems, ed. A. J. Smith (New York: Penguin, 1984) 314-315.
2. William Karrigan, "The Fearful Accommodations of John Donne," John Donne and the Seventeenth-Century Metaphysical Poets, ed. Harold Bloom (New York: Chelsea House, 1986) 44.
3. Karrigan, 40.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
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It really is no secret that if the minimum legal drinking age were lowered, a large number of teens would then drink for perhaps the first time. “The age group with the most drivers involved in fatal crashes with Blood Alcohol Content levels of .08 or higher during 2011 was the twenty-one to twenty-four-year-olds” (“National Highway Traffic Facts”). Young adults are just as irresponsible at eighteen as they are at twenty-one, maybe even more irresponsible. The teenagers will indulge themselves on what they feel is a luxury the first chance they get. The young adults abuse the alcohol, and then go driving because even at twenty-one through twenty-four they are still not as responsible. If the age is lowered to eighteen, many eighteen-year-olds will go out and drink alcohol for the first time. The age group may rise to number one in fatal crashes. The National Highway Traff...
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When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the
...e minimum legal drinking age in the United States should remain at twenty-one years old. Since the National Legal Drinking Age Act was ratified, the consumption of liquor among minors has abated significantly. With the restriction in affect, the United States is definitely a safer place when it comes to alcohol use. Even though, the reduction of the drinking age would get rid of the taboo that surrounds alcohol which would result in fewer teens drinking just to be accepted by their peers, young adolescents now have a harder time getting access to alcohol due to the minimum legal drinking age resulting in less alcohol-affiliated problems and a decrease in damage to their bodies. Teens and alcohol are not a good mix so citizens of the United States should keep them separated as best as they can. By having a minimum age limit of twenty-one, that is a great way to do it.
Lowering the legal drinking age would create problems such as infringing on the mental and physical development of the young drinker. As a respected author, Matt Nagin puts it, “The late teens and early twenties are formative years where character building, leadership in the community, and scholastic excellence should be emphasized. Alcohol detracts from all of these.” In other words, Nagin believes that the teen years are an imperative time of growth in a person’s life. Scientists have proven that the brain is not fully developed until the age of twenty five. If Nagin’s argument is correct, and I believe it is, then people should understand that scientists have proven the negative affects that alcohol has on the development of the brain. Alcohol has the power to kill brain cells and damage growth hormones. By making alcohol legally accessible to an eighteen year old, we are literally poisoning his or her brain.
In the “Unholy Sonnet; after the Praying” by Mark Jarman and “Batter my Heart, Three-personed God, for You” by John Donne, there lies very common subject matters. Both poems are expressing a feeling that the author has about his religion and it’s purpose in his life. Yet, although the subjects both poems are addressing are the same, the messages being delivered are slightly different.
Primarily, the drinking age should be lowered to teach responsibility and safety in young adults. The idea seems paradoxical; however, the high drinking age that is present in the U.S. today has only pushed underage drinking underground (Balko 458). In fact, America has the highest minimum drinking age in the world (Balko 459). Even though the American drinking age remains high, America still remains with an astonishingly large number of alcohol-related accidents and deaths. Is this statement a coincidence? Throughout the years alcohol has become more and more of an issue in young adults, but the correct actions are not taking place. If alcohol were to legally be put in the hands of Americans eighteen and above, these individuals would likely be forced to learn a sense of safety and responsibility. As stated by Caryn Sul...
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
“The Legend of Sleepy Hollow”, one of the most classic books of all time, written by Washington Irving, was remade into a movie in 1999 by Director Tim Burton. Surprisingly there are many differences between the book and the movie, and little to no similarities. One of the major differences was that in the movie Tim Burton made Ichabod Crane a detective, while in the story he’s a nerdy teacher. Tim Burton did this to make the movie more interesting and for there to be a reason why Ichabod is so good at finding clues and solving the headless horseman case. Also they made Ichabod a little bit more brave in the movie so that there would be more action and drama in the movie. A total different between the story and the movie, is that they give a background of young Ichabod and his mother, but none of that was
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