Dominance In Battle Royal

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The forces behind social actions are strange and powerful ones. In his work “Marxism and Literature”, the British writer Raymond Williams recognized and explained this; in his “Battle Royal” section of the book Invisible Man, author Ralph Ellison demonstrated an implicit understanding of the same facts of life. The events of “Battle Royal” speak to these principles of social dominance that Williams writes about in an elegant, but ruthlessly honest manner, displaying what the ruling society must accomplish to conserve its power and influence.
In his “Marxism and Literature”, Williams defines what he means by “social dominance”: “…a saturation of the whole process of living- not only of political and economic activity, nor only of manifest social activity, but of the whole substance of lived identities and relationships.” In this sense, he says, social dominance (which he and, therefore, this essay will refer to as ‘hegemony’) is the way in which dominant cultures with their mores and values maintain that status. The forces that keep these hegemonic impulse in line are resisted by the creation of sub-societies,
Another consideration is that “a lived hegemony is always a process” (Williams 1977/2007). The result is that sub-societies must challenge the hegemony “to be renewed, recreated, defended and modified. It is also continually resisted, limited, altered, challenged by pressures not at all its own” (Williams, 1977/2007). It is a duty that is taken up by I.M.’s grandfather in “Battle Royal”, a “quiet old man” who had nonetheless “called himself a traitor and a spy, and…spoken of his meekness as a dangerous activity” (Ellison, 1952). I.M.’s grandfather had been a part of Williams’ “counter-hegemony”, using a creative form of covert rebellion against the dominant social influence to convince the hegemonic forces of his allegiance, while undermining

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