Dog Fashion Disco What do you think of when I say this for a band name, Dog Fashion Disco? You never heard of them, have you? There a Five piece band from Washington DC, who are signed with Spitfire Records. Their lineup consists of Jeff Siegel/keyboards, Stephen Mears/bass, Tod Smith/vocals/guitar, John Ensminger/drums, and Greg Combs/guitar. Their new CD, "Anarchist of Good Taste", was produced by Drew Manzurek and was released on March 6, 2001. Their type music is a genre of music within itself. It's heavy and powerful with a circus/vampire type trance sound to it. The drums off beat rhythms and the keyboards creepy melody lines are what gives them there sound. The group combines typical heavy metal elements with eerie horror show sounding elements. "When you listen to Dog Fashion Disco you realize what it's like to be chased by an evil clown with a knife.", to quote Matt Holt of Nothingface. The album shows more musical talented then any other metal band, ever. The vocals are a combination of spoken word, horrific screams and well-sung melodies. The lyrics are twisted, aggressive and horrifying. "I'm coming to California to kill you, I'm coming to rape and murder your family" from the song "Headless" and "You've got me hanging by my throat, swinging from a tree, swaying in the breeze, as I die my eyes glaze over , swinging from a tree, swaying in the breeze" from the song "the Vertigo Motel" are two examples of DFD's lyrics. The songs sound as much or more twisted then the lyrics do. The song "the Vertigo Motel" starts off with piano, bass and vocals. It's sounds like a love melody at first until you hear the lyrics. The lyrics are about a person hanging from a tree by their throat. The song changes parts many times, within a short period of time. It changes from piano melody to circus trance to heavy metal to jazzy and back and forth from one to another. This is one of the many songs that gives them their unique style. It's one of the best and one of the most musically talented songs featured on the album. Another song, "Cartoon Autopsy", has an eerie organ played over off beat drums with well-sung vocals, which makes it sound like a vampire movie theme. This changes to the chorus that is heavy and complex with more of a typical metal song.
Even though these movies have different interpretations of the vampire, they employ similar methods to assist in telling the story. In Blacula, the scene in which Blacula introduces himself to the descendant of his dead wife, Tina, for the second time they are in a club. There He Is Again by The Hues Corporation, plays in the background suggesting that she should be cautious of this mysterious individuals ulterior motives and “don’t let him follow through” (The Hues Corporation). The song continues to discuss how this mysterious man put this woman under a trance and is able to “read her mind, like an open book” and she begins to fall madly in love with him (The Hues Corporation). In the same way, Vampire in Brooklyn utilizes music to help strengthen the story. In the scene in which Det.s Rita and Justice go to Club Zeko to talk to Dr. Zeko, the band plays Stevie ...
The Dave Matthews Band has been a musical power house for years. They have meshed together almost every type of music together to create their extremely unique sounds and attractiveness towards their music. Dave Matthews, lead singer and guitarist from South Africa has put together a band that no one will ever be able to create again. Dave picked four extremely talented and unique sounding men to join his band and together they have created some amazing music. The members of the band include Stefan Lessard on bass, Boyd Tinsley on violin, Leroi Moore on saxophone and one of the best drummers in the world, Carter Beauford. Together these men will one day leave behind a similar reputation as one of the all time greatest "jam" bands of time.
Their work encompasses many genres into one. The band’s musical influences are comprised of jazz, rock, blues, bluegrass, folk, and country. Also, the band began to gain popularity during the movement of psychedelia. Psychedelic elements can be heard in almost all of their albums.
We do not have the big band sound, but instead rock band with one vocalist, electric guitars, string bass, drum kit it seems. Here then are a few things in the list that tell us more about this songs production technique: 1. Distorted sounding guitar introduction (00:00 – 00:08) can only be heard on the left side. 2. What is the difference between a.. Flower’s vocals (00:09) in the middle, while the drums can be heard on the far left.
In Terry Kay’s novel, To Dance With The White Dog, the main character Sam Peek befriends a snow white dog. The dog, affectionately called White Dog by Sam, helps to save Sam’s life many times. She is spoken of throughout the book by Sam’s children as well as by Sam in his journal entries. The main question throughout the book asks if White Dog is in fact real or is she just an illusion? There are strong facts all through the book that support White Dog’s realistic nature.
The band is composed of six musicians, and has been in the music industry for over twenty years. The main singer is the director and is the oldest member of the band, he has been there since
The cd starts with the song "Strike up the Band " performed by Oscar Peterson. The piece consists of a piano, cello. This song in my opinion sets the mood of the cd. It represents pure jazz music without the vocals. When i close my eyes and listen to this song I picture a club from the 1940's with jazz music and people dancing around. The second song, "Summertime", a very famous jazz piece performed by Ella Fitzgerald and Louis Armstrong, starts with a horn and an orchestra in the back. The lyrics of the song talks about a slaved woman, looking over her workers child. "Summertime" is sort of a lullaby song. Louis Armstrong's performance in this song is very well done; I really enjoyed his vocals. I also noticed the use of violins in this piece. The song ends with a duet with both of the singers together.
On Thursday night, the stage at Birdys was adorned with oriental rugs, candles, and vases of flowers to create ambiance. It was nice, but they wouldn’t have needed it, the music spoke for itself. They played songs from two of their albums, Good Dog Bad Dog, but mostly their latest, Ohio. This album is the one that drew the crowd ...
The band consists of Chino Moreno (vocals), Stephen Carpenter (guitar), Chi Cheng (bass) and Abe Cunningham (drums). The Deftones have built a reputation on their unique sound, which combines elements of punk, hardcore, hip hop, and heavy metal.
For African Americans, gaining freedom has been a hard struggle. Through the Civil Rights Movement that continued well into the 1970s, African Americans fought to gain rights that would allow them the most basic privileges. Though not enslaved anymore, African Americans quickly learned that freedom was not as easy or what they thought it would be. “Freedom” was a white man’s life that included equality within all aspects of life and no discrimination. After returning from war, African American men began to want more equal rights and opportunities, they expected justice form the country that they had fought for. This included the right to vote, citizenship, and desegregation. For every black man and woman, no opportunity was simply given. If they were accepted, it was with criticism and discrimination. With the new freedom that disco music gave black artists, they began to have more options within society. With Disco, black men were given the opportunity to become more than the stereotype. They brought forth a new sophistication, masculinity and sexuality that allowed black “soul music” to create a stake for itself in popular culture and the music industry. “Disco provided a partial map of black America’s shifting relationship to masculinity, upward mobility, and politics in the post-civil rights era.” Their music, though many times seen as a form of conformity and a rip-off of pop music, gave them a presence. It allowed them to “move beyond stultifying racial categorizations that confined them.” No longer were they confined to the accepted stereotype of a male; they started be seen as smooth, lovable, and sexual, everything women wanted and began to respond to. While their music gave men new freedom, many people criticized thei...
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
Many viewers of the 2014 Grammy Awards were surprised and confused when two robots took the stage to receive awards. The musical group Daft Punk was a mystery to most watching. As many believed, the duo are not actually robots, but two french men. They find that their robot personas bring more attention to themselves and their music than their normal faces do. They play a wide range of electronic music, and have won several awards for it. Daft Punk has had quite the effect on pop culture with a large following, but many people have not actually heard of them.
Of the five minutes, I believe that the most interesting segments are the first solo and the last minute or so; I will be analyzing these particular portions in depth. From the very start, this song is hot and fast. To open, the entire band plays a fast phrase that follows the 12 bar blues scale and this phrase remains central throughout the entirety of the song. The bass and piano hold this phrase while the horns transition into a separate rhythm to compliment it. These two phrases are repeated until the beginning of the first saxophone solo at :56. During this solo the bass transitions to a shuffle line while the piano compliments. The other horns join in with riffs after the first two choruses of the solo. The solo continues for another two choruses with the whole band playing before it is rounded off. The final minute of the song begins with a repeat of the third, fourth, and fifth choruses. In the final 20 seconds, things begin to get very interesting. The horns hold the last note of the chorus as the rhythms comes to a sharp halt. The horns engage in a brief agglomeration of notes that exhibits a strong use of polyphony and could be described as somewhat hectic. The drummer begins to shine with a solo of his own which he continues for the final seconds of the song, before resolving the entire song with a final
Terry Kay said there was a grand romance of life between his parents. (179). Kay captures his parent’s undying love and celebrates his family in his novel To Dance With the White Dog. Kay believes that his parent’s love still carried on, even after their death. Sam and Cora Peek’s love is portrayed through the white dog that Sam saw licking up grease on his back porch. Strangely, the white dog looked just like a dog that Sam and his wife had when they first were married. Another factor that makes the occurrence of the white dog even stranger is that it did not show up at Sam’s house until after Cora died. Kay said that his parents had an undying love; he uses his novel to express his parent’s love. Kay also notes that true love does not recognize the concept of time and can possibly carry on lasting for eternity.
Being on the cutting edge of bizarre, alternative music is an elite privilege, complete with buzz words to exclude the mainstream. The music makes or breaks the scene. One rave deejay explains to Rosen and Flick (1992), "A great rave or techno record is like a religious experience. A bad one will give you a headache