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The lord of the rings film critique
Symbolism in the lord of the rings
Lord of the rings and Christianity
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Many scholars, film buffs, Christians, Catholics, and Atheists have gone back and forth over this simple fact: is the film Lord of the Rings a film with Christian ties? This is a puzzling issue; If you take the film at face value you see: wizards, orcs, ents, magic and spells on screen. The viewer is left wondering how a Christian based film can have such things in it. Doesn’t Christianity renounce those beliefs ? If you dig deeper into the past of J.R.R Tolkien you will see that he has a rough road but what happens in his past only strengthen his belief in his faith, the strength of Tolkien’s faith even brought CS Lewis into Christianity. J.R.R Tolkien and Peter Jackson leave the viewer clues though out the film that is symbolic toward Christian beliefs. J.R.R Tolkien became a Catholic when he was 8 years old. The story goes that he and his mother got lost and they found dirt roads which lead them to a Catholic church. J.R.R Tolkien had his first communion in Christmas 1903, and his mom passed away from a diabetes-induced coma. He was left in the care of a Fr. Francis Morgan. Later Tolkien said that he believed his mother’s death to martyrdom for the faith. This martyrdom can be viewed in the scene where Gandalf the Grey is battling a Balrog. During this battle Gandalf the Grey fell with the Balrog; this is symbolizes martyrdom to allow the fellowship of the ring to continue on its quest. It was through Gandalf’s sacrifice that he was reborn as a White Wizard and became Gandalf the White. The hobbits are shown on screen as simple, peaceful folk that mind their own business in the shire. In the scripture Matthew 5:3-12(1) says: 3 “Blessed are the poor in spirit, for theirs is the kingdom of heaven. 4 Blessed are those who ... ... middle of paper ... ...For the 1,000 years Jesus reigns and there is piece throughout Earth. By comparison middle earth was left in turmoil when the rings tore apart the kingdom. J.R.R Tolkien even eludes to this by the way the character Aragon is shown on the screen as an individual that has a striking resemblance to Jesus , the dark hair; he has a beard, and is soft spoken, as a loyal leader, unbeknownst to him, he is the one to take over the throne of Middle Earth. J.R.R Tolkien tells a story portrayed in a fantasy world that has deep roots into Christianity. No matter how hard some people fight, the key points and striking symbolism has its beginnings in the Bible. Yes you do see wizards, orcs, ents, and magic but don’t take that for face value. This is a story in which you have to remove the fantasy façade in order to get the true meaning of what the story teller wants you to know.
Peter Jackson’s film “The Lord of the Rings: The Fellowship of the Ring,” revolves around a young hobbit by the name of Frodo Baggins and his unique group of companions. They go on a journey to destroy the One Ring of Sauron (the Dark Lord). In short, the One Ring has malevolent powers to whomever wears it.
Looking for biblical reflections in movies is something we often don’t do, but you would be surprised in how many Christian connections there are in different movies. If you look for biblical facts in movies you will see a few, if not a lot of connections. When looking for these connections don’t look too hard, or you will see something that’s no really there. When you get into mindset of looking for those Christian connections it is kind of fun. The movie The Chronicles of Riddick written and directed by David Twohy has many biblical connections, although the director has no beliefs that we know of he has not forgotten his roots.
· Wood, Ralph C. "Traveling the one road: The Lord of the Rings as a "pre-Christian" classic." The Christian Century Feb. 93: 208(4).
Tolkien, J. R. R., and Douglas A. Anderson. The Lord of the Rings. Boston: Houghton Mifflin,
Krivak, Andrew. "Author of 'The Rings': Tolkien's Catholic Journey." Commonweal 130.22 (19 Dec. 2003): 10-13. Rpt. in Children's Literature Review. Ed. Dana Ferguson. Vol. 152. Detroit: Gale, 2010. Literature Resources from Gale. Web. 14 Jan. 2014.
John Ronald Reuel Tolkien was born on January 3, 1892 in Bloemfontein, South Africa. He studied at Oxford pursuing a degree in English language and literature. This later gave him the thought of creating his own imagined world known as Middle-Earth. He then later married Edith Bratt, had four children, and became a professor at Oxford. The Hobbit, first published in 1937, had some of Tolkien’s invented language and mythology. The plot and character’s of The Hobbit combined the ancient heroic Anglo-Saxon and Scandinavian epics, which he studied at Oxford. The Hobbit “is immersed in folk tradition” (Matthews). The character Bilbo Baggins was inspired by the rural Englishman of the 1930s. Tolkien was inspired by ancient European myths leading him to write Lord of the Rings, a prequel to The Hobbit. On September 2,1973, J.R.R. Tolkien died at the age of eighty-one.
In the novel, The Hobbit, we find many themes and underlying messages from which useful knowledge and principles can be acquired. As the modern canadian fantasy writer once said, “Fantasy has the capacity to be as important and as thought-provoking as any other form of literature we have.” Tolkien’s work provides readers with challenging and time honoured themes such as: use your unique positive traits for the greater good of the group, power should never be abused and it is important to find your true self in life.
McGrath, Alister. "The religious symbolism behind the Chronicles of Narnia." BBC. N.p., 21 Nov 2013. Web. 3 Mar 2014. http://www.bbc.co.uk/religion/0/24865379
There are a lot of characters in the Hobbit. Most if not all of them
Religious education and children's literature have enjoyed a long parallel history. The earliest children's books were little more than religious devotionals or bible stories rewritten with the express enjoyment of children in mind. As children's literature progressed, however, it began to move away from religious instruction and into works that focused more on story. This doesn't mean that the two became mutually exclusive as to this day many works that are still enormously popular with children are rife with religious allegory without sacrificing story. Two such children's works are George MacDonald's The Princess and the Goblin and C. S. Lewis' The Lion, The Witch, and the Wardrobe. Both considered classics, they have been read for generations by children enthralled by their fantastical plots, yet a deeper look reveals that the works contain some very noticeable religious imagery that serves merely to enhance the work and never takes away from the enjoyment of the plot.
Tolkien was very interested in the nature of the Anglo-Saxon time period. He was fascinated by the old, dark mythologies of that time. He specialized in Old and Middle English, and taught classes such as Heroic verse, History of English, and Anglo-Saxon Language as a Professor at various colleges. He even uses Old and Middle English as the main dialect seen in all of his books. His love and interest for these topics, languages, and the Anglo-Saxon time period are shown greatly throughout The Lord of The Rings Trilogy.
he Lord of the Rings: Fellowship of the Ring is a fantasy novel set in an entirely different time period and in an extraordinarily different world. This story is part of a trilogy that transitions seamlessly into the ending of the prequel book, “The Hobbit.” At the end of “The Hobbit,” Bilbo Baggins, a hobbit, a hobbit is a half-sized human, comes home from an adventure and during his journey, he manages to obtain a magical ring. This ring is magical because when you happen to wear it, you turn invisible. It also had the power to prolong the life of the wearer. The start of the Fellowship begins with Bilbo's 111th birthday and Bilbo is getting ready to leave the Shire. The Shire is the region of Middle-Earth where the hobbits reside. Middle-Earth is the continent in which this story takes place. So Bilbo is looking to leave the Shire and wants to leave his possessions with his cousin, Frodo Baggins, who is much younger then he is. Amongst these possessions is the magical ring. Bilbo has second thoughts about giving Frodo the ring but is talked into doing so by his good friend Gandalf the Grey. Gandalf the Grey is one of a few powerful wizards that inhabit Middle-Earth.
J.R.R Tolkien’s The Lord of the Rings is a peerless fantasy of epic proportions. While eschewing allegory in favor of an historical perspective, Tolkien has imprinted the work with many of his own closely held Catholic beliefs. In a lecture concerning Tolkien’s writing given to students at Villanova University, Dr. Tomas W. Smith put it this way
Many people believe that Chronicles of Narnia: The Lion, the Witch, and the Wardrobe’s storyline and plot are based off of a Christian-based allegory; however, it is not. With the early childhood and teenage years of C.S. Lewis, the author of Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, the story could be a reflection of his life. Lewis also had a fascination with mythology, which plays a key role in the making of the characters. Many think that Lewis’s Christian conversion is what inspired him to write Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. Without the Christian conversion of C.S. Lewis, Chronicles of Narnia: The Lion, the Witch, and the Wardrobe’s content would not change but the focus on the meaning would change from a Christian allegory to a children’s fantasy novel. The first fact that would support this theory is Lewis’s childhood.
Murray, Roxane Farrell. "The Lord of the Rings as Myth." Unpublished thesis. The University of Georgia, Athens, GA, 1974.