Divine Law versus Human Law
Sophocles' famous play, Antigone, can be perceived as a conflict between individual conscience and state policy. Yet the issue of the play goes beyond that conflict and touches the universal conditions of suffering, religion, and loyalty. Through Antigone's character--which represents the spheres of family loyalty, divine law, and human suffering, Sophocles conveys the idea that a law of man that violates religious law is not a law at all. He expresses this idea by having Antigone dutifully bury her brother's body although it is against King Kreon's ruling. Antigone's action is not only an act of family loyalty but is an act of piety demanded by the gods.
The play commences with Antigone announcing her decision to bury her dead brother, Polyneices, although Kreon, the King of Thebes, declared that Polyneices' body will remain unburied. He said, "[...] Polyneices, the exile, [...] will have no ritual, no mourners,/will be left unburied so men may see him/ripped for food by dogs and vultures" (Sophocles 237-242). This goes against Greek religion in which if a body is not given proper burial rites, the body's soul is condemned to torment and will wander aimlessly through space. When Antigone sprinkles dust three times over her brother's dead body, it is equivalent to burial and Polyneices' soul can take its place in the realm of Hades (Sophocles 522-3). Antigone defends her actions by saying that man-made laws are not dominant over the laws that the gods made: "I didn't suppose your decree had strength enough,/or you, who are human,/to violate the lawful traditions/the gods have not written merely, but made infallible." Antigone's actions suggest that divine law in this context is superior over mor...
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...one did not want Ismene to take part of the plan because she wanted all the glory to herself. But this is not true because Antigone only said this to Ismene to prevent her from dying with her when she still had a fresh life to live. By hurting Ismene, Antigone subconsciously saves her life because Ismene would not want to die anymore.
Antigone represents the idea that family and divine law is more important than law of the state. By burying her brother and defying Kreon's ruling, she pleases the gods' wishes and alleviates her suffering. Her nobility could be seen by the citizens but not by Kreon who believed that nations belonged to men with power and not to gods. It was his greed that destroyed Antigone and the aspects of divine law, family loyalty, and suffering that she represented. "All the same, time after time, greed has destroyed good men" (Sophocles 260).
Antigone decides to betray Kreon’s law in order to honor the gods and their greater law. She says “you [Kreon], who are human/to violate the lawful traditions/the gods have not written merely, but made infallible,” defending her decision to bury the out-casted Polyneices because the law that prohibits it was not proclaimed by Zeus. When Kreon asks Antigone why she honors Eteokles (her other brother who also dies in the battle in Thebes) and Polyneices equally, she responds “Death is a god/who wants his laws obeyed,” corroborating the motive of why she upheld divine law over Kreon’s law (Sophocles 41). Even Haimon, Kreon’s own son and Antigone’s betrothed, supports Antigone by saying “the gods implant intelligence in humans/…that is the supreme one” (Sophocles 48). However, Antigone’s superior motive in giving Polyneices an honorable death is love. While conferring her plan with her sister, Ismene, Antigone tells her “He’s my brother an yours too/ and whether you will or not, I’ll stand by him,” indicating her love to her brother (Sophocles 22). In addition, Antigone is most direct with her intentions when she says “I am different. I love my brother/and I’m going to go bury him, now” (Sophocles 24). After Kreon asks Antigone why she dared to break his law, knowing the repercussions, she expresses that “if I had left my own brother stay unburied/I would have suffered all the pain I do not feel now,” further denoting her unwavering devotion to Polyneices even during her own conviction. Richard Emil Braun, an highly praised writer, also believes Antigone’s primary motive to bury her brother was love, as he says “The second burial of Polyneices shows that Antigone…did the deed, and not for money, but for love…Antigone was prompted by her love to fulfill a religious duty.” Civil disobedience to Antigone is
She reminds Antigone that they are the only family members left and pleads with her not to commit such a crime, but Antigone refuses to accept the logic in her sister’s argument and will not be swayed, even though the idea of her death clearly upsets her sister. Ismene later has a change of heart and wishes to die alongside her sister in order to honor the dead as well, she even confesses to Creon, but Antigone rejects her idea of being a martyr, saying that her own death “will suffice” (Sophocles 136). Ismene then imagines life without her sister. The idea of losing the only kin she has left on Earth terrifies Ismene. She pleads to Antigone, “what life is dear to me bereft of you?” (Sophocles 136). Ismene would rather die than live without Antigone. In deciding to give her life for her brother, Antigone neglects her sister, and acts selfishly. She therefore should not have signed herself over to death as it has severely negative effects on her only living
family, she did not believe what Ismene thought was right in the first place. At the same time, Ismene did not decide to take on this decision, until after Antigone had already finished her ceremony for her brother, so Ismenes help not very useful by that time.
Possibly the most prominent theme in Sophocles' "Antigone" is the concept of divine law vs. human law. In the story the two brothers, Eteocles and Polyneices have slain each other in battle. The new King Creon, who assumed the throne after Eteocles' death, decrees that because Polyneices committed treason against the king, he shall not be buried, but instead "He shall be left unburied for all to watch
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
The crux of the play, the causal factor to all the following events is how the new King Creon deals with the dead traitor Polynices, brother of Antigone. The decree not to bury the corpse must be considered from the viewpoint of a 5th Century Athenian, watching this play. The Antigone was written during a time of great strife for the city of Athens and they were in the middle of their conflict with the Spartans. At a time such as this , concern for the city was foremost in a citizen's mind. Creon's decree not to bury him at this stage then is right. Essentially not burying a body, any body, is an offence to the gods, and the persons spirit will not be able to go down to the underworld and cross the River Styx and Archeron. However, the Greeks believed that for some the sentence was deserved. The sentence of non-burial is appropriate in this case, as the Greeks believed that "those convicted of sa...
In meeting Ismene, the reader is introduced to a wiser and obedient woman in terms of her understanding where she stands socially and realizing the consequences of rebellious actions. Ismene, throughout the play, serves as a tool by helping Antigone to become more resolute in her actions. Ismene has suffered just as much as Antigone, "no joy or pain has come my way" (16) Ismene says. Yet although she concedes that the sisters "were robbed of our two brothers" (17), she still accepts the will of the King "I must obey the ones who stand in power"(18).
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Kreon settled a decree that prohibited anyone from burying Polyneices' dead body. He was proud of his decree, and he also stated that he would be a good king by listening to what people said regarding his decisions. When the decree was broken by Antigone, Kreon sentenced her to death. This angered the gods because they wanted the dead body of Polyneices buried, and they did not want a live body (that of Antigone) buried in a cave. Kreon was told by Haimon to change his mind, but Kreon rejected his request and went ahead and buried Antigone alive. Teiresias warned Kreon that the gods were angry and his actions were to be blamed. Kreon rejected both Haimon's request and Teiresias' warning, and as a result, he suffered in the end. In the beginning of the play, Antigone and Ismene were found arguing about whether Polyneices' body should be buried. Antigone wanted to bury her brother's body, but Ismene objected because she said that they should not disobey Kreon, who had absolute power and had prohibited Polyneices' burial (26-80). Ismene indicated that the citizens of Thebes did not dare to go against what Kreon decreed. They all knew that if they objected to Kreon, punishment would be the result. In the play, Kreon was first found addressing the senate as to how a ruler should rule his state. He said in his long speech, "'I believe that he who rules in a state and fails to embrace the best men's counsels, but stays locked in silence and vague fear, is the worst man there. I have long believed so'" (217-221). To impress the senate Kreon told them that he would listen to any advice they gave him because that was what a good ruler should do.
“Do what you believe is right.” This is a phrase common to us all, brought to our attention by parents, reinforced by teachers, and preached by leaders. But how does one define what is right? Is it what we believe in our hearts, or is it what we know is acceptable? This is a predominant dilemma that can be traced throughout society, and is the main focal point of Sophocles’ play Antigone. Written in 441 B.C., Antigone is one of the earliest records of the conflict between Natural law and Positive law. Sophocles deftly exposes these two philosophical standpoints and their respective moral and political aspects by way of the two main characters, Antgone and Kreon. Antigone is a champion of Natural law, while Kreon practices the Positivist approach. Both characters deem their behavior superior towards the other, and both assume religious justification for their actions. Sophocles ultimately proves that with so much support for each philosophical standpoint, a solution to the dilemma is hardly in sight.