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what are the divine interventions in the iliad
divine intervention in the iliad and the odyssey
what are the divine interventions in the iliad
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Greek mythology has systematically included the intervention of gods and goddesses in matters of the mortal world, and Homer’s The Iliad is no different. The story is littered with divine intervention, with both positive and negative outcomes for the humans involved.
The first time that we see divine intervention in The Iliad is in Book 1, where we see intervention from multiple gods and goddesses. The narrative begins nine years after the start of the war between the Greeks and the Trojans. The Greeks capture two maidens from a Trojan-allied town, Chryseis and Briseis. Chryseis’s father is a priest of the god Apollo, and he prays to Apollo for help after Agamemnon refuses to return his daughter for ransom. Apollo sends a plague upon the Greek
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Zeus is the only exception to this; he makes judgement calls as to the other gods’ involvement in the war. Even when his own son Sarpedon, was about to die, Zeus chose to let the event go on unaltered (although he is mainly persuaded by Hera to allow this to happen). On the other hand, Hera displayed some of the more typical actions of the gods. After Paris judged Aphrodite the fairest over Hera, she was angry at and resentful towards the Trojan people, and sought revenge through her actions during the war. So she sided with the Greeks, along with the goddess Athena, who was also resentful towards the Trojans because of Paris’s …show more content…
The role of Artemis, however, seems minimal when compared to that of her twin brother, Apollo. Apollo was constantly intervening in the mortal war in favor of Troy. Responsible for sending the plague to the Greek camps, Apollo was the first divine entity to appear in The Iliad. Aphrodite, who was chosen by Paris as the fairest, obviously sided with the Trojans, as well. Although she played a fairly minor role during the course of battle, she did successfully convince Ares, the god of war, to help the Trojans.
One view of the gods’ intervention in the mortal conflict was that they were just setting events back onto the course of fate. For example, when Patroclus was killed outside of Troy, Apollo felt no guilt for his actions. It had already been decided by fate that Patroclus would not defeat the Trojans. As a god, Apollo was just setting fate on a straight line again. After this event, Achilles blames Hector and the Trojans, not even considering Apollo, who was the one who was mostly responsible for the death. Apollo’s part in the matter was merely accepted as a natural disaster would be accepted today in our
Ultimately, Athena has a great effect on all three of the main characters within The Odyssey. She is the one who finally sets in motion the return of the great warrior king Odysseus and helps him attain revenge on the suitors once he arrives in Ithaka. Athena helps to make Telemakhos brave and hopeful for his father to return home, giving him the courage and direction he lacked without his father for the first twenty years of his life. Even Penelope received help from the grey-eyed goddess in finding ways to protect herself from the advances of the suitors. Reading the classic epic poem The Odyssey, one can see how the great goddess Athena's relationship with Odysseus, Telemakhos as well as Penelope exemplifies how she impacted everyone she came across.
Rhetorical Analysis and Persuasion Every day we are victims to persuasion whether anyone can notice it or not. Logos, pathos and ethos are the types of persuasion. Logos persuades by reason, pathos by appealing to emotion and ethos by the credibility of the author. The characters in The Iliad employ the use of these techniques to sway another character into doing or feeling something else.
This opinion is made fact among the mortals when Nestor reminds Diomedes that, “no man can beat back the purpose of Zeus, not even one very strong, since Zeus is by far the greater,” (8.143-44). With their tremendous power, a god may even find it baffling that they are also affected by the troubles of men. In The Iliad, the immortals can be viewed in two ways: 1) Immortals manipulate mortals on a whim. 2) The immortals are the embodiment of ideals. In the first view, the gods treat mortals as a sort of entertainment just to pass time in their immortal lives. With this mindset, the gods may be surprised when they too are affected by their actions. A manipulator is so used to changing the lives of others that they are often clueless on how to react to a direct change. In the second view, if the gods were just manifestations of human desires, then they would not react well with change, otherwise their identities would change as well. The gods are so accustomed to having power that they forget that they too are subject to the
It is the underlying theme in works of Greek literature. Mortals became tools of the gods when convenient. The affairs of men were not always at the will of the gods however, in certain instances, the agenda of the gods permitted involvement in the human domain. By mating with mortals, the Olympian gods could produce children who be loyal to themselves and would be stronger and better than ordinary mortals. Hemitheoi, or demi-gods, were the fourth generation of humankind; the heroes of myth, the ones who fought at Troy or killed immortal beasts in order to save another (Zaidman 25). Homer’s epic the Iliad describes the last two weeks of the ten-year battle between the Trojans and the Greeks that has become known historically as the Trojan War. While the poem primarily focuses on the conflict between Achilles and Agamemnon, the use of several Greek gods displaced the purity of the war involvements change the pace of the battle. The story of the Trojan War begins with the story of the apple of discord, the Golden Apple. Hera, Athena, and Aphrodite each believed that they deserved this apple, by virtue of being the most beautiful. Since the goddess could not decide among themselves and Zeus was not willing to suffer the wrath of the females in his family, the goddess appealed to Paris, Prince of Troy. When asked to judge
The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many other humanly characteristics. One memorable scene is when Zeus and Poseidon are in conflict with each other over the Achaens versus the Trojans. Zeus controls the battle by “lifting the famous runner Achilles’ glory higher,” (Homer 13: 404). Zeus plays both sides in this scene, acting like a double agent which is dishonorable. Zeus’s bias is prevalent throughout the poem; specifically, he is “bent on wiping out the Argives, down to the last man,” (Homer 12: 81-82). Just like mortals such as Agamemnon and Achilles view each other with suspicion and intolerance, the gods experience identical emotions of wariness, anger, and irritation. This human-like behavior is not restricted to Zeus. Later in the text, Hera lies to Aphrodite to use her powers to manipulate her own husband Zeus. If one looks at Hera as a heavenly entity, her reaction may not make sense, but when it is viewed as a manifestation of human emotion, it become almost reasonable. Her scheming response to Zeus’s meddling with the war is spurred by her support for the Trojans. Hera’s manipulation and Aphrodite’s ego don’t stand alone as examples of this divine humanity. These instances suggest that the deities are being presented in this unique way to help explain behavior of the humans in The
In Danae and the shower of gold, The epic of Gilgamesh and The Wandering of Io, the gods illustrated their support for human kind with basic actions. Some more directly than others, like the epic of Gilgamesh they send a physical creature to help whereas for Danae the gods indirectly helped her get off safely to the shore. Ultimately, gods were able to send some sort of help or hope for the people and in doing so, portrayed how Greek mythology gods are seen as supporters to human
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
First and most disappointing, was the absence of the Gods in the movie Troy. Divine intervention was a major variable in Homer’s Iliad. The Gods affected every aspect of this poem. While the Gods were mentioned and the viewers were made well aware that the characters believe in the Gods, the only God that was physically seen was Thetis, Goddess of the Sea and Achilles’ mother. One memorable quote from the movie was in a conversation between Achilles and Briseis. Briseis states, “All the Gods are to be feared and respected” (Troy 2004). Achilles answers by saying:
...uring the 8th century BC and Herakles is the most present, dating at early 5th century BC. Observing these myths, it can be concluded that the gods’ involvement in these stories decrease and become less active as they near present times. In the Epic of Gilgamesh, the furthest from present time, the divine intervention was evenly distributed, bringing up various gods, and found in the beginning, middle, and the end of the Sumerian epic. The Iliad, although the gods were active in the Book XX, didn’t have much previous activity throughout the Iliad because Zeus had banned divine interference (Lattimore 404). Herakles represented a very active Hera doing everything possible to hinder Herakles’ efforts, but it was mainly focused on her. Even though the gods and goddesses helped Herakles accomplish his labors, Hera’s role was the focal point of the divine intervention.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
In the Iliad, the gods do have some control, but not as much as the humans think they do. When he is killing Hektor, Achilleus says,
The gods and goddesses constantly intervene in the "Odyssey". There are many examples of divine intervention in the "Odyssey". One of the most influential gods in the Odyssey is Poseidon. Poseidon causes Odysseus's journey to be so difficult. Poseidon is mad at Odysseus because of what he did to his son Polyphemus. Polyphemus asked his father to avenge him. This resulted in only Odysseus reaching Ithaca.
treachery among the Gods that is so prevalent in the Iliad, is nowhere to be
Destiny is defined as fate. One cannot escape destiny. Divine intervention on the other hand is much different. One can at least beg for mercy or help. Both destiny and divine intervention are intertwined in Homer's The Iliad. In book I Thetis asks a favor of Zeus in order to make her son look good. Zeus decides to help Achilles against the wishes of Hera. In Book II there are two gods trying to accomplish different tasks. In order to make Achilles look good, Zeus must give glory to the Achaeans. Hera on the other hand tries to help the Greeks. The gods try to assert their divine authority, but without the humans realizing they are being played like puppets. Throughout The Iliad we see both divine providence and the luck of humanity playing a part in the lives of Hector and Achilles.
The goddess of wisdom, Athena, and the goddess of sexual desire, Aphrodite, both play a significant role in this poem. These women have the ability to control mortals and even other gods. They are considered to be one of the powerful forces in this poem because of their control over the mortal relationships would systematically change the course of conflict and actions of the mortals. In the beginning of book I, Homer uses Athena to try and calm Achilles down from a quarrel with Agamemnon. During this situation the goddess is about to change a situation when she, Athena, states to