Disparity Between Baroque And Poussin Artistic Works

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Disparity between Baroque and Poussin Artistic Works. Baroque refers to an irregularly shaped complex pearl. Baroque period was characterized by creative style, which embraced architectural designs, paintings as well as sculpture. The period is dated back from around 1600 in Rome from where it spread to most of Europe in the early 17th to mid 18th century. Additionally, this artistic period involved discovery of new ideas that reflected the desire of the Catholic Church in Rome to reassert itself in the wake of Protestant Reformation. Classicism can be defined as a stylistic art in literature, music and visual art that takes the art of perfection of the ancient Greece and Rome from the middle Ages of the 18th century and seeks to be recognized and controlled. The art pays attention to traditional norms on elegance and symmetry. The Baroque art of Bernini was mainly paying attention on natural forms, colors, spaces, exaggeration, lights, and the affiliation between the observer and the portrait subject that brought an emotional feeling. For instance, the great success that Bernini achieved was vividly making Saint Teresa vividly in the throes of Ecstasy. Bernini did this by translating Saint Teresa’s spiritual experience into a physical one that its worshippers could observe. According to Hunt, the Ecstasy has a passionate drama that evokes an emotional response from the observer (87). Also, it was believed that Counter Reformation theatricality and sensory experiences could increase the devotion and holiness of worshippers. However, unlike Baroque art, Classicism of Poussin focused on idealized classical images that talked about magnificent heroic stories from history in the West such as Discovery of Achilles on Skyros. Pouss... ... middle of paper ... ...c environment, like a stage set. Looking through the box, he would then formulate sketches. This resulted in creation of impressive paintings that were admired even by rulers to the extent of King Louis XIII consulting him to decorate the Grand-Galerie at the Louvre in Paris. Consequently, Barogue’s art mainly consumed a lot of time and energy, while constructing oil sketches and cartoons. This made him to engage outside artists who often took much of their actual paintings. However, (Carrier 243) indicates that Poussin despised support from other artists when doing his work. Furthermore, he felt that transferring his design from the cartoon to the final painted image was also an essential part of the creative progression, which he opted to execute alone. In addition, he would draft several versions of the final subject matter, varying lighting and composition.

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