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Analysia the character of king lear
Critical readings of king lear
Analysia the character of king lear
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Disobedience in William Shakespeare's King Lear "How sharper than a serpent's tooth it is to have a thankless child". Filial disobedience is a key theme in the play 'King Lear' and in both the times it was set and written, children were not expected to disobey their fathers. Jacobean England was an extremely hierarchical society meaning that respect should not only be shown to the powerful and rich but also to parents and the elderly. Seventeenth century England would have been more devout in terms of religion than today and undoubtedly a Jacobean audience would have been familiar with the fifth commandment, 'Honour thy father and mother'. Lear, like any king, Pagan or otherwise, would have been seen as the godhead on earth and therefore a man of exceptional power who implemented the gods' will on earth. Such a figurehead should surely command absolute respect and obedience. Yet Cordelia displeases her father, and Goneril's and Regan's actions following Lear's abdication can only be described as shocking, even to a contemporary and more liberal-minded audience. Act one, scene one represents the first emergence of filial disobedience, starting with Lear's vanity demanding that his daughters say how much they love him in a meaningless ceremony. Cordelia, his youngest and favourite daughter, will not be drawn into this. "Unhappy that I am I cannot heave My heart into my mouth. I love your Majesty According to my bond; nor more nor less." I.i.87-89 Cordelia's refusal to flatter her father during the love test may suggest to the audience that she is not only disobeying her father, but also committing political sui... ... middle of paper ... ..., is one of great pain and sorrow. It eventually leads Lear to madness and it is only then that he sees the true reasons behind his treatment. Goneril and Regan commit many sins against their father, which in Jacobean times would have been seen as evil or against the natural order. Shakespeare portrays this theme with both outright and subtle actions throughout the play. It is only when Lear returns to himself that the audience sees how wrong his treatment was, with the return of Cordelia, who bears no grudge. Goneril and Regan, as it may be seen, were too spoilt by their father and the Fool's words to Lear summarize what has happened. "For you know, nuncle, The hedge-sparrow fed the cuckoo so long That it had it head bit off by it young. So out went the candle, and we were left darkling" I.iv.189-192
Goneril and Regan, two daughters of King Lear try to gain some power. After Lear banishes Cordelia, Goneril and Regan think that their father is going crazy and they over throw his power of being a king. Another character that tries to gain some more power in the play is the character, Edmund, his brother Edgar has more power than him, people treat Edgar better because Edgar was born in their parents’ marriage, while Edmund was not so they call Edmund, Gloucester’s illegitimate son.
Thou shall honour thy father and thy mother, is not only one of ten powerful commandments but is also the foundation for King Lear's perception of himself and his overwhelming situation in Shakespeare's masterpiece King Lear. After a recent life-altering decision, Lear's seemingly stable and comfortable world has been thrown into upheaval through the disobedience and lies told by not only his two daughters but also by his servants! Thus, after being dishonoured by his family and attendants, Lear forms an accurate perception of his situation, that he is "a man / More sinned against than sinning" (Act III scene ii lines 60 - 61).
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
The play of "King Lear" is about a search for personal identity. In the historical period in which this play is set, the social structure was set in order of things closest to Heaven. Therefore, on Earth, the king was at the top, followed by his noblemen and going all the way down to the basest of objects such as rocks and dirt. This structure was set up by the people, and by going by the premise that anything that is man made is imperfect, this system cannot exist for long without conflict.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
King Lear is a perfect demonstration of the great consequences one man's actions can cause. While there are certainly religious Christian elements to the story, the story is not one of morality or hope. King Lear is a lesson, making an example of what can come of a single, foolish, egotistical action. King Lear's action is the surrendering of his throne to his daughters.
King Lear is at once the most highly praised and intensely criticized of all Shakespeare's works. Samuel Johnson said it is "deservedly celebrated among the dramas of Shakespeare" yet at the same time he supported the changes made in the text by Tate in which Cordelia is allowed to retire with victory and felicity. "Shakespeare has suffered the virtue of Cordelia to perish in a just cause, contrary to the natural ideas of justice, to the hope of the reader, and, what is yet more strange, to the faith of chronicles."1 A.C. Bradley's judgement is that King Lear is "Shakespare's greatest work, but it is not...the best of his plays."2 He would wish that "the deaths of Edmund, Goneril, Regan and Gloucester should be followed by the escape of Lear and Cordelia from death," and even goes so far as to say: "I believe Shakespeare would have ended his play thus had he taken the subject in hand a few years later...."3
The Consequences of Decisions in King Lear by William Shakespeare King Lear is a detailed description of the consequences of one man's decisions. This fictitious man is Lear, King of England, who's decisions greatly alter his life and the lives of those around him. As Lear bears the status of King he is, as one expects, a man of great power but sinfully he surrenders all of this power to his daughters as a reward for their demonstration of love towards him. This untimely abdication of his throne results in a chain reaction of events that send him through a journey of hell. King Lear is a metaphorical description of one man's journey through hell in order to expiate his sin.
A connection that is lost would include Lear’s relationship between him and his three daughters. If Lear’s lack of communication were to be put aside, then Lear could then understand and know his daughters each on a personal level. Thus, allowing him to realize that Cordelia is the most loyal and loving daughter of all. Whereas, he would recognize Goneril and Regan to be his two ungrateful daughters, who are known to be fake backstabbers that are capable and willing enough to get that they want. Secondly, with Lear’s deficient sense of communication, it has allowed him to gain the persona of haste irrationalism. As said by Goneril to Regan “The best and soundest of his time hath been but rash” (1.1. 295). Goneril explains that Lear himself has always been irrational and uncontrollable, even when young. This is proven after the choice of Cordelia to not profess the love that she has for her father, causing Lear to then hastily banish Cordelia from the
Hatred and desire fueled Goneril, Regan, and Edmund to lie in order to obtain their parents’ power leading to destruction within their family. Edmund’s hatred was continued by the reminder that he was only the bastard son of Gloucester driving him to lie to both of them ultimately ruining his father’s eyesight and his brother’s identity. Goneril and Regan got rid of their father while retained his power by lying about who loved him the most and took away his knights. From King Lear, Shakespeare concluded that greed and power are capable of ruining a family.
The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
"As flies to wanton boys are we to the gods; / they kill us for their
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...