Within all the text in the “Dionysus” section the universal theme I found is that the characters were punished by fate for no apparent reason. In one pivotal moment in each story, the innocent character loses free will and henceforth is steered by merciless fate.
In the myth of Diana and Actaeon, Actaeon has committed no crime but is punished as if he had. His seeing Diana bathing was the work of fate. As a matter of fact, Hughes reinforces this belief in the first paragraph of the story when he states, “Destiny, not guilt, was enough for Actaeon. It is no crime to lose your way in the dark wood” (Hughes 97). It is perfectly clear that it was purely fate guiding this story. Actaeon was “Steered by pitiless fate- whose nudgings he felt only as surges of curiosity” (Hughes 99). At this point one can see that Actaeon has completely lost his free will. It is no longer his decision whether to not go further in the cave. From here on, fate takes control of his life.
The only character that has gained a form of justice from this encounter is Diana. By disposing of Actaeon, she won back her purity- the essence of her virginity. This purity she had lost when Actaeon saw her exposed. Her only means of regaining her chastity is by ridding herself of Actaeon. In comparison, there is no justice in this tale for Actaeon. He was simply a victim of fate, which put him in the wrong place at wrong time.
The strongest moral of the myth of Diana and Actaeon is that fate carries no preferences. Actaeon committed no crime; he did nothing to anger the gods. Fate catches up to all people regardless of the manner in which they chose to live their lives. Ovid could have used this myth as a basis for explaining to his people why even the innocents suffer in life.
However, I found that the morals of this myth are as beauty is to the eyes of a beholder. For example, another one of the possible morals I came up with is that the hunter became the hunted. Diana, being the goddess of the hunt had the power to show Actaeon what it was like to be the hunted. This is brutally demonstrated when Actaeon’s own dogs, which were so peculiarly described (practically all of page 101 is dedicated to the description of these dogs), hunt Actaeon down and ravenously tear him to pieces.
The Chi Omega Greek Theater was constructed as a gift to the University commemorating Chi
There is one reason Chicago is as big as it is today and that is the fact that it is the largest rail city in the world. The railroad made Chicago what it is today, and although the canal was very important in the history of Chicago the railroads importance out weighs it by far. The canal was important because it was the vision of the first settlers of Chicago to have an all water trade route that would go through Chicago. What those first explorers saw was a way to make a canal so that they could transport goods from the St Lawrence River all the way to the Gulf of Mexico with less cost and with more efficiency. The canal was the reason Chicago was settled in the first place if not for it there might very well not be a city called Chicago. You could argue that the canal was the most important thing in Chicago's history but I think the railroads were much more important. The railroads enabled Chicago to become one of the biggest cities in the world by bringing in different business and all types of goods. Chicago is a very key location to have a railroad-shipping hub. This is because it is centrally located in the United States so goods can be shipped in almost any direction and received in a shorter amount of time. William Butler Ogden was the one who pushed for Chicago to adopt a large rail system and he should be known as the one who made this city boom. St. Louis or another centrally located city could have very well adopted the rail system and they would have reaped all the benefits.
...ty since "things could happen in the real life of Athens which were virtually unthinkable in tragedy, and vice versa." Perhaps the safest assessment of Dionysus is that while not a direct opponent of the traditional ways, his presence, and especially his effect on other characters, serves to highlight many social norms. According to Bernad Knox, "From start to finish, Euripides was 'attempting to show citizens bred in the traditional views...that such conceptions of the gods should offend them.'" Perhaps we as readers will never fully understand the Dionysus that appears in this play, but a closing look at a remark of the Chorus may bring us a step closer to this understanding:
3 & 4. 27 B.C – A.D 68 by unknown artist, but restored by Pacetti Vincenzo
...t is also important to notice that every character seems to have wide eyes and dark circles drawn under their eyes. This is perhaps one of the most important aspects because the eyes show the underlying theme of complete inebriation. This in turn, proves the impact that Dionysus had on his followers as well as those who he conquered. Wine brought great power to its creator, and made a lasting impact on history. With these devices of communication, we are able to see that the follower wanted to capture Dionysus’s legacy by creating a sarcophagus of remembrance in his honor.
Railroads first appeared around the 1830’s, and helped the ideas of Manifest Destiny and Westward expansion; however, these were weak and didn’t connect as far as people needed, thus causing them to be forced to take more dangerous routes. On January 17th, 1848, a proposal was sent to Congress by Asa Whitney to approve and provide federal funding...
In what is noted as one of Plato first accounts, we become acquainted with a very intriguing man known as Socrates; a man, whose ambition to seek knowledge, inevitably leaves a significant impact on humanity. Most of all, it is methodologies of attaining this knowledge that makes him so mesmerizing. This methodology is referred to as Socratic irony, in literature. In any case, I will introduce the argument that Plato's Euthyphro is extremely indicative of this type of methodology, for the reason being that: Socrates's portrays a sense of intellectual humility.
The Tragedy of Romeo and Juliet by William Shakespeare is a love story that has been read for hundreds of years and is still studied today. The story is about a young boy and a young girl who are in love with each other but both of their lives end in tragedy. Many of the play’s character’s actions affect the outcome of the play, but no character can be put to blame of the outcome. The one thing that these events can be credited to is fate. Fate did many things in the play, such as caused Romeo and Juliet to meet and it caused Romeo to believe Juliet was dead.
In The Bacchae, Euripedes portrays the character of Pentheus as an ignorant, stubborn, and arrogant ruler. These character flaws accompanied with his foolish decisions set the stage for his tragic downfall. Pentheus' blatant disregard to all warnings and incidents, which prove that Dionysus is truly a god, lead him to his own death. In the end, his mistakes are unforgiving and his punishment is just.
Aeschylus’ Prometheus Bound portrays a greek god detained by a superior for disobedience against the latter’s rule. On the other hand in Euripides’ Hippolytus portrays lust and vengeance of the gods and the extent that they can go to to avenge it.
The first time that one of the characters in the story tries to escape their fate is when Jocasta and Laius have a child. After the oracles tell Jocasta and Laius of their fate, Jocasta and Laius try to get rid of their new born baby by sending him off to a shepherd who in turn will put the baby on a mountain to die, however in the end their child (Oedipus) becomes a prince of another city and ends up killing his father (Laius) in an altercation and marries his mother (Jocasta). Another example is when Oedipus tries to run away from those who he thinks are his real parents because he does not want to kill his father or marry his mother, however he ends up doing so when he meets his real father in a intersection of three roads and kills him. The third example is when Oedipus continues on his journey to escape his fate and comes across the sphinx. The sphinx was a horrendous monster that was terrorizing the city of Thebes and it was said that whoever could solve the riddle of the sphinx would become king of Thebes. Oedipus solved the riddle and became king thus marrying the queen of Thebes (Jocasta) who was his real mother. By doing this he committed what he tried to get away from. In the end of the story, when Oedipus and his wife/mother find out that the prediction of the oracles has came true, Jocasta kills herself and Oedipus kills himself when he sees his mother/wife dead. This part of the tragedy is to show that if you try to escape your fate, you will be punished by the gods.
...trated this by betraying the trust that people had in men and the gods with his foolish and reckless action against Cadmus and his family. Dionysus refuted rational thinking by letting his emotions for revenge stand in the way of his contemplating how a god should behave. In doing all the things Dionysus has destroyed the ideal way one would expect a god to conduct their self. Euripides portrays a Dionysus that single handily destroys all the cultural values of Hellenic Greece; however, Euripides is able to capture the changing values of his audience and pave the way for the culture of Hellenistic Greece to begin to dominate societal thought.
In today's society we let our lives be led by a certain force that we believe in very strongly. Yet, a common debate that still rages today is whether we, as a species, have free will or if some divine source, some call it fate, controls our destiny. In the play, Oedipus the King, that special force is also used and is known and defined as fate. This played an important role in the lives of the characters just as it plays one in our daily lives.
Sixteenth century play writers often focused on the tragic irony of fate. One such play-writer is Sophacles. In one of his later plays, “Oedipus”, he writes the tragic story of a man who can’t avoid his pre-destined fate, and that some things just can’t be changed by the people in your life no matter how hard they try. Oedipus, the main character of this tragedy, he is a protagonist ruled by conflict and fate. This is evident in the characters traits and motivations, interactions with others, and the characters language and what others say about him.
Greek tragedies began at a festival in honor of Dionysius, who was the god of wine. At the early festivals, drinking, quarrels, and sexual activity occurred frequently. Later on, tragedies gained much more respect and were taken very seriously. The plays dealt with man's relationship with god(s). These plays also dealt with a specific instance of life. The chorus wore goat-skins and served a great purpose in the tragedies, themselves. Thespis, the father of the tragedy, created an actor who talked with the leader of the chorus to further make the importance of the chorus seen.