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Critical analysis of jane austen's emma
Critical analysis of jane austen's emma
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“A subtle, yet very significant message is hidden just below the surface- the beginning and ending are just definitive points in the journey, in between is where we write our definition of happiness.” (McGill 2) Emma Woodhouse is a careless girl who is blinded by true love. Jane Austen Shows the reader Emma’s journey into a woman not only caring for herself. (Austenesque 1) Emma Woodhouse is a socialite who loves to play the role of a matchmaker. In her novel Emma, author Jane Austen exposes the complexity of the main character Emma through her relationships with others.
As we follow Emma’s Journey throughout Jane Austen’s novel, we see Emma as a matchmaker and then as herself. “Beautiful, clever and wealthy she fancies herself a master-matchmaker and sets in motion a laundry list of schemes to pair off Highbury residents.” (McGill 1) Emma is a beautiful young woman, but she is careless when it comes to finding love. She is more concerned with matching up people who she believes should be together. Emma hurts many people when she plays the role of a matchmaker. In Tave’s article he compares Emma to a lonely astronomer who thought he controlled the weather. (Tave 11) Emma does not think she controls the weather, but she does believe that she controls the people of Highbury. She does not only believe she controls the people, but Emma also thinks she controls their relationships. Emma does not appear a true matchmaker because she is pairing up people who she thinks should be together. In Austenesque Review, it shows that Emma is not talented matchmaker. It also shows that she makes frequent mistakes and does not understand the people around her. “Emma’s joy in being first is part of what makes her such an exhilaratin...
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Bloom, Harold. “Intoduction.” Modern Critical Interpretations. Philadelphia: Chelsea House
Publishers, 1987.
McGill, RJ. Blogger News Network. Rev. of Emma by Jane Austen. 7 Dec 2007. 3 Jan 2011
http://www.bloggernews.net/112200.
McMaster, Juliet. “Love: Surface and Subsurface.” Modern Critical Interpretations. Ed.
Harold Bloom. Philadelphia: Chelsea House Publishers, 1987.
Morgan, Susan. “Emma and the Charms of Imagination.” Modern Critical Interpretations. Ed.
Harold Bloom. Philadelphia: Chelsea House Publishers, 1987.
Rumrich, John Peter. “The Importance of Being Frank.” Modern Critical Interpretations. Ed.
Harold Bloom. Philadelphia: Chelsea House Publishers, 1987.
Tave, Stuart M. “the Imagination of Emma Woodhouse.” Modern Critical Interpretations. Ed.
Harold Bloom. Philadelphia: Chelsea House Publishers, 1987.
Emma's arrogance shines through when she brags that she is exceptionally skillful at matching couples. She believes that she is in control of fate and must play matchmaker in order for couples to discover their true love. Austen confirms, "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself" (Austen 1). Although Emma is so spoiled and overbearing, she truly doesn't realize this fact.
Southam, B.C., (ed.), Jane Austen: The Critical Heritage. Landon, NY: Routledge & Kegan Paul - Barres & Nobel Inc., 1968.
New Haven, Conn: Yale University Press, 1979. Le Faye, Deirdre, ed. Jane Austen's letters, 3rd. ed. Oxford University Press, 1995.
Halperin, John. The Life of Jane Austen. Baltimore: The John Hopkins University Press, 1984. Print.
Jane Fairfax plays a significant role as a rival towards Emma in terms of intelligence and beauty in the novel Emma by Jane Austen. Jane Fairfax is born to Mrs. Bates youngest daughter and Lieut. Fairfax. Jane’s father Lieut. Fairfax died and Jane was left with a widow mother who also died when Jane was three years old. After the death of Jane’s parents, Jane was took care by Colonel Campbell who was a good friend to Mr. Fairfax where Mr. Campbell believed that Mr. Fairfax has saved his life (p.128). Jane was loved by Mrs. and Miss Bates but if she lived with them, she would have had limited opportunities through her education and her social level. From Campbells kindness Jane was educated at high standards in London by Campbells support taught by the first-rate masters. However, because Campbells could not financially support Jane forever as their fortune belonged to their daughter and from Miss Campbell’s marriage with Mr. Dixon, Jane finally comes back to Highbury where her relatives Mrs. and Miss Bates live. Jane is a character in the book Emma as an only character who could be contrasted to Emma through many natures. This essay will discuss the role of Jane Fairfax through issues such as Jane and Emma’s relationship, Jane’s relationship with Mrs. Elton in contrast to Emma’s relationship with Harriet Smith, Jane’s love relationship with Mr. Frank Churchill and discuss why Jane is the conventional heroine where Emma is not.
Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.
Emma also transforms into a proper woman through correcting her original neglect. Trollope states that “[i]n every passage of the book she is in fault for some folly, some vanity, some ignorance, or indeed for some meanness” (7)19. Because of her ignorance toward attitudes of her neighbors, Emma interferes through their lives in a way that makes them unhappy, for “she had often been negligent” (Austen 359)20. Mr. Knightley predicts the outcome of Emma’s plans in the beginning of the novel when he states that “[y]ou are more likely to have done harm to yourself, than good to them by interference” (Austen 8)21 and also that “[v]anity working on a weak head produces every sort of mischief” (Austen 53)22. Not only is Emma stubborn toward her actions, but she is also negligent to herself when she convinces herself “I cannot really change for the better” (Austen 73)23. On other matters about her plans for others, Emma’s consideration falls short through her own selfishness and withholding of her pride, for “[t]he longer she considered it, the greater was her sense of its expediency” (Austen 27)24.
Austen, Jane. A. Emma. Norton Critical 3rd edition, ed. Donald Gray. New York and London: Norton, 2001.
Jane Austen writes about the society of her time, achievements, behaviors, values, prejudices, aspirations. She belongs to the middle class within the social class system in. The novel is set during the time of the regency, which is a bridge between the Georgian and Victorian period. The eighteenth and the nineteenth centuries from part of the perspective of the European history. At this time they were having a lot of changes in economic, political, social and cultural. “Austen herself notes that she knows little of the world at large and instead chooses to write about what she does know.”
In the term of realism, Emma’s society value view represented the problematic old society. Austen was very suspicious to sustain the significance of social class construction in “Emma.” The exi...
...er. Even as wise and intelligent as Charlotte is, she still identifies with the ideas of her time about marriage. Charlotte, serving as a basis of time’s views allows the reader a glimpse into the institution of marriage in the Regency Era. Charlotte more than emphasizes just how radical Elizabeth was for her time, since she was willing to wait for the perfect man rather than settle. As a contrast, she helps Austen create a unique relationship in Darcy and Elizabeth. Austen disproves Charlotte’s and the general society’s pragmatic belief in a likely unhappy marriage. Through Charlotte’s marriage Austen gains a more cynical and realist voice she shows that the heart does not always have to be consulted with for a comfortable union. However, she also proves that a happy marriage is possible in spite of personal imperfections as is the case with Darcy and Elizabeth.
In Jane Austen’s social class and coming of age novel, Emma, the relationships between irony, insight and education are based upon the premise of the character of Emma Woodhouse herself. The persona of Emma is portrayed through her ironic and naive tone as she is perceived as a character that seems to know everything, which brings out the comedic disparities of ironies within the narrative. Emma is seen as a little fish in a larger pond, a subject of manipulating people in order to reflect her own perceptions and judgments. Her education is her moral recognition to love outside her own sheltered fancies and her understandings of her society as a whole.
In the novel, Emma, Austen introduced her audience to a new idea of patriarchy. While she is known to satirize society for the “faulty education of female children, limited expectations for girls and women, and the perils of the marriage market” (“Austen, Jane”). Austen expresses the irony of the men of her patriarchal society and proposes the ideal gentleman in Mr. Knightley. In Emma, Austen moves away from “a traditional idea of 'natural' male supremacy towards a 'modern' notion of gender equity” (Marsh). Jane Austen is a revolutionary in the way she transforms the idea of Nineteenth Century patriarchy by not “reinforcing the traditional gender stereotypes” (Rosenbury) but instead challenging the status quo. While her characters still hold some ties to traditional ideals, Austen proves to be ahead of her time, influencing the way gender is regarded today.
Emma Woodhouse: Emma is the main character of the novel. She is a beautiful, smart, and wealthy 21-year-old woman. Because of her admired qualities, Emma is a little conceited. She is the daughter of Henry Woodhouse. Since her mother has died, Emma has taken the role of taking care of her father, who is old and often sick. Because she feels she is obligated to stay by his side, Emma decides not to marry. Emma believes that she is a good matchmaker, and tries to put together several couples throughout the novel. Emma believes that social classes are very important and refuses to see anyone cross over to marry someone lesser than themselves In chapter 8-page 52, Emma is talking about Harriet’s situation with the farmer with Mr. Knightley. She says, “Mr. Martin is a very respectable young man, but I cannot admit him to be Harriet’s equal. As the novel progresses, Emma becomes more mature, and realizes how silly she had been in the past. In the end, she finally stops matchmaking others and marries Mr. Knightley, who was perfect for her all along.
Fergus, Jan. “Biography.” The Cambridge Edition of the Works of Jane Austen. Ed. Janet Todd.