The flea is a vessel that symbolizes union, in this case the physical union between the speaker and the woman through sexual intercourse and the exchange of bodily fluids. It is impo...
He is suggesting that they are united in this flea and ,thus, would equally be united in intimacy. In addition, he states, "This flea is you and I, and this our marriage bed, and marriage temple is." The speaker is suggesting that through the flea the two are married. Again, the flea represents marriage, union, and consummation through intimacy. However, the woman crushes the flea, thus, refusing his request, and states that neither she nor he is weakened by its death.
...e man turns this act into a grotesque one because the audience discovers that the dog is dead and that her hand was being licked by a perverted man. This could symbolize the whole act of act of intercourse, a beautiful experience, but when one is violated the act becomes sick and intercourse is no longer seen as beautiful, but dirty. This tale has recently surfaced because the rise in sexual offenses against our youth is rapidly increasing.
In Of MIce and Men Lennie often wants to pet nice things his favorite being a piece of velvet his aunt gave him. All throughout the story as Lennie pets the things he find soft he kills them because he doesn't realise he's petting a little too hard. “ I like to pet nice things.” (John Steinbeck, Of Mice and Men, 1937) “Lennie went back and looked at the dead girl. The puppy lay close to her.” When Lennie looks back at the dead girl or Curley's wife he realizes he has done a bad thing like before with the puppy. Through the death of the puppy and the mice John Steinbeck uses foreshadowing to show how Curley’s wife will die. Lennie always kills the things he pets by
... wildly, beating his little yellow wings against the wires" (259). When Joe is around Caesar, he threatens to take the dog off his chain and release him into the town. To Louisa, taking the dog off his chain symbolically relates to her being freed from the constraints Joe is putting on her. Because she, like the dog, have been alone for so long, it would be frightening to go out and experience new things. People tend to do what they know, and for fourteen years, Louisa and her pets have been accustomed to solitude. The man's influence is seen as disruptive since it threatens change on Louisa's life. The symbolism Freeman portrays between the pets and Louisa is immense and obvious. Because of this, it is easy for the reader to make such connections. Freeman's choices make this an easy to read story that appeals to all readers at all different skill levels.
Additionally, he shows no remorse for his actions, and proceeds to describe his demeanor afterwards while planning what to do with her body as “calm” (Poe 9). He even goes so far as to congratulate himself in a braggadocious manner for great job he did on the wall in which he placed her, and states, “ When I had finished my work, I looked at the plaster. “ I’ve never done a better piece of work!”, I said to myself happily” (Poe 9). Then, he describes the peace and freedom he feels after murdering his wife and believing that the cat has disappeared when he states, “I was free at last! That night I had a deep peaceful sleep --- I, who had just killed my wife, slept well” (Poe 10)! Finally, when his wife’s body is found by the police, he takes no accountability for his atrocity. He blames the cat for his crimes and states, “In minutes the wall was down and there, for all to see, was the body of my dead wife. On top of her head, with a red, open mouth and one burning eye, sat the black cat --- the animal which had made me a murderer, and which would now send me to my death” (Poe
The image of a short rope hanging from the dog’s neck is repeated throughout the piece to symbolize both, a past struggle, as well as a current obstacle, hindering his ability to move forward smoothly on his journey. Furthermore, the rope represents a past mentality of slavery and how even though this slave is now free, he isn’t really ‘free’ at all. The dragging rope is a constant reminder of where he has been and who he is on the surface. Society has fixed this idea that he carries no value and although he is persistent with repentance, this chastisement is seemingly perpetual. When the child introduced the dog to the family, “scorn was leveled at him from all eyes” as he made his case to the “family council,” announcing why this dog is worthy enough to become a member of the house (Crane 13). As it becomes evident that the dog is no longer being accepted, he becomes internally embarrassed and filled with shame as he is put on a display of mockery. The father returns home from work “in a particularly savage temper” and decided the dog could stay, but only because he believed it would provoke hostility in the family (Crane 13). Soon after, the child took the dog to his room and cried softly, while the father began his typical violent outbursts on the wife. The father’s ill humor is what permits the ‘acceptance’ of the dog in the family. A few nights later, the father storms the apartment drunk and throws the dog out of the window and the dark-brown dog falls to his
showed no responsibility whatsoever to the creature. This creature felt unloved by his father, and
The narrator has a strong affection for animals that it is strongly affirmed when Poe writes “I was especially fond of animals, and was indulged by my parents with a great variety of them” (695). The husband turns to drinking and it becomes the root of all things problematic in his life. The narrator’s alcoholism leads the husband to make bad decisions, like mistreating his wife, and even his dear animals. It is evident that the narrator loves his animals, ironically, he ends up harming them, especially Pluto, and ends up killing him. Oddly enough, the husband blames Pluto for the horrible things occurring in his life, which, according to Hester, brings into question the husband’s reliability (Hester, Segir 176). This is all a result of the husband’s new lifestyle. The timing of his confession about his disease and its consequences of is also questionable. Why would someone, who says they feel remorse, wait till the eve of his death to confess to the crime? The husband says that he “experienced a sentiment of half of horror, half of remorse, for the crime of which I had been guilty” (696). What does this statement say about the husband? Is he unattached to life and his feeling that he does not care about the repercussions of his
In Miss Julie, by August Strindberg wrote about the naturalistic view of human behavior. He symbolizes the behavior through animal imagery. The animal image Strindberg uses helps him exemplify his naturalistic view. The first animal imagery Strindberg uses is the dog. Jean uses the dog imagery to describe to Kristen how Miss Julie made her ex-fiancé act before the break-up. “ Why, she was making him jump over her riding whip the way you teach a dog to jump.” A dog is mans best friend only because a dog is an extremely loyal animal. Having Jean compare what Miss Julies did to her ex-fiancé with what some one would do to a dog shows Miss Julies drive to be the dominant one or the master. Strindberg again uses the imagery of a dog when he has Miss Julie say, “dog who wears my collar” to Jean. Miss Julie feels that her social status is so much superior to that of Jean that their relationship could be compared to that of a master and his dog. The dog imagery in the play is also used to demonstrate the difference in social classes. In the play Miss Julie’s dog, Diana, is impregnated by the lodge-keepers pug. Kristen demonstrates Miss Julie’s disgust when she says; “She almost had poor Diana shot for running after the lodge-keepers pug.” The sexual affair between the dogs also represents the sexual affair between Jean and Miss Julie and how the two of them look down on each other. Jean looks down on Miss Julie for being surprisingly easy to obtain. While Miss Julie loo...