Throughout many circumstances in life, people encounter difficult tasks in which they must persevere in order to reach success. In these various situations, people decide to make rather rash decisions which changes their lives forever. This is the case in The Yellow Wallpaper by Charlotte Perkins Gilman. The narrator, Charlotte Perkins, in this story becomes mad due to a depression called post-partum. Due to this depression and the wrong treatment, the narrator ends up murdering her husband John with an axe. In Susan Glaspell’s Trifles, a women named Mrs. Wright murders her husband, Mr. Wright thanks to revenge. Both of these story share many commonalities, and all follow the system of cause and effect to accomplish the end of their husbands. …show more content…
Wright and Charlotte to murder is because of their background. Each of these women are put in different circumstances that lead to the murders. Charlotte in The Yellow Wallpaper has the company of her husband John, who is a doctor, to look after her. John has a special treatment for his wife, which consists of solitude. John believes that Charlotte must get rest and then the depression will go away. However, due to this treatment the symptoms become worse and she goes insane over a period of time. “Both in groups and individuals, the evolution of evil starts with the frustration of basic human needs and the development of destructive modes of need fulfillment.” (Staub 1). She comes to resent her husband because he does not let her go outside. When the severity of post-partum depression increases, Charlotte begins to tear at the yellow wallpaper, claiming there is a person inside. Charlotte decides to lock the door, John then decides to bust the door open with an axe. As soon as he see all the blood, he passes out and Charlotte takes the axe. Finally, Charlotte takes the final blow to her husband. Mrs. Wright in Trifles on the other hand, uses a more subtle approach to murder her husband. Mrs. Wright makes the decision to kill Mr. Wright in his sleep because he kills her darling bird. “Why look at this door. It’s broke. One hinge is pulled apart.” (Glaspell 6). In Trifles, the metal cage is bent, and only the husband is strong …show more content…
In Trifles, Mrs. Wright figures out that her husband has wrung her favorite bird 's neck, giving her a motive to kill him. The homicide is thought out in order fool the police with her special knot. “Killing a man while he slept, slipping a rope around his neck that choked the life out of him.” (Glaspell 8).With this knot, known as the Miller’s knot, Mrs. Wright places the thread around her husband’s neck while he was sleeping. Every time her husband took a breath, the knot becomes tighter and tighter until he dies. The thread around his neck does not make a mark. In order for her plan to be successful, waiting and plotting is necessary. On the other hand, Charlotte in The Yellow Wallpaper performs a spur of the moment homicide. In this case, the attack was part insanity and anger. Due to Charlotte having a child the risks of post-partum depression becomes overwhelming. “Pregnancy similarly affects changes in the immune cells of the brain that may increase the risk of postpartum depression.” (Posillico 1). However, Charlotte did have plenty of time on her hands while in the room with the yellow wallpaper. This treatment degrades her condition, and soon she really believes there is a person in the wallpaper. Once John busts the door down with his axe, Charlotte takes the opportunity to kill him. “Now why should that man have fainted? But he did, and right across my path by the wall, so that I had
The farmhouse in Trifles was accessed by several individuals between the time of the murder and law enforcement arriving. The sheriff even sent Frank over that morning to start a fire for warmth, instructing him “not to touch anything except the stove – and you know Frank.” The men in the play are only interested in observing the areas where John would have been within the home, deeming the kitchen as unimportant. If they had only taken a few moments to consider the mindset and life of Mrs. Wright they would have discovered all the information they sought. Minnie’s obligation once married was to provide John with children, the fact they were childless helps to show her “failure” in this role in the men’s eyes, yet the women see the detached relationship she shared with John and the profound silence of a home without little ones. Mrs. Hale discovers an unfinished quilt with some very erratic stitching where Mrs. Wright has left off and begins to remove the stitches, as if trying to undo what has already happened. When the quilting method of Mrs. Wright is discovered the women link her method with the knot used around John’s neck. Without ever seeing
“To jump out of the window would be admirable exercise, but the bars are too strong even to try,” (Gilman). There are an extraordinary amount of stories written about women that go insane for certain reasons. Two of those stories are, The Yellow Wallpaper by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner. Both stories are about women who are driven insane by situations that are happening in their lives; both women turn to isolation for different reasonings. Both A Rose for Emily by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner show similarities and differences with dysfunctional lives.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
Charlotte Perkins Gilman’s powerful story, “The Yellow Wallpaper”, is about a woman who was driven to madness by her depression and controlling husband. The story is told by the wife, in first person, and is based on Gilman’s own life experience. Gilman suffered from post-partum depression after her daughter was born and was prescribed the “resting cure” which is resting and isolation. In the story, the narrator’s husband puts her in isolation because he believes that will cure her of her depression and breakdowns. He won’t let her do anything, so she turns to writing in her secret journal to try and cure her depression. Since she has nothing to do all day, she turns her attention to the yellow wallpaper in the room. She becomes obsessed with it and begins to see a woman trapped inside the pattern. The wallpaper dominates the narrator’s imagination and she becomes possessed and secretive about hiding her obsession with it. The narrator suspects the her husband and sister are aware of her obsession so she starts to destroy the wallpaper and goes into a frenzy trying to free the caged woman in the pattern of the wallpaper. The narrator becomes insane, thinking that she also came out of the wallpaper, and creeps around the room, and when her husband checks on her, he faints because of what she has become, and she continues to creep around the room, stepping over body.
In The Yellow Wallpaper, the narrator is first described as completely under her husband’s control. He expects her to conform to his ideals, and when her mental illness seems to be disrupting his lifestyle, he dismisses it as “really nothing the matter…but temporary nervous depression—a slight hysterical tendency….” (85). This lack of support fabricates a rift between the two that pushes her further from him, and further into a fear of herself. Instead of allowing her to stay in the downstairs room with open air and a view of the garden, he insists she stay in the room with bars over the windows and a bed nailed to the floor. These images contribute to the overall tone of the story: oppressive and confining. As her time spent inside the room increases, the hallucinations she has of the walls also escalate. An obsession with the patterns and marks of the wallpaper manifests itself as a fear of the room as a whole. She describes it as “dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance the suddenly commit suicide…” (87). The personification of the wallpaper reveals her own exaggerated view of it. The narrator’s fear of her confinement is further developed with John’s ignorance towards her mental illness, creating a negative tone as she describes her
She secretly stays awake at night and goes to sleep during the day. Giving the image to John she is resting like he has ordered. This is also a great place of irony the author wrote. The more the narrator obsesses about the wallpaper, the deeper and deeper she falls into insanity. But her husband is happy she is getting plenty of rest during the day. He has no idea how insane his wife is becoming. The narrator has begun to see shadows of women in the pattern of the wallpaper. Women sneaking around trying to escape the wallpaper. The pattern resembles bars of a cage to the narrator. She begins to tear down the wallpaper. As she tears at the paper she see many heads. Heads of women being strangled as they try to escape the pattern. The wallpaper becomes a symbol of women trapped in domestic life, of family and tradition. In the end, the narrator reveals how much sacrifice women and herself have done breaking the chains man have placed on them. In her final speech to her husband, the readers get the sense of how much she has sacrificed. She says, "I've got out at last, in spite of you and Jane! And I've pulled off most of the paper, so you can't put me back!" She is free! Free from the constraints of marriage, of society and her own
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
I. Article Summary: Suzy Clarkson Holstein's article, “Silent Justice in a Different Key: Glaspell's 'Trifles'” evaluates the play Trifles and how the difference between the men in the play mirror how a woman's perspective is very different from a man's. Trifles is about two women, Mrs. Peters and Mrs. Hale, who show up at a house with their husbands and the county attorney to investigate a murder. The entire time the men are looking for evidence to implicate the accused wife, Minnie Wright, of killing her husband. Meanwhile, Mrs. Peters and Mrs. Hale are there to gather up some items to bring Minnie Wright in jail. While doing so, the women uncover evidence that would prove the wife is culpable but decide to hide it from the men in the last moments of the play. Trifles is evaluated on how the women are able to come up with the evidence unlike the men because they didn't approach it like a crime scene but rather a home, “By contrast, the women arrive at a home. Although neither they or the men realize it, they too are conducting an investigation” (Holstein 283). Holstein also notes they are able to find evidence because they use their own life experiences to relate to the accused murderer, Minnie Wright as shown here; “But the women do not simply remember and sympathize with Minnie. They identify with her, quite literally” (285). Holstein finishes the article by noting the women decide to hide the evidence because of the solidarity they feel towards Minnie Wright; “From Mrs. Hale's perspective, people are linked together through fragile, sometimes imperceptible strands. The tiny trifles of life –a neighbor's visit, a bird's song, the sewing of a quilt –have profound reverberations” (287).
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
In the play Trifles, written by Susan Glaspell, a small number of people are at the Wright house trying to figure out why and how Mr. Wright was murdered. Mrs. Wright is already the suspect, and all that is needed for the case is evidence for a motive. The jury needs something to show anger or sudden feeling so that they can convict her for murder. The men, Mr. Henderson, Mr. Peters, and Mr. Hale are there to find the evidence. The women, Mrs. Peters and Mrs. Hale, are there to pick up a select few items for Mrs. Wright. While the men are going about business and looking for evidence to build a case against Mrs. Wright, the women are looking over what Mrs. Wright left behind and intuitively trying to understand what happened. They are also trying to fathom why Mrs. Wright would be compelled to perform such an act of violence. As the story goes on, it constructs each of the characters in slightly different means. Susan Glaspell presents Mr. Wright and Mrs. Hale as having contrasting and comparable characteristics. While Mrs. Hale and Mr. Wright differ in terms of emotions, they are similar in their cleanliness and are well respected by others.
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
The two females noticed everything around and questioned everything. The find a bird cage and wondered if she owned a bird and it not, what was the bird cage for. Ms. Peters and Mrs. Hale find the bird and notice that the neck had been twisted. Mrs. Hale states how all the women live close together but feel far apart, they all go through the same thing. George Henderson, The County Attorney says that all these things the woman found and were about to take, weren’t relevant to the crime scene because they were things that weren’t dangerous, in other words I believe that he said these things were unrelated to anything that happened that night, because they were things that belonged to a women or mainly because there were small things that during the 20th century wouldn’t hurt a man or a man wouldn’t let himself be taken down, by something so irrelevant. At the end of the story the women conclude that Mr. Wright, killed Mr. Wright the same way he had killed her bird. Mrs. Hale and Ms. Peter decide to hide what they had uncovered about the event that took place that night Mr. Wright was killed. In my opinion the reason they decided to hide all this information was because like they said Mrs. Wright was very happy and her husband was very
As human beings, we play the cards that are dealt to us in this world. In life, every person goes through their individual ups and downs and occasionally may break down to the extent of not knowing what to do with oneself. In the short story “The Yellow Wallpaper” which takes place in the late 1800s, focuses on the first person narrator who is an infatuated woman. The disheartening story concentrates on a woman who is suffering from postpartum depression, and as well had mental breakdowns. The narrators husband John, moves her into a home isolated in the country where he wants her to “rest” and get better from her illness. During the course of being confined in the room with the wallpaper, she learns new things and finally may have an understanding
In the story The Yellow Wallpaper, Gilman uses personal experience with a vivid fictional ending to accomplish her goal of informing her readers of feminist and social issues. Characters within the story are the narrator, who becomes known as Jane at the end; John, the narrator’s husband and physician; Jennie, John’s sister who becomes the typical housewife in that time to allow the narrator to rest; and Mary, who takes care of the baby. The narrator and John rent an estate in the country, which could also be looked upon as “a haunted house” (2) in the narrator’s eyes. Ever since the birth of their child, the narrator has developed a temporary nervous depression. John, being a high standing physician, feels the “rest cure” is exactly what she needs to help with her newfound depression, which restricts her emotions and does not allow expression, ultimately making it worse. However, with her husbands esteemed profession she blindly accepts what John recommends.