Dialogues Of The Sea Gods Analysis

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In Lucian’s Dialogues of the Sea Gods, the second dialogue is a conversation between the cyclops, Polyphemus, and Poseidon. Their discussion, centering on Polyphemus’ blinding at the hands of Odysseus, is an obvious reference to Book IX of Homer’s Odyssey, where the same events occur. In his work, Lucian is able to use the reader’s knowledge of Homer’s hero and monster to demonstrate their similarities and that neither fall into a well-defined category of character type. In the Odyssey, the character of Odysseus is, without question, the hero of the work. The Odysseus found in Lucian’s second dialogue more closely resembles the self-serving and cowardly man found in the tragic tradition. Lucian makes this distinction clear by choosing to tell Firstly, Lucian does little to civilize Polyphemus. The most obvious example is his method for dealing with Odysseus and his crew: ἐγὼ δὲ συλλαβών τινας αὐτῶν, ὥσπερ εἰκὸς ἦν, κατέφαγον λῃστάς γε ὄντας (Luc. Dialogues. 2. 2. 5-6). Lucian’s Greek is a stark, unornamented account of the event that shows how unconcerned Polyphemus is with eating Odysseus’ crew members. There in neither a concession to how extreme the action he took was nor even any anger that would help to explain the violence of his method; and he certainly does not show remorse for the fate of the men he consumed. In choosing to describe this scene in so few words, Lucian also invites comparison with its vivid and gory counterpart found in the Odyssey: σὺν δὲ δύω μάρψας ὥς τε σκύλακας ποτὶ γαίῃ κόπτ᾽: ἐκ δ᾽ ἐγκέφαλος χαμάδις ῥέε, δεῦε δὲ γαῖαν. τοὺς δὲ διὰ μελεϊστὶ ταμὼν ὡπλίσσατο δόρπον (Hom. Od. 9. 289-291). This creates a separation between how Polyphemus portrays himself as a victim defending his home and the utter savageness with which he carries out his actions, preventing the reader from seeing him in a wholly favorable manner. The less than heroic character of Polyphemus can also be seen in his somewhat dimwitted nature as well. This is best seen in his unfamiliarity with wine, which leads to his blinding. In the Odyssey the fact that he drank undiluted wine was a mark of his barbarism, but in Lucian’s work he simply looks dense because he believed that Odysseus δίδωσί μοι πιεῖν φάρμακόν τι ἐγχέας (Luc. Dialogues. 2. 7-8). This is only compounded when Poseidon, who should be a concerned father, speaks his next line; he is seemingly aware of the fact that it was alcohol that caused his son to fall into such a deep sleep so his shock at Polyphemus remaining asleep seems more mocking than puzzled

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