Formal Analysis “Dia De los Muertos” and “Giacometti Inspiration” During a trip to the Casper art Museum, a realistic oil painting of a beautiful woman in a picture frame captured my eye. I found myself just staring at it in awe, and I new this was something I would never forget. “Dia de los Muertos” done by Suzy Smith is a marvelous painting not only by the stroke of her brush, but the story told. The “Dia de los Muertos” painting is of a porcelain skinned woman with mouse brown hair, and green eyes. Among those qualities, she is wearing day of the dead makeup, a black laced dress, five red roses in her hair, and a bouquet of them in her hands. When looking at the portrait, this woman is very beautiful, but one can see the hurt expressed …show more content…
With the use of dark red in the background, it illuminates the woman's pale figure, and the ruby red roses. By doing the colors this way, Smith created a harmonious balance with her lights and darks, while also finding a way to make the colors expressed pop. Of the other formal elements seen in “Dia de los Muertos” composition is excellent, not only in the balance of color, but the figure itself. When you look at the piece, it may seem at first that she is directly in the middle, but in fact she is off to the right, but the bouquet make her appear to be in center. This is where the genius mind of the artist come to play, because if it weren’t for the bouquet, there would be too much empty space. The Roses in her hand give a great relationship between empty, and filled in spaces. This also gives direction to the plane that the artist tried to …show more content…
Not only did Smith use regular lines, but lines in relation to one another, and irregular ones. This is found in her hair, the skeletal makeup lines on her mouth, the ones to shade her body, and lastly the ones used to make the lace from her dress. These are the major lines seen at least, but in saying that, they are very important. They give the woman a life-like persona. They also distinguish lights and darks, making shapes, while also creating depth and expressive colors. Overall, this painting is both brilliant and beautiful, even if already said above, I don’t think those words could be expressed enough to describe Smith’s painting. The visual image of the woman gives a breathtaking iconography, along with an everlasting effect. Smith may not have intended to create a piece for someone to interpret it this way, but she did create it to be capturing to its audience. Giacometti
Ester Hernandez is a Chicana artist, best known for her works of Chicana women. Ester’s goal is to recreate women’s lives to produce positive images of women’s lifestyle and to create icons. Her piece, Frida y Yo, contains the iconic painter Frida Kahlo. Frida, after being in multiple accidents causing long-term pain and suffering, began painting, mostly self-portraits, to portray her reality and glorify the pain. Similar to how Hernandez's goals are a juxtaposition to Frida’s artwork, the art piece Frida y Yo creates a juxtaposition between life and suffering and death and fortune.
Contextual Theory: This painting depicts a portrait of life during the late 1800’s. The women’s clothing and hair style represent that era. Gorgeous landscape and a leisurely moment are captured by the artist in this work of
There, the inmates attended an art class, and created these red plastic flowers, found in Poblet’s art-piece, out of recycled materials. It is known that one is very limited supplies in prison, so Poblet was moved by just how creative the women there were. The inmates were affected in Simplemente Bellas, as Poblet found inspiration in these women. They were her motif in Simplemente Bellas, because they showed such creativity. This is what makes her work so much more appealing to the eye. Simplemente Bellas caught my interest over all the other art pieces throughout the museum. Poblet was moved by the hard-work these women put into producing those red plastic flowers. Poblet uses symbolism here, as the female inmates represent the many flowers in Poblet’s work, while the flowers symbolize beauty, as well as identity and freedom. This was the theme, or idea, that she was trying to portray to her viewers. The face of the women in the art-piece is said to depict one of the inmates Poblet had met during her visit. This gave me a better understanding about Mabel Poblet as a person as well as an artist. She saw those women as more than just captive inmates. If someone can see beyond another’s flaws and mistakes, they must be a very kind-hearted person. It is considered a baroque, as it is an art piece that appeals to our emotions. Understanding the muse behind Simplemente Bellas, has led me to love this work of art even more. It also caused me to be interested to learn more about Mabel Poblet Pujols as an
I am going to tell you about a famous, yet kinda eerie celebration that takes place in mexico. This is a tradition celebrated by the Mexican Natives, most Mexican Americans (including myself) don’t even acknowledge this day, unless they happen to be visiting mexico at the time of this event.
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
In this work, the colors and shapes come together to form the depiction of a woman in a chair gazing out at the landscape beyond a window. This subject matter relates to Picasso’s infamous relationship with women and may serve as a depiction of one of the many women he was linked with. The painting depicts the woman with a dual omniscient and introspective vision. Picasso develops this dichotomy through the depiction of a wayward eye gazing out the window and a larger ubiquitous eye glaring directly at the viewers. In constructing such a contrast, the painter is able to convey the personality...
Smith has many ways of showing her ideas through artwork. She is a very unique artist that displays modern art with not so modern theories. Although some of her artwork is highly controversial it is all great art that is appreciated by many. Smith has been given many deserving awards for her artwork and the hard and dedicated work that she puts into every piece that she creates.
Frida Kahlo is known for the most influential Latin American female artist. She is also known as a rebellious feminist. Kahlo was inspired to paint after her near-death bus incident when she was 17. After this horrendous incident that scarred her for life, she went under 35 different operations. These operations caused her extreme pain and she was no longer able to have kids. Kahlo’s art includes self portraits of her emotions, pain, and representations of her life. Frida Kahlo was an original individual, not only in her artwork but also in her
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
The painting that captivated my eyes was “La Buena Ventura”. As I was walking through the hallway my eyes were drawn to this beautiful young woman wearing a bluish greenish dress and what seems to be pink hearts. She is sitting down with a sad look on her face staring at her cards. I tried distinguishing the type of cards and to me they look a little like tarot cards. So I interpreted this as her not happy with what her fortune has in store for her. Maybe she is waiting for her love or she might have found out that tragedy is going to strike her way. I noticed the guitar at the far left corner so she could be a musician who is having a hard time making money. This oil painting is done so beautifully, the artist used a lot of texture and a mixture of dark colors to bring out the shadows and accentuate
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
Most of the painting, mainly the bowl, table highlights, the vase, and the flowers are pink, making the scene delicate, but the brightness of the yellows and pinks adds vivacity and excitement to the work. The artist varies the shade of her colors within a single object; for example, the vase has both dark and light pinks, as well as everything in between (full range of values). The table has blue, pink, light, dark, and pale variations on purple. The complexity of this technique allows for interest in a painting of a dull still
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
The women in art history have used their passions to bring about a necessary change and bring women out of the shadows to which she has been pushed into over the centuries. Making painting their own they bring a new life and expression into the female personalities portrayed that men are not yet able to achieve. Showing the world where they stand and what they are willing to go through shows the strength in character a woman really has and that she is not the equivalent of a bowl of fruit or a vase of flowers in a man’s painting but so much more. These women are an inspiration because even though they lived in a society that thought them week and incapable they proved their strength and determination.
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a