Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity. There’s this a strong sense of the glorification of nature in the excerpts from Walden. The narrator manages to paint nature as a benevolent, serene being through both his dislike for the complication and pacing …show more content…
Although the imagery in The Devil and Tom Walker makes the story seem as though the complete opposite of Walden, the two are actually two sides of the same coin. The dark, decaying state of nature represents the decadent nature of Tom himself. Nature is still sublime and celebrated, still just as important. Only now it is shown that instead of nature bringing out the best in humanity, it is humanity bringing out the worst in nature. It is Tom’s greed and obsession with material things that taints the world around him. In contrast, The Open Boat tells a tale of indifference and the complete apathy of nature to the follies of humans. Humans are powerless, and nature does not care. Nature cannot care; it is but an unconscious force with the constancy of this essay’s author’s motivation for finishing this essay. Thus the characters must struggle with the realization of nature's uncaring randomness and of the futility of their fight to maintain that thing they enjoy called
In “The Devil and Tom Walker,” written by Washington Irving’s, Tom Walker gives his soul to the devil for greediest. For example, in the story, it was said, “He accumulated bonds and mortgages, gradually squeezed his customers closer and closer and sent them at length, dry as a sponge, from his door.” This shows how greedy and selfish he was for not caring about what anyone else feels,
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
"The Devil and Tom Walker" is a short story by Washington Irving that many wonder about. It teaches a lesson and has many archetypes in the characters. In literature, an archetype is a typical character, a type of action, or a situation that leads to the representation of such universal patterns of human nature. An archetype may be a character, a theme, a symbol or it can even be a setting. Tom walker is the protagonist of the story he is the main character.
Both “The Devil and Tom Walker” and “The Devil and Daniel Webster” are exemplary specimens of Faustian myths, and as such have very many similarities and concurrences. But, they also emphasize different aspects of the characters and their respective personalities. These two commendable stories serve as excellent chronicles of literature and as worthy examples of moral lessons for all ages.
Walden represents a religion of nature not yet fully formed. While Thoreau tries to immerse himself in poverty, he becomes ineffectual when he is hypocritical. Barring the contradictions, Thoreau emphasizes the beauty of nature that the less observant miss. With observing eyes, Thoreau captures the parallels of man and beast that can inspire, if not divinity, more humanity in viewing nature.
Can you imagine yourself locked up in a room with no doors? Similar to a room with no doors, there is no way out of hell if it was one's destiny. In the short story "The Devil & Tom Walker" by Washington Irving, the main character's fate is hell because of his wrong decisions in life, accepting a deal with the devil for earthly benefits. Irving reinforces his message about not making decisions that may damn your soul with the use of literary elements and figurative language. Wisely, Irving combines characterization, mood and point of view to perpetuate the theme of the story in the reader's mind.
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
In his world-famous thought-provoking novel, Walden, Henry David Thoreau presents his readers with a simple, inspirational guide for living. Written beside the beautiful Walden pond and completely surrounded by an unencumbered natural world, Thoreau writes about his own relationship with the beauty that surrounds him. His book provides an outlet for everyone to learn from his lessons learned in nature, whether they be city-dwellers or his own neighbors. One of Thoreau's most prominent natural lessons running throughout his novel is that of his deeply rooted sense of himself and his connection with the natural world. He relates nature and his experiences within it to his personal self rather than society as a whole. Many times in the novel, Thoreau urges his readers to break away from their societal expectations and to discover for themselves a path that is not necessarily the one most trodden. He explains that everyone should "be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought (341)." Walden inspires its readers to break out of the mold of tradition, away from outwardly imposed expectations, and out of the loyalty to society over loyalty to oneself in order to find truth and self in nature.
Symbolism plays a vital role throughout Tom Walker’s tale. Set in the early to mid-18th century in the New England area, Irving uses the location’s landscape as a basis of symbolism throughout the story, as well as to represent the main character. The murky morass environment of the swamp in which Tom Walker meets the devil represents his soul which, like the swamp fog, is clouded and thick with greed. The swamp areas of the New England areas were also used as a stronghold by the Native Americans against the Europeans during the Indian battles. Ironically, this same area in the story is seen as the devil’s stronghold, which symbolizes the prejudice that was still prevalent in the townships during this period in American history....
Walden; Or, Life In The Woods is a self-experiment that provides an ideal opportunity to evaluate the author’s philosophy. The book is an account of Henry David Thoreau’s journey of self-discovery as he attempts to live a life of simplicity and self-reliance in the woods of Massachusetts. His exploration of his two years and two months living in a cabin near Walden Pond is considered a seminal work of early American transcendentalism. Thoreau never explicitly reveals the spiritual truth at the end of his journey. Still, a discerning Christian reader can note the main transcendental themes and ideals that Thoreau demonstrates, separating that which should be applauded from that which should be rejected.
Washington Irving’s “The Devil and Tom Walker” includes great examples of Romanticism, such as symbols in nature having links to the supernatural, the importance of the inner nature, and the emphasis of the individual. In the story, Tom Walker is a selfish man who cares more about money than he does about anyone else, including his wife. One day, while he is walking through the woods, Tom Walker comes across the Devil, who makes a deal with him to exchange his soul for the treasure that is buried in those woods. Tom declines and returns back to his wife and tells her that he has passed on an opportunity that could bring them lots of money. Tom’s wife, outraged by his actions, decides to strike a deal of her own with the Devil and after several attempts, she never returns from the woods. The next time Tom goes to the woods he finds that his wife had been killed by the Devil. He finally agrees to make the deal with him, now that Tom doesn’t have to share anything with his wife. Tom ignores the Devil’s suggestion of becoming a slave-trader and becomes a moneylender instead. He gets wea...
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
It has never been an uncommon thing for one to retreat to nature in an attempt to ‘find one’s self,’ and somewhat cliché these days is the retreat to nature to ‘find God.’ Hundreds of books, essays, seminars, and retreats devote themselves to helping one understand how to find enlightenment and healing through connecting with nature. It is a phenomenon that transcends religious boundaries—everyone, from Buddhists to Christian Mystics to Quakers, seems to think that the key (or, at least, one of the keys) to enlightenment lies in nature. As one may suppose, this is not a new concept. Throughout literary history, there is a distinct trend of authors praising the virtues of nature, singing of the peace that it brings and the enlightening attributes of these places away from the noise and clutter of the cities. Shakespeare tells of finding “tongues in trees, books in the running brooks, [and] sermons in stone”(Shakespeare); William Wordsworth implores us to let nature be our teacher; Goethe claims that there is rest and respite on the mountain top; and George Washington Carver admits that he tries commune with nature everyday. It seems that from Henry David Thoreau right down to contemporary authors, no generation or writing period has been devoid of at least one prolific author who takes to nature in order to find the answers.
Many of the readings that we have studied in class have discussed the idea of human beings and our relationships with nature. The different authors we’ve studied and the works we’ve analyzed share different views of this relationship – a very interesting aspect to study. Human relationships with nature are truly timeless – nature can have the same effects on humans now as it did millions of years ago. Two of the works in particular which offered differing views on this relationship were “Entrance to the Woods” by Wendell Berry and “The Invented Landscape” by Frederick Turner.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.