Deviation from Genre in Hitchcock’s Movie, Vertigo
When a director achieves great success, as Hitchcock did, he is able to follow a formula, much like a genre does, for future success. Further, a successful director is able to do a genre movie but place his own personal touch on it; in doing so, he ignores the formula that has thus far brought the genre so much success. Knighted as the “Master of Suspense,” Hitchcock was well known for his witty dialogue and genius plot twists. But Hitchcock’s true mastery came through in his ability to enshroud one story within another.
In Vertigo, Hitchcock reveals the twist, that an imposter was hired so that the real Madeleine could be murdered, halfway through the film. The bold tactic breaks the formulaic structure we expect from a murder mystery, in which solutions always come at the end. It risks unsettling the viewer, particularly on an initial viewing of the film. However, by dispensing with formula, Hitchcock shifts the emphasis of the story from murder to character, a potentially deeper subject than the typical whodunit conundrum.
It is after this revelation that Hitchcock’s true movie shines through. The mystery is solved for the audience, but James Stewart’s character “Scotty” is still haunted by the memory of his possessed love. His possession takes him so far that he attempts to remake a woman (Judy) that reminds him of his beloved Madeleine into the actual woman. With the movie now a “love” story, Hitchcock was able to elude yet another genre. His twisted approach on a relationship based on obsession with a dead woman garners pity for both Judy, who is something of an accomplice to the murder of the real Madeleine, and for Scotty, who actually fell in love with the woman he is trying to make into a woman he never met. And so Hitchcock is able to pose a stunning question: Did Scotty fall in love with Judy or her impression of Madeleine? This answer is impossible to know, with Scotty never having met the real Madeleine or getting the chance to know Judy for who she is because she ironically falls to her death just as Madeleine did.
It is the very departure from genre that may warrant the success of a film. Perhaps the formula has been done too many times, leaving the audience unfulfilled, or the very topic no longer holds any interest.
Francois Truffaut, when referring to Hitchcock said that “he exercises such complete control over all the elements of his films and imprints his personal concepts at each step of the way, Hitchcock has a distinctive style of his own. He is undoubtedly one of the few film-makers on the horizon today whose screen signature can be identified as soon as the picture begins.” Many people have used Hitchcock as the ultimate example of an auteur as there are many common themes and techniques found amongst his films. Even between the two films “Shadow of a Doubt” and “Vertigo,” many commonalities occur.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
If we look more closer, the Blues Aesthetic is not only a musical genre or works of art. The Blues Aesthetic is much more, it is a psychological procedure of expressing hardships through African-American art works in order to state liberation and “justice for all”. Just like Langston Hughes once said, negro artist are not just “artist,” but they are colored artist because the art that is portrayed by the African-Americans is a cultural statement. The musical art from B.B. King and the visual art from Aaron Douglas both are part of the Blues Aesthetic because they both make a cultural statement through their individual works of art.
The human body and mind are the most complex and intricate tools known to man. The connection between the two are remarkable, the way body feels pain and the mind is able to understand from where and how the pain is being formed, the way the body lags and drops when the mind does not have enough sleep and rest. Most curiously, it is the way our body and mind speak to each other without really knowing. It is the uncomfortable feeling in your chest, the tenseness of your shoulders and the goose-bumps on your arms that are the very basics of human intuition. Intuition is knowing something without having a logical or reasonable explanation to follow the feeling. But it is when our intuition overcomes our ability to think that we become paranoid; constantly looking over our shoulders, noticing people and objects that were never noticed before, and having this retching feeling that someone is out to get you. Paranoia is a thought process where anxiety and fear accumulate to the point where the person suffers from irritation and delusions. It is often developed through an inner guilty conscience which threatens the self. It is that exact tingling sensation in your stomach, the tightness in your throat and the eerie feeling that you are being watched that makes James and Hitchcock's pieces realistically fantastical. The alternate worlds illustrated in these pieces are not of those of dreams and fairy tales, nor those people superheroes or chimeras, but a realist world, where the minds of the characters are exposed and the only source of reliability. James depicts a young woman who struggles to be a heroine for her wards, only to be torn between the lines of sanity as she questions the existence of two ghosts, while Hitchcock’s psycho can ...
Part of what makes Cooper’s unreliable narration work is the narrative expectations for suspense. Often called “The Master of Suspense,” Hitchcock was known for letting his viewers “play god” by giving them privileged information that the characters on screen don’t have in order to harness the audience's expectations and anticipation. Casetti described this as providing the audience with suspicion, the tools needed to construct a narrative and the motivations of characters (70). Since Cooper and Hitchcock withhold the correct information until near the end of the film they intentionally let viewer build the wrong story and experience a surprise deception. Surprise deceptions, such as the one found in Stage Fright, were not done in the Classic Hollywood Cinema and when paired with traditional models of trust in film open up many layers of exploration into the reaction of the
...ey cannot deny that the Blues has influenced different genres from the cotton fields to the Rock-and-Roll Hall of Fame.
hitchcockVertigo stars James Stewart as Scottie, a retired detective, and Kim Novak as Judy Barton, who gets disguised as Madeleine, a woman hired by Scottie's friend to act as his wife in order to frame Scottie. The story takes place in San Francisco in the 1950's. The film opens on a high building, where officer Scottie and his partner are in pursuit of a suspect. Scottie's partner's life is on the line and only he can save him. Unfortunately, he has vertigo, a fear of heights. Scottie is unable to assist his partner who unfortunately falls to his death.
Michelle Healy's "Could child beauty pageants be banned in the USA?"(Article A) appears in the USA Today on September 25, 2013. This article gives a response to the issue of France's proposal to ban beauty pageants. “Instead of following France’s proposal to ban child beauty pageants, researchers in the USA say safety regulations and education about how the competitions affect children are needed.” Healy uses persuasive techniques such as logos, pathos and ethos to convince people that it’s the parents’ responsibility to take responsibility on how they betray their daughters. The article also shows both sides of the disagreement therefore convincing other people even more since it shows that there are many reasons to agree or disagree with beauty pageants for children under the age of seventeen.
Alice decides to meet with an artist, Mr. Crewe, who invites her to his apartment and then assaults her. Alice stabs the man with a bread knife. She thinks he is dead, and escapes the crime scene. Later a man, Tracy, is accused for the murder of Mr. Crewe. Alice knows this could be unfair but fails to confess. In The 39 steps, Hannay is accused for the murder of Annabella Schmith. In The Lady Vanishes the idea of the wrong accused man is not that explicit, in fact in this film is shown the idea of the wrong woman, when someone in the train tells Alice that Miss Froy is back in the compartment and results to be Madame Kummar with the English lady´s clothes. Similarly in Rebecca the wrong woman is buried in the family grave while Rebecca´s body is in a boat in the bottom of the ocean, still in this film Maxim De Winter is wrongly accused for her death when is found that she was suicidal. The idea of wrongness in Hitchcock´s films is applied not only in terms of justice but also of relationships and the way the audience judges the characters. In the majority of the mentioned films the couple relationships at the beginning are form for convenience and are wrong in appearance, as the man is older than the woman and the relationship formed lacks of true feelings. Regarding the wrongness in the audience, Hitchcock manipulates the emotions and the information they receive, so that the characters are severely judge by the audience even though they are
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals, 3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart’s focus shifts and 7)Kim Novak’s characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the reaction shots (point of view shot) which are seen through the eyes of the main character.(1st person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic (technical) film form of Vertigo makes the film much more enjoyable. The stylistic film form includes camera movements, editing, sound, mise-en-scene and props.
Both B.B King and Muddy Waters have had a huge impact on the blues culture and will remembered as major contributors of not only the blues genre but of music in general.
Before revealing any insight into the sexuality of Hitchcock’s art, I will discuss his famous plot characteristics that aid the understanding of any deeper meanings, be they sexual or violent, within his films. First, according to Raymond Durgnat, the common sequence of his films include a certain plan:
The shocking twisted ending in film Psycho (1960) was a most successful Hitchcock’s mystery. Owing to such unexpected finish, the film made a powerful impact on the audience. The whole movie was a build up of suspense with mystery resolution. The suspense is often weakened by the fact that the plot is not clear enough to the public. In the case of Psycho, all the details were shown to the audience, some shots even were played twice to achieve better understanding. A spectator was aware of the danger but not prepared for such resolution. “Don’t give away the ending, it is the only one we have!” was the slogan of the movie. (Robb, 2010) Everything was planned to penetrate the emotion of the audience. Music was a significant element in penetrating emotion. “Hitchcock himself admitted that at least a third of the movie's impact depended on the music”. (Nixon, n.d.) “The violins wailing away during Psycho's shower murder scene have achieved the status of cultural shorthand - denoting imminent violent insanity” (Robb, 2010) Hitchcock not only developed mystery and suspense in the movie, he also
Alfred Hitchcock, the incredible director who brilliantly integrated sex, humor and suspense in his movies passed away over three decades ago. Despite the thirty years since his death, the legacy of films he made continues. His work has influenced many of the great directors today, and inspired the foundation of the spin off television series Bates Motel. To better interpret the films he created, it is essential to understand the creator of them and examine how his past life traumas and deep inner-thoughts in reality transpired through the fictitious worlds that he created on the big screen. Hitchcock, whether consciously or subconsciously, portrayed his frustrations, fears, and fantasies with the opposite sex through his leading actors and films. This ultimatley allows us to take a look at his past.