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essay about artworks in the past
essay about artworks in the past
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Photography The photograph was taken by an artist, Bob Willoughby, from the United States of America who lived between the years 1927 – 2009. It captures Frank Sinatra on The Set Marriage on the Rocks, 1965. The photograph was printed on 9-9-15 on paper 20 by 24 inches. The image measures 16 by 22 inches. Aesthetic Aspects The entire photograph is not only striking buts also subtle in the way it deals with the subject matter; the image of the lonely man. It is evident that the photograph has an eye for depth; however, he could benefit more by lighting all sections of the photographs. Despite the gloomy atmosphere that has been portrayed in the photograph, it is appealing to the eyes to look at. The contrast, the image quality and the minute details captured are appealing in all aspects. Every part of the …show more content…
The photographer took enough time before taking the photograph. This resulted to the image having moderate lighting and contrast. In situations where the photographer exposes the camera in a position that allows more light to filter in; it results to white highlights in the photograph. Similarly, when there is a lower exposure of the camera to light, it results to dark patches on the photograph. It is evident that the photographer used overhead lighting. This created an accentuated shadow on the walls of the building where the image is located. It as such, created an aura of loneliness and hopelessness. The photographer appropriately adjusted the exposure time of the camera in order to capture the crispness in the contrast as witnessed in the photograph. This added a raw grit in the photograph. The lighting level depicted in the photograph is average. The average lighting is appropriate to the details as captured in the image. The lighting level depicted is also average. The average lighting is appropriate to the details as captured in the picture. About the
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
The lighting for this picture was absolutely perfect because it was getting dark and in my opinion darkness defines the projects. The darkness represents the mystery of fear within the community since the projects is known for drugs and violence. The people living within the community possibly fear the fact that their children have to grow up in that specific environment. Darkness is substantial and compelling. The second images shows the different side within Bedford Stuyvesant that many do not get to see through media. I specifically took this picture because it is the complete opposite of the first image. The image shows beautiful brownstone houses of various colors. These bright cool colors represent warmth within the community. These colors say the neighborhood is not all about crime and violence but beauty within. This image gives a whole new perspective to people who have never visited within Bedford Stuyvesant and has only seen what the media portrays. The colors of the houses give life and a sense of personality to the neighborhood. Bedford Stuyvesant is truly one of the most beautiful neighborhoods I have ever
...e light and shadows. The room the boy is in is very dark, and a strong beam of light shines on the boy. Space is illustrated in how Murillo places the objects in the painting. The boy appears to be far back against the wall, while a water jug is towards the front. Texture is seen on the walls, the boy’s skin, the jug, and the basket of apples. Shape is displayed by the light and shadows in the picture. Without the light, everything would blend together. The light shines and casts shadows off of the objects and boy, giving him and the objects form. The color scheme Murillo uses are dull earthly colors, adding to the dull, sad mood of the painting. I like the emotion portrayed in this work. Looking at the boy and his surroundings, you can almost feel his sadness and emotion. I like paintings that display strong expression and emotion. The painting is pictured below.
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
imagery of darkness. It is interesting to note how the speaker distinguishes these details, yet in
...hows atmospheric perspective, with the sky as well as the farthest archway becoming lighter and hazier as they recede into the background. In addition, the figures themselves are all very convincing. They are realistically placed seated on the stairs, leaning, kneeling, or standing with convincing weight on the ground, making all of figures appear grounded.
...indow streaming natural light seems to be the only source of light in the room. It falls directly on the action, the man holding the woman. Their shadows then form flawlessly across the canvas and their profiles are in perfect shape. The statue, which is behind the canvas, is in complete shadows, again signifying the conservative part of the image that hides in the shadows.
The wheather in this unit was depressing-like weather. How stereotypical for horror stories… The weather in Fall of the House of Usher was dark and gloomy. But then, since it was an Edgar Allen Poe passage, that would fit his theme for this story. In Photo Essay, in the hockey player photo, the background is foggy or misty. You see, we’re used to foggy situations in scary or thrilling pictures. It fits the theme and the purpose to scare us. Another picture in Photo Essay, the burnt out furniture store, the background trashed and abandoned. That furniture store could've been in good business and looked nice, but whatever disaster happened there, made the abandoned place help show fear in the
Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere. The crime scene at the beginning of the film, for example, used a distortion
137). It is in these seemingly ‘inhospitable’ locations, that Paris, Texas is able to form a symbiotic relationship between character and environment, creating a backdrop of empty spaces, for an equally empty man. Thomas Dunn helps to illustrate my point in his book: Loneliness a Way of Life, where he suggests that, “The very spaciousness of the film encourages us to think about the meaning of emptiness and the habitations of the human.” (p.104). Additionally in Wim Wenders’ book: The Logic of Images: Essays and Conversations (1992) he describes his view upon the relationship between the image and the story, suggesting that he, “sees the story as a kind of vampire, trying to suck all the blood from an image.” (p. 53) This exemplifies Wenders’ approach to filmmaking; each shot is executed within its own realm of beauty. Nevertheless this highlights Wenders’ intentions of portraying loneliness more through the imagery than anything
This image represents the awesomeness of our world and God's creation. It also shows the awesomeness of human endeavor. It shows the beauty of God's creation. This setting represents the Gateway to Heaven, through its height and also the cloaking of the cloud cover. The cloud cover gives this place an air of secrecy, adding to its' Wonder.
dark in the beginning and the room they are in is very dark.When they are in the room with
Form plays a predominant role in these paintings, especially as far as value and shape are concerned. For example, the eyes of the subject in the “What surrounds us we endure…” painting are piercing and ice-cold, conveying desperation and a need to be heard. The eyes look piercing and distressed due to their light blue color which contrasts with the darks shadows enclosing them. Through their body language and facial expressions, the three men in the picture express anxiety, stress and depression which are perhaps due to the rain-streaked night sky, the lonely sidewalk and bus stop and the use of dark, cool hues which surround them. Also, the value of the man in the foreground is very intense because he is lighter than the background and creates an eerie sensation. It is also a focal point in the piece because of the drastic contrast between light and dark fashioned by the strong use of shadow. The remaining two men that occupy the background of the picture seem to be completely exposed to light, almost representing a sense of being scrutinized, but not understood due to the cry ...
When going for a walk, a person takes in the beauty around them. On this particular day, the refulgent sun is extra bright, making the sky a perfect blue. White, puffy clouds fill the sky, slowing moving at their own pace. The wind is peacefully calm, making the trees stand tall and proud. There is no humidity in the air. As this person walks down the road, they see a deer with her two fawns. The moment is absolutely beautiful. Moments like this happen only once in a great while, making us wanting to stay in the particular moment forever. Unfortunately, time moves on, but only if there were some way to capture the day’s magnificence. Thanks to Joseph Niépce, we can now capture these moments and others that take our breath away. The invention of the camera and its many makeovers has changed the art of photography.