March For Womens Lives: The March For Women's Lives

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Describing: A woman looking about in her early thirties is staring directly at the camera. Her eyebrows looked like they have been freshly tweezed, giving off the effect that both eyebrows are perfectly symmetrical. It looks like she is wearing minimal makeup, just some lipstick and a touch of mascara. In the photo frame the viewer can only see the sides of her dark hair, giving the impression that her hair must be up or tied behind her head. Her ears lobes are shown more with her hair being up, her lobes are naked with just the flesh she was born with, no jewelry is included in her ears. The photograph is black and white but there is a vertical line that splits the two halves of the face having the half right of the photo with an inverse filter …show more content…

specifically the March for Women’s Lives (The Art Story Staff). Kruger has the same main goal for almost all her art work but with this particular piece of art I think it is the most relevant of her idea: “Power is not localized in specific institutions but is dispersed through a multiplicity of sites, operating in the range of discursive procedures that govern sexuality, morality, the family, education, and son on. Conceived in this manner, power cannot be centralized; rather it is diffused, decentralized, and, in consequence, anonymous: it exists less as a “body” than as a network of relations unifying social apparatuses and institutions” (Kruger and Linker, p. 27). This quote is talking about how hard it is to point a finger at who or what exactly has this power over you. You can’t pinpoint and fault one person for how you feel about one particular issue. “The Man” isn’t actually real but instead a combination of social philosophies

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