Abstract In this assignment, I will provide the information on two, specific work of Arts that are unconventional. Therefore, after all the research that I preformed I actually discovered more than two, of course, but I decided to go with the most interesting to me. Justin Gignac created the first work of Art that I choose and the second one I choose was a building. The building is located in Sopot, Poland and it is called The Crooked House. In ending, this paper will have all the information about the work of Arts and the facts that back up the reason for the Artwork being unconventional. Introduction to NYC Garbage The first work of Art that I found to be unconventional was “NYC Garbage” which was created by Justin Gignac and his idea became reality in the year of 2001. The whole meaning behind this work of Art was just an experiment but it has become a piece of Art that a lot of people now own around the world, in fact there are 1,200 to date that have been sold. (Gignac, 2001) According to an interview, Justin Gignac stated that his main purpose of creating NYC garbage was to design something that had no purpose to prove to his co-worker’s the importance of packaging. (NPR, 2008) NYC Garbage As for the artwork design and every other asset of it, this work of art is all around unique. This work of Art is three-dimensional, for the fact, it is a cube-shaped box, that has a mixture of real NYC garbage stuffed inside of it. A few items are used to make this work of Art but as the artist summed it up to be New York City (NYC) garbage that he finds on NYC streets. Such things that this artist puts inside this cube would include NYC subways passes, Coffee cups from local café’s and other miscellaneous garbage from the s... ... middle of paper ... ... artist/designer, so this makes it impossible for me to discuss the person or people who put this idea to life but the building itself is what attracted me to perform my research and base my essay on. Reference Page Gignac, J. (2001). New York City Garbage by Justin Gignac. Retrieved from http://www.nycgarbage.com NPR, (2008, March 31). Treasure or Trash? Artist Says It's in the Packaging. Retrieved from http://www.npr.org/templates/story/story.php?storyId=89237219 CBS. (Unknown). CHANNEL2.mov (Video/Quicktime). Retrieved from http://www.nycgarbage.com/movies/CHANNEL2.mov Sayre, H. M. (2007). A World of Art-5th ED. Upper Saddle River, NJ: Pearson Education, INC. Unusual Architecture. (2008). Unusual Architecture, The Crooked House (Sopot, Poland) [Web log message]. Retrieved from http://unusual-architecture.com/the-crooked-house-sopot-poland/
Unknown (2014). Glossary of Art Terms. [ONLINE] Available at: https://www.moma.org/learn/moma_learning/glossary#w. [Last Accessed 28 April 2014].
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
Gehry draws his inspiration from famous paintings such as the Madonna and Child which he qualifies as a “strategy for architecture” (Friedman M. , 2003, p. 42) and which he used as an inspiration for a project in Mexico . Through his interpretation of the paintings and artwork, Gehry looked for a new kind of architecture. His search for a new type of architecture culminated in 1978 with his own house in Santa Monica. What was once a traditional Californian house would be redesigned to become one of the most important and revolutionary designs of the 20th century, giving Gehry international prestige and fame. Frank Gehry’s “Own House” uses a mixture of corrugated metal, plywood, chain link and asphalt to construct a new envelope for an existing typical Californian house. This house has been inspired by Joseph Cornell, Ed Moses and Bob Rauschenberg. Gehry comments on his house by saying that there was something “magical” (Friedman M. , 2003, p. 54) about it. He admits having “followed the end of his [my] nose” (Friedman M. , 2003, p. 54) when it came to constructing the “new” house, which led Arthur Drexler, former Director...
Dewey, J. Art and Education: A Collection of Essays. Pennsylvania, The Barnes Foundation Press, 1954.
...is influenced by the development of merchandising technology and cyber culture in society, with a main direct focus on obsolete media. The “Abandoned Places” floppy disk artwork made an impact on recycling and the protection of the environment and because of this the reuse of personal objects or even things that you see can benefit the world with a help hand to bring to as a central theme. Such artistic works of social influences commentary have been featured in galleries in the UK, USA and in cities throughout the world. And have been recognized by many faces, seen with by many eyes, and analyze by countless minds. No wonder people can say this artwork bring inspiration to them. Only because this work has been exhibited alongside established street artists whose work been view by many all over the world and as such has been linked to the urban art scene in London.
It’s often unacknowledged that there are designers that are behind creating and drawing out the designs we see on our everyday products, whether it be toilet paper, bleach, or a can of soup. There are people behind creating the enticing labels that urge us to crave and need that product. Andy Warhol shined a light on a whole world of unrecognised artists,
Andy Warhol, born as Andrew Warhola, is famously known as the leader of the pop art movement back in the 1950’s. One of Warhol’s most famous prints is Campbell’s Soup Cans consists of thirty two canvases lined up in a row of eight and columns of four; another of artwork of Warhol similar to this is Green Coca-Cola Bottles which consisted of 210 Coca-Cola bottles. Many of Warhol’s artwork consisted of a subject repeated and cloned multiple times. Many would say it was because Warhol was raised during the time period where factories began the mass produce, which does contribute to his artwork. But, Andy Warhol was also an incurable hoarder. Warhol wrote in his autobiography that his conscience wouldn’t let him throw anything away, even when
Crash Course in Art History from Prehistoric to Post-modern. Kansas City: Andrews and McMeel, 1992.
Fairey, an American Artist from South Carolina, graduated from Rhode Island School of Design in 1992. During his young adult years, Fairey “realized his desire and interest in the street art culture and graffiti movement” while he was working in a skate shop as a part-time job. As seen and described in his documentary, Obey Giant, Fairey’s first piece of work, the Andre Posse, was the sticker he used as an example to teach his friend about printmaking. This sticker once simplified and made into what today is known as the Obey logo. Fast forward to the presidential election of 2008, Fairey produces the Hope poster. The poster almost immediately turns into a global icon which is still recognized and even derived from today. This is the second art piece, to be discussed in this essay. Shepard Fairey’s Artwork, and Shepard Fairey’s influence on the world, each with their own various sub-topics such as the global iconography and impact within the means of copyright law. These pieces stress that from the smallest pieces within an artist’s portfolio to the largest can have a major impact on the world around us.
Two years later on a poster in the mall at a Spencer's store I saw Warhol's famous Campbell's Soup Can work of art. At first glance I thought the poster was ridiculous because it featured such a simplistic, moronic image. Then, my artistic eye and appreciation for the eccentric took over, and I was immediately drawn into this cool and crazy phenomenon that Andy Warhol called art. I bought the poster and hung it in my bedroom. None of my friends had ever heard of Warhol and did not understand why I would display a 24 x 30 inch Campbell's soup can on my wall amongst the likes of Iron Maiden and Heather Locklear. I didn't either, but I knew I liked it.
Warhol created his pieces by discovering what was popular, what stood out in modern art, and also something with standard American values. Warhol also took everyday objects and turned them into pop art sensations. He realized that the majority of the United States went food shopping and decided to create a line of supermarket products. This line of Warhol’s included the very popular Brillo boxes, price tags, the banana, and Coca-Cola bottles (Wrbican). His creation of Coca Cola Bottles in 1962 became very popular. The bottles are in the everyday life of an American which made them very familiar with practically everyone. “Warhol used to identify the nature of the great American society, anonymous and consumerist, devoted to conformism and with a pride in unanimity, was the ubiquitous Coca Cola bottle- “(Copplestone 12). To Warhol...
The modern artist, Andy Warhol, is one of the most well known pop artists of the 1960’s. Warhol purposely strayed away from the very emotional painting style of the Abstract Expressionists. He was influenced heavily by American Pop culture, borrowing several images as well as ordinary consumer products for his pieces. Ultimately he approached his art in a way to have commercial or advertisement look. Warhol’s goal was to strip down art of its magical qualities, and wanted it to look like anybody could do it. Warhol’s work explores a vast number of ideas in American Pop culture.
Lewis, R., & Lewis, S. (2008). The Power of Art. Connecticut, United States: Cengage Learning.
Street art is understood to be a subculture of graffiti, but cannot be simply defined as one form (Hughs). “Street art, originally coined by Allan Schwartzman in 1985 (Lewisohn, 2008),
With the three sculptures drawn between Archaic Greek, Classical Greek, and Egyptian cultures, they can be observed and similarities and differences can be made. The Egyptian sculpture is different from the other two sculptures in that it is the only one that involves some clothing; the man is wearing a loincloth and the woman is wearing a straight dress. The other two sculptures are completely naked. There is a difference amongst the three sculptures in how they are positioned. The Egyptian sculpture is in a straight standing up position with clothes on. The Archaic Greek sculpture is in the same straight standing up position with no clothes on. The final sculpture from the Classical Greek culture is in a more free form while still