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Imagery and recall study
Neurobiological basis for phantom limb pain
Imagery and recall study
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Describing Phantom Limb Experience
Of people who have had body parts amputated, about 80 percent experience some sort of phantom limb sensation. This experience, which can range from severe shooting pain to merely feeling the presence of the absent limb, most often occurs in amputees but sometimes manifests itself in individuals whose limbs have been missing since birth. The sensations patients experience are not necessarily of the same strength, location, or duration from occurrence to occurrence, and the frequency of episodes often fluctuates over time. Especially in the case of amputees, who have lived a significant portion of their lives with the limb in question, it would make sense that there be a psychological element to phantom limb sensation. This notion is corroborated by the fact that phantom limb sensation is rare in children under the age of four; it is thought that these children are young enough to not see the loss of a body part as so significant a trauma who has.lived with full use of the limb for so long. Yet this phantom limb sensation also has a physiological component. Both pain and light-touch sensations (both of which phantom limbs may feel) are the result of impulses traveling through the thalamus, which relays the information the cerebral cortex, where sensations are mapped.
This mapping is believed to be done on what the Macalester College Psychology Department calls a (somatosensory) "homunculus." Neurologists think that in the cerebral cortex is a map of the human body, where certain impulse locations correlate with specific locations on the body. That is, cortical regions represent individual parts of the body. The amputation, or even the congenital lack, of a body part, would be problematic ...
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...athap/UBNRP/Phantom/casestudies.html
2) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/phantompain.html
3) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/theories.html
4) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/plasticity.html
5) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/merzenich.html
6) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/Ramachandran.html
7) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/pon.html
8) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy1.html
9) http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy2.html
10)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy3.html
11)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy4.html
12)http://www.macalester.edu/~psych/whathap/UBNRP/Phantom/casestudy5.html
...owell, E. R., Thompson, P. M., & Toga, A. W. (2004). Mapping changes in the human cortex
Scientists are on the brink of doing the unthinkable-replenishing the brains of people who have suffered strokes or head injuries to make them whole again. If that is not astonishing enough, they think they may be able to reverse paralysis. The door is at last open to lifting the terrifying sentence these disorders still decree-loss of physical function, cognitive skills, memory, and personality.
Whitney Chadwick, Women, Art, and Society 3rd ed. (NY: Thames & Hudson world of art, 2002), 153-160.
Jackson, P. (1992). (in)Forming the Visual: (re)Presenting Women of African Descent. International Review of African American Art. 14 (3), 31-7.
Krizman, J., Marian, V., Shook, A., Skoe, E., & Kraus, N. (2012). Subcortical encoding of sound is enhanced in bilinguals and relates to executive function advantges. PNAS, 109(20), 7877-7881. doi: 10.1073
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
Here the sensory data is stored and consists mainly of the senses found within the body which comprises of taste, touch, smell, temperature. Here these senses are integrated and processed before being transported to the necessary region to fulfil the response. If the parietal lobe was severed or damaged the human body would not be able to function properly as in the human body would not be to feel nor touch nor sense the feeling of being touch due the damaged that controls this motion in the parietal
Holder, Maryse. Another Cuntree: At Last, A Mainstream Female Art Movement. Feminist Art Criticism: An Anthology. London: UMI, 1988.
Phantom pain refers to the phenomenal experience of pain in a body part that has been amputated or deafferented (Flor, Nikolajsen & Jensen, 2006). The characteristics of phantom pain have been described to occur in quick and sudden attacks of pain shooting up and down the amputated limb as well as cases of constant, excruciating pain whilst intensely perceiving the amputated limb to be cramped or postured abnormally (Katz, 1992). Approximately eighty percent of amputees report suffering from or at least experiencing some level of phantom pain post amputation; therefore it is a prominent issue (Flor, Nikolajsen & Jensen, 2006). Phantom pain is neuropathic pain that has no individual trigger but instead a plethora of psychobiological aspects of neuroplasticity that contribute to the cause of phantom pain (Grusser, Diers & Flor, 2003). The following will: outline the role of the peripheral and central factors associated with phantom pain and discuss the cortical reorganisation of the somatosensory cortex in relation to phantom pain.
The brain has four major lobes. The frontal lobe, the parietal lobe, the occipital lobe, and temporal lobe are responsible for all of the activities of the body, from seeing, hearing, tasting, to touching, moving, and even memory. After many years of debating, scientist presents what they called the localization issue, Garret explains how Fritsch and Hitzig studied dog with conforming observations, but the cases of Phineas Gage’s accident in 1848 and Paul Broca’s autopsy of a man brain in 1861 really grabbed the attention of an enthusiastic scientific community (Garret 2015 p.6)
The Feminist Art Movement raised women’s status and the world’s awareness on gender equality through artworks that reflect women’s lives, feelings, and value. Through creativity, feminist artists invited the audience into their daily livings, to understand their strengths and efficiency, and to consider their needs and feelings. The movement expanded the traditional female role in society, such as housewives, to individuals with talents including artists, writers, the working class, and professionals. The female artists used media ranging from traditional techniques, like painting, to non-traditional art forms, such as installation art, performance art, conceptual art, and sculptures to share with the audience their new perspectives.
After reading a book on various feminist philosophies, I evaluated Annie Liebovitz's book and collection of photographs entitled Women according to my interpretation of feminist philosophy, then used this aesthetic impression to evaluate the efficacy of feminist theories as they apply toward evaluating and understanding art.
In summary, both the article and the novel critique the public’s reliance on technology. This topic is relevant today because Feed because it may be how frightening the future society may look like.
Throughout this essay I hope to illustrate how the development of Feminism was shown through art into Post Feminism and how feminism not only gave rights to women but to other 'Minorities ', I also plan on showing how strong Political influence is involved in art and feminism.
M.M. Merzenich, R. N. (1984). Somatosensory cortical map changes following digit amputations in adult monkeys. Journal of Comparative Neurology, 224(4): 591-605.