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“Sweat”by Zora Neale Hurston pp. 950-958
“Sweat”by Zora Neale Hurston pp. 950-958
“Sweat”by Zora Neale Hurston pp. 950-958
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Recommended: “Sweat”by Zora Neale Hurston pp. 950-958
In Zora Neale Hurston’s short story, Sweat, Delia finds herself stuck in an unbearable marriage. Her husband, Sykes, mistreats her, leaves all work to her, and is unfaithful. After being married to Sykes for 15 years, Delia has lost all hope in the marriage. The countless beatings and painful acts of Sykes have brought her over the edge. She is forced to go against her strict religious beliefs because of the life in which she has been leading since her matrimony to her husband. One passage that sums up many factions of Delia and Sykes’s relationship is as follows:
“She lay awake, gazing upon the debris that cluttered their matrimonial trail. Not an image left standing along the way. Anything like flowers had long ago been drowned in the salty stream that had been pressed from her heart. Her tears, her sweat, her blood. She had brought love to the union and he had brought a longing after the flesh. Two months after the wedding, he had given her the first brutal beating. She had the memory of his numerous trips to Orlando with all of his wages when he had returned to her penniless, even before the first year had passed. She was young and soft then, but now she thought of her knotty, muscles limbs, her harsh knuckly hands, and drew herself up into an unhappy little ball in the middle of the big feather bed. Too late now to hope for love, even if it were not Bertha it would be someone else. This case differed from the others only in that she was bolder than the others. Too late for everything except her little home. She had built it for her old days, and planted one by one the trees and flowers there. It was lovely to her, lovely.” (Hurston 680).
This scene occurs when Delia is lying on her bed, thinking of what had just previously happened. Sykes had gotten home, and as usual, a fight erupted between the two former lovers. The difference about this confrontation though, was that Sykes did not strike Delia, as what usually happens. Delia picked up a metal skillet and threatened to defend herself from her husband as he cowed in fear of being hit. This new approach from Delia, involving a new intimidation, shows how her unnecessary sweat and hard work had gotten to be too much. The act of seizing a skillet from the stove to protect herself symbolizes how in essence, Delia is trying to defend her home. The skillet is a fragment of the house, and as she st...
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...h will occur that night.
The circumstances of any person’s life will eventually decide the outcome. Negative conditions can be bearable enough that there will not be a thorough change in one’s life, but worse situations can have different effects. Sometimes a person is forced to make a change in the way they live their life in order to make it tolerable. In Sweat, by Zora Neale Hurston, Delia’s attitude toward her bad marriage changes because of her lack of endurance for her life. The fire behind her eyes could no longer be restricted by Sykes’ mistreatments and unfaithfulness. Delia’s water had boiled over and what resulted was a flame of another kind. She confronted all that Sykes was with a newly found indifference, and would take a stand against his wrongdoings. The question in which the conclusion of the story asks has to deal with Delia’s devotion to God and her religion. Is it OK to let him die? One may answer the question either way, but essentially, the response will be found in the eye of the beholder.
Works Cited
Hurston, Zora Neale. "Sweat." The Story and Its Writer An Introduction to Short Fiction. Ed. Ann Charters. Boston: Bedford/St. Martin's, 1999. 678-687.
When Zora Hurston wrote this novel, she wanted to explain how a young women search for her own identity. This young woman would go through three relationships that took her to the end of the journey of a secure sense of independence. She wanted to find her own voice while in a relationship, but she also witnessed hate, pain, and love through the journey. When Logan Killicks came she witnessed the hate because he never connected physically or emotionally to her. Jody Starks, to what she assumed, as the ticket to freedom. What she did not know was the relationship came with control and pain. When she finally meets Tea Cake she was in love, but had to choose life over love in the end.
Hurston, Zora Neale. "Sweat." Norton Anthology of Southern Literature. Ed. William L. Andrews. New York: Norton, 1998.
Hurston, Zora Neale. Their Eyes Were Watching God. New York: Harper Perennial Modern Classics, 2006
Appiah, K.A. and Gates, Henry Louis, Jr. eds. Zora Neale Hurston: Critical Perspectives Past and Present. New York: Amistad Press, Inc., 1993.
Hurston, Zora Neale. Their Eyes Were Watching God: A Novel. New York: Perennial Library, 1990. Print.
... his Adam’s apple twitching nervously up and down his throat. One could actually see the pain he was suffering, his eyes, his face, his hands, and even the dejected slump of his shoulders” (Hurston). This description of Joe Kanty while Spunk took away his wife tells the reader how painful it is for one to lose a wife. These things happen in the society and are unknown and Hurston used her writing skills to make them known to his readers.
Wright, Richard. “Between Laughter and Tears.” In Zora Neale Hurston: Critical Perpectives Past and Present. Edited by Henry Louis Gates Jr. and K. A. Appiah., 16-17. New York: Amistad Press, Inc., 1993.
Dust Tracks on a Road is an autobiography written by Zora Neale Hurston. This novel traces all the way back to the beginning of Zora Neale Hurston's life in, Eatonville, Florida. Hurston informs her readers of the many trials she had to face in her life to become who she is today, even though she is no longer here on Earth, by using many effective, but simple writing skills.
By Zora Neale Hurston. Ed. Henry Louis Gates. New York: Harper & Row, 1994. Vii-Xiv. Print.
In Aunt Hetty on Matrimony and The Working Girls of New York Fanny Fern depicted a story of sadness and morose conditions that women had to deal with in order to have a parallel recognition to that o...
While Delia has been working all night long; the man of the house arrives and does not acknowledge her exceptionally done work. Instead, he torments her about the fact she’s working on a Sabbath and calls her a hypocrite. He expects her to maintain him and treat him like her overlord.
Hurston, Zora Neale. Their eyes were watching God: a novel. New York: Perennial Library, 1990. Print.
In literature, the significant themes of a story can sometimes be developed within dramatic death scenes. With that being said, Zora Neale Hurston 's presents an unappreciated housewife and her high-class husband 's sinful ways which ultimately lead to the husband 's unplanned death, in her short story “Sweat”. The concluding death scene can best be described as illustrating the theme as “what goes around comes around”. Sykes was abusive and tried plotting his wife, Delia 's, death by using a rattlesnake, but his plan backfired and it was Sykes that was killed in the end.
Mrs. Mallard is an ill woman who is “afflicted with heart trouble” and had to be told very carefully by her sister and husband’s friend that her husband had died (1609). Her illness can be concluded to have been brought upon her by her marriage. She was under a great amount of stress from her unwillingness to be a part of the relationship. Before her marriage, she had a youthful glow, but now “there was a dull stare in her eyes” (1610). Being married to Mr. Mallard stifled the joy of life that she once had. When she realizes the implications of her husband’s death, she exclaims “Free! Body and soul free!” (1610). She feels as though a weight has been lifted off her shoulders and instead of grieving for him, she rejoices for herself. His death is seen as the beginn...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...