Albert Camus provides a unique look at humanity and the intricacies of living in an absurd world full of hopeless suffering in “The Plague.” Many facets of Camus symbolism within the book can only lead the reader to ponder “Should I kill myself?” while leaving them with the answer “No, life is worth it if I make it worth it. I can overcome suffering.” First, Camus use of parallelism to atrocities, specifically war, function to highlight that death and suffering derives from both humanity and nature. Second, to Camus, humanity needs to stare death in the face by questioning the usefulness of existence and if it is justified to live even if you are suffering. Third, to Camus, god is dead, he is just a tool for humanity to give their lives meaning. …show more content…
Camus philosophy, existentialism, focuses itself around the idea of facing death. For example, another existentialist, Martin Heidegger, believes that to become authentic beings, humans need to surround themselves with death, and even goes as far to say that humans needs to spend time walking through graveyards to realize their inevitable death. This is especially important when we reach a cycle that Heidegger calls “everydayness,” which is living each day the same as the last, yet still waiting for the next day to come. In “The Plague,” according to Christopher Capewell at the University of Birmingham, “The people of Oran were so accustomed to a lifestyle of routine, never having to face the anguish of their own existence that one is prepared to argue that they were already dead before the plague arrived.” Camus writes on page 4 “The truth is that everyone [in Oran] is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is commerce, and their chief aim in life is, as they call it, ‘doing business.’” For an existentialist, these people are no longer living, they are simply fulfilling their routine to move on to the next day. These people were stripped of life before they were able to realize it; they were living in the
Death, Decay and Disease in Hamlet Within ‘Hamlet’, Shakespeare makes a number of references to Denmark's degraded state due to the deceit that lies within. These references are made by Hamlet, Horatio as well as the apparition, thus enforcing the strong theme of death, decay and disease. As aforementioned, Hamlets makes a number of references to Denmark. Preceding the death of his father and the marriage of his mother, his mental state begins to fall into demise. Although he appears to not have much courage at first, his focus remains on avenging his father, whose murder is described as being "most foul." As noted in one of Hamlet's first soliloquies, his downward spiral has already begun and already he is contemplating suicide; "O that this too too sullied flesh would melt, thaw, and resolve itself into a dew (I, II, 130)" and "seems to me all the uses of this world.
The interesting concept of the absurd hero is classically presented by the author, Albert Camus in many of his novels, including The Plague. An absurd hero is a person who does what he has to do regardless of whether or not he can control that situation. Dr. Rieux, a physician in the plagued town, for example, still performs his job daily and just as diligent as he ever has, instead of caving in to the worry and fear that his town experiences because of this widespread epidemic. Camus uses this concept of the absurd hero to develop the four main characters, Tarrou, Rambert, Grand, but especially Dr. Bernard Rieux.
After reviewing the work of David Hume, the idea of a God existing in a world filled with so much pain and suffering is not so hard to understand. Humes’ work highlights some interesting points which allowed me to reach the conclusion that suffering is perhaps a part of God’s divine plan for humans. Our morals and values allow us to operate and live our daily lives in conjunction with a set of standards that help us to better understand our world around us and essentially allows us to better prepare for the potential life after life. For each and every day we get closer to our impending deaths and possibly closer to meeting the grand orchestrator of our universe.
Firstly, The Masque of the Red Death is a short story that dwells on a wide variety of societal issues. On the other hand, The Raven adopts the form of a poem, which is especially notable for its dramatic and melodic properties. The poet uses the refrain of “Lenore” and “nevermore” in order to emphasize the narrators’ troubled interaction with death (Poe, The Works of Edgar Allen Poe). Furthermore, The Raven employs allusion in its attempt to explain the mysteries surrounding death. The poet seeks to know whether there is “balm in Gilead” in reference to the hope of life after death demonstrated in various religious faiths such as Christianity. In The Masque of the Red Death the author addresses death’s inevitability and its wider implication on the society (Poe). The short story addresses the ability of epidemics to wreck havoc on populations. Furthermore, the short story addresses the authority’s selfishness and incompetence when it comes to addressing pivotal issues affecting people. Instead of finding ways of protecting people from further infections, the prince selfishly runs away from the rest of the population. Whereas death finally catches up with everybody regardless of one’s social status, the short story plays a pivotal role in highlighting leadership discrepancies that plague many civilized
Despite its prevalence, suffering is always seen an intrusion, a personal attack on its victims. However, without its presence, there would never be anyway to differentiate between happiness and sadness, nor good and evil. It is encoded into the daily lives people lead, and cannot be avoided, much like the prophecies described in Antigone. Upon finding out that he’d murdered his father and married his mother,
The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
The Western philosophical tradition has developed numerous viewpoints on, and fostered various attitudes toward, our mortal nature. There was once a situation where people regarded death as a theme and we shall die. In Western Attitudes Toward Death and Dying (1974) Aries proposes that death itself has, from the early medieval period onward, undergone a series of gradual yet discernible changes, which he titles “tame death,” “one 's own death,” “thy death,” and “forbidden or wild death.” This fourfold division centers directly on how people experience and understand death. As such, it stands as a peculiar history, one that often eschews more visible changes (e.g., the Reformation) in favor of less discernible shifts present in literature, art (including funerary art), liturgy, burial practices, and wills. It is characterized by the use or assumption
Albert Camus’s The Plague is a novel about an ordinary town that is suddenly stricken by plague. A few of Camus’s philosophies such as the absurd, separation, and isolation are incorporated in the events of the story. The absurd, which is the human desire for purpose and significance in a meaningless and indifferent universe, is central to the understanding of The Plague. In The Plague, Camus uses character development and irony to show that even through the obvious superiority of the universe, man is in constant effort to outlive the absurd. The Plague is crafted around the belief that humans live life in search of a value or purpose that will never be revealed to them because it does not exist.
Think of a North America without electricity, no running water, no government, almost no buildings left intact, and ravaged by a Chinese manufactured plague, even though it’s hard to imagine that's what happened in Jeff Hirsch’s The Eleventh Plague. In Jeff Hirsch’s Eleventh Plague a family made up of the Dad, Mom, Grandfather, and son are trying to survive in a North America ravaged by a Chinese Plague , But then the mom and grandpa die and dad and Stephen are left on their own, but when the dad gets injured running away from some slavers, A Town named Settlers Landing that seems too good to be true takes them in. Then Stephen befriends a girl named Jenny, and when they play a prank that sends Jenny, and when they play a prank that sends the town into chaos. A war is started and it is up to them to help stop it. I thought that The Eleventh Plague was a believable piece of Speculative Fiction because of Hirsch's use of elements of Conflict, Theme, and Red Herrings.
In Shakespeare's time, Denmark was a horrible, rotting, poisoned land due to its hidden deceit. In "Hamlet," Shakespeare makes many references to this as a means of clarifying relationships in the story. Writers often use imagery to provide detail and development, which help us understand ideas within and the atmosphere of the play. Hamlet, Horatio, and the ghost are the characters who allude to Denmark's state of decay. Shakespeare's frequent references to death and disease are not only evidence of the harsh and dirty living conditions of the time; they are a recurrent theme in all of his works.
Albert Camus was a French writer who was very well known all over the world for his different works but especially with the idea of “absurdism”. Camus believed that something that was absurd was not possible by humans or logically. It was beyond ridiculous and therefore impossible. This was the basis of one of his most famous works, The Plague. The Plague is a novel that explores aspects of human nature and condition, destiny, God, and fate. The novel is about a plague that takes place in Oran, Algeria that is fictional, but it’s believed to be relatively based on a cholera outbreak in the mid 1800’s in Oran that killed thousands of people. Dr. Bernard Rieux is the protagonist but also is the narrator. However, he doesn’t admit to being the narrator until the end of the novel. Camus writes in the beginning that the instances in Oran are being told by witnesses of the plague. In The Plague, Camus wants his audience to read the book unbiasedly not knowing the narrator in order to take sides with the characters that one wants to and not to be persuaded by the narrators telling of the events.
Death is a great wave whose shadow falls upon the lives of all beings below Olympus. Amidst this shadow and its immediacy in war, humans must struggle to combat and metaphysically transcend their transitory natures. If they fail to forge a sense of meaning for themselves and their people in what often seems an inexorably barren world, they are lef...
Life and death, everyone thinks about it at some point in their lives. Questions like, what could’ve been different, or what was done wrong and how could it be fixed. These questions are usually what come to mind when a person is at their final moments of his/her lives. Most of the time, he/she believes there was so much more than what he/she has been through whether for better or worse. Every human goes through this in some form, which leads to the creation of clinical teachings like the 5 stages of dying. These 5 stages consist of denial, anger, bargaining, depression, and acceptance. The medieval play, Everyman displays this kind of questioning of life and death. The main character, Everyman, struggles with accepting the fact there is nothing he can do to keep everything he’s built up, which is mostly worldly possessions. Everyman, the play, is a prime example of when faced with death himself, one must come to the realization that worldly
The Bubonic Plague, otherwise known as the Black Death was a raging disease. Most people thought of it as the physical Grim Reaper of their town or community. The disease lasted about six years, 1347 to 1352. The Bubonic Plague was a travesty that has traveled throughout Europe and has raged and decimated both large and small towns, putting Europe through a lot.
In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.