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globalization and culture through music
globalization and culture through music
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Individuals who remain skeptical, of course, still want to question whether guitar stands important on a global level. In his article, Dawe himself writes, “(The guitar remains) an object of, or of focus for, cultures in contact and as a basis for cultural exchange” (31). In other words, Dawe believes that guitar unravels cultural boundaries set up by previous conditional traditions. Dawe moreover believes that famous guitar players and musicians in general serve as ambassadors to promote cultural diffusion between different ethnic groups. To support his thesis, Dawe quotes the work of Richard Chapman, “guitar plays a part in almost every musical genre and musical culture throughout the entire world” (5). In making this comment, Dawe urges …show more content…
In order to provide evidence of his claim, Dawe quotes Banning Eyre in the guitar as, “portable, rugged, versatile, and relatively easy to construct.” Dawe believes guitar provides support at a global level of impact because of its portability. As discussing the guitar’s global impact, Dawe recalls once, during his visit to Japan, how when communicating with the local Japanese musicians they remained unable to speak, because they lacked knowledge of each other’s language. Dawe became overjoyed and amazed as he instantly connected with the local musicians by “speaking” through their guitars (6). As the players worked together, it brought to Dawe’s attention what the guitar really meant to them and their …show more content…
Guitar never ceases to stop evolving, and never waits for another opportunity. Guitar remains, as always, to change the world in so many vast ways that they now number countless. Guitar illustrates emotion and indicates ideals into modern society. With the power of the guitar you become the instigator, leading others to become impersonators of you and your actions. How you take advantage becomes your decision. So perhaps the next time you commute, as you reach to turn on the radio, as your fingers twist the knob, know that you soon become manipulated. The next time you repeat the words of your favorite song, understand the process of brainwashing you undergo as you sing along. But most importantly, follow your own desires, they will drive our society forward and through the path of life as we journey together. Let the guitar light our way, and those who use to be leaders of our new times. A silent room. Nothing, absolute stillness, but the mind needs more. Vacancy becomes painful. The emptiness broken by the iconic sound of a vintage tube-driven amplifier being heated, and within moments the room that stood silent now fills with the warm playful tones produced from the
There are certain musicians that come along that shift a culture, attitude, or future musicians. Another musician that went on influence future generations and considered one of the greatest guitar players in the world is Eddie Van Halen.
Music is a part of everyday life for almost everyone in the world. Music provides us with enjoyment and relaxation, and can be used in many ways by many different people. Some may use it to calm down after a long, hard day, while others use it for religious purposes or still others in and attempt to try and forget something that hasn’t been favorable to them. The possibilities are endless, for music is one language that can be transmitted to all people of the world, no matter their nationality, and it can be understood by everyone. Tibet is no different than any other place in the world, as it has music that serves the purpose of the people who live there. While most music in Tibet is religious, secular music still exists and is still a part of life there. Tibetan music has played an important role in shaping who the Tibetan people have become today by giving themselves different ways to express who they are, through the use of differing instruments and styles of music, and has allowed other people from around the world the opportunity to look at Tibetan culture through their music.
In closing, the undoubtable influence of music, more specifically of Rock ‘n’ Roll on American society is responsible for a number of changes to the status quo. These range from sexual liberation and racial desegregation all culminating with other influences to create an intergenerational identity. Despite the desperate attempts of older generations to smother these influences, these changes ultimately shaped the years that followed, molding the country into what it is today. Along the way these changes as well as individual involvement in them has also eased the lives of many through empowerment and a feeling of community and purpose. Despite a lull and renewal Rock ‘n’ Roll continues to serve as an agent of influence and change in today’s youth culture and continues to burn in the heart of past generations of loyal fans.
The modern guitar can be easily acknowledged as one of the most influential and renown instruments in the world. The guitar recognized today has been around for hundreds of years and it is still leaving a legacy in the musical world. Some early iterations of the guitar dating back as far as 1400 BC have evolved into what is known as the modern guitar through design innovation.
...frican American Musicians as Artists, Critics, and Activists. Berkeley, CA: University of California, 2002. 54-100. EBSCOhost. Web. 8 May 2015.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
As time goes on and technological capabilities increase, so too will knowledge of how music affects our brains. Scientists will be able to discover the full potency of the effects of music on our psyche, and how improvisation and creativity in music affect the brain along with immoral lyrics in certain music. Understanding this subject is relevant to becoming and better musician, student, and teacher.
Music plays a huge role in the structure of a society. It can have both negative and positive influence on cultures and communities. First, musical sounds and instruments can be a dividing factor between the people within the same culture. These opposing social and economic identities within these cultures can lead unnecessary animosity between the members. However, music can also be one of the forces that unite members of a culture and provide a sense pride for everyone. This makes it easier for people to display their identification to that culture.
On April 10, 2017, I attended the Auburn Guitar Ensemble concert. The program consisted of eight different performances: three Inventions by Johann Sebastian Bach (1685-1750), Variations on a Theme of G.F. Handel arranged by Mauro Giuliani (1781-1829), Tango en Skai by Roland Dyens (1955-2016), Summa by Arco Pärt (b.1935), Going Dutch by John Duarte (1919-2004), Sakura, Variations on a Japanese Folksong arranged by Auburn’s Joseph Ikner, Cuban Landscape with Rain by Leo Brower (b.1939), and Kashmir by Led Zeppelin.
This ethnography, written and told from Campbell’s point of view, shares her experiences as she sets out on her goal to study the musical culture among children in hopes to provide insight into how music plays a role in the lives of children of all different ages. This ethnography is split into three different sections, the first detailing Campbell’s different periods of observation. During her studies on the subject, Campbell spent time in different settings (such as a school bus, a cafeteria, a music class, and at a playground) in the hopes to observe their behavior and create detailed field notes in order to provide details into their interactions and their usage of music. In the second section, Campbell shares her conversations with several different children. Through these conversations, we get a taste of how music can be integrated within many different aspects of children’s lives. The third section focuses on what music means to children as well as how it can play a role or be integrated into diff...
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
The influence that music has throughout the world is immeasurable. Music evokes many feelings, surfaces old memories, and creates new ones all while satisfying a sense of human emotion. With the ability to help identify a culture, as well as educate countries about other cultures, music also provides for a sense of knowledge. Music can be a tool for many things: relaxation, stimulation and communication. But at the same time it can also be a tool for resistance: against parents, against police against power. Within the reign of imported culture, cross cultivation and the creation of the so-called global village lies the need to expand horizons to engulf more than just what you see everyday. It is important to note that the role of music in today’s world is a key tool in the process of globalization. However, this does not necessarily provide us with any reasons that would make us believe that music has a homogenizing affect on the world.
Music has been many different things to people, an escape, a revolution, an experience, a feeling, a message, a memory, a single moment, peace, class, etc. Music has played a large role in the lives of many. The story of music and it’s evolution is beautiful, from ancient melodies being plucked on a harp, to the british invasion and the popular revolution. Music has changed, and it has effected so much. In the recent decades popular music has manipulated humanity into acting inappropriately.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.