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Postcolonial theory in modern day literature
Postcolonial theory in modern day literature
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In the closing lines of M. Butterfly, Gallimard, the hapless French diplomat/accountant turned spy, says, "I have a vision. Of the Orient" (92). At the moment he is speaking of his remaining belief that there are beautiful women, as he thought his "Butterfly" was, but it is indicative of the colonial impulse. Colonization becomes possible because a society can characterize another society in ways that make colonization seem like a positive endeavor. As Said notes, the characterization of other cultures, such as the Orient or Africa, is carried out in the popular realm through works of art, literature and drama. Indeed, books, plays, poems and stories are just a few of the forms used to indoctrinate the masses of a colonizing nation with the rationale and impulse to colonize.
As if to underscore this point, one way to rebel against colonization is to warp the tools of the colonizer to support the cause of liberation. The strategy seems to be especially popular in drama, where there are two stellar examples of postcolonial literature, A Tempest by Aime Cesaire and M. Butterfly by David Henry Hwang. These plays are rewritten versions of Shakespeare's The Tempest and Puccini's opera, Madame Butterfly, respectively, and retain the same characters and basic plot elements. Both Shakespeare's and Puccini's works helped create symbols of other cultures - Caliban is a black devil, and Cio-Cio San is the meek and beautiful "Butterfly." These characterizations have become stereotypes in Western culture, and formed, or at least mirrored, the rationale for colonization.
To make these pieces work against the notion of colonization, Cesaire and Hwang must significantly alter the content. They do so, and they also eschew mimicking the styl...
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..., and the victories represented in these plays are not large scale liberation, so it is even more difficult to see the correct path.
The stories we tell each other make up our world. Just as the Nick Redstocking stories created a Native American dialect that never existed, The Tempest and Madame Butterfly fabricated characters that came to stand as symbols of entire cultures. The power of stories is especially evident when we look at the role our art and literature has played in imperialism. Fanon would say the way to overthrow a physically present governing force is through violence. Hwang and Cesaire do a similar violence to the pieces that keep us imprisoned in false notions of the other. It is only through taking over these works, appropriating and reconstructing them, that we can be psychologically liberated from the rationale and impulses of the colonizer.
In conclusion it is seen that Alex has effectively changed into a man and has become a morally sensitive individual. He, for himself has chosen good
From the stages of the case, we learn that it is important that the employer takes a quick response in case of harassment within the organization. The Hotel was very quick to assure Gregg and the other woman that their complaints have been received and everything is being put into place to ensure that it do not happen again. What most of the victims of harassment need most is to be assured that they will be protected even after making a complaint. Gregg and the other woman who faced multiple cases of harassment, after being assured that they will be protected from the perpetrator went on to conduct their usual business within the organization with no problems at
The play M Butterfly is a tale of love and betrayal. But unlike other love stories this tale also shows how Chinese people were perceived by western people in the early 60’s and maybe to this day, M butterfly shows us through gender, capitalism ethnicity and sexuality how three of the main characters all reflect those ideals and how they all relate to each other through those ideals.
...d issues of post-colonialism in Crossing the Mangrove. It is clear that Conde favors multiplicity when it comes to ideas of language, narrative, culture, and identity. The notion that anything can be understood through one, objective lens is destroyed through her practice of intertextuality, her crafting of one character's story through multiple perspectives, and her use of the motif of trees and roots. In the end, everything – the literary canon, Creole identity, narrative – is jumbled, chaotic, and rhizomic; in general, any attempts at decryption require the employment of multiple (aforementioned) methodologies.
At my internship, my supervisor in working the cameras at WICU has not exemplified the same managerial style and qualities as Cappy Ricks. He’s just not that mean, in the sense of sending me out on a bogus story or on a wild goose chase. But he does have confidence in me to shoot what I think is appropriate. His confidence in me does work, because if he would always shoot a story or scene, then how could I learn. I’m not really sure if I’m beneficial to the station because I am only an intern. But there is a little over a month left, so maybe in time I’ll be beneficial to the station.
The issue of cultural stereotypes and misconceptions thematically runs throughout David Henry Hwang’s play M. Butterfly. The play is inspired by a 1986 newspaper story about a former French diplomat and a Chinese opera singer, who turns out to be a spy and a man. Hwang used the newspaper story and deconstructed it into Madame Butterfly to help breakdown the stereotypes that are present between the East and the West. Hwang’s play overall breaks down the sexist and racist clichés that the East-West have against each other that reaffirm the Western male culture ideas. The stereotypes presented in the play revolve around the two main characters, Gallimard and Song. The play itself begins in the present with Gallimard, a French diplomat who has been incarcerated in a Beijing prison. He relives his fantasies for the past with his perfect woman and shares his experience with the readers throughout the remainder of the play. Upon Gallimard’s arrival in China, he attends the opera and meets Song, and Gallimard immediately describes Song as his “butterfly”. Gallimard falls in love with the “delicate Oriental woman” that Song portrays (22). He then buys into the Western male stereotype that Eastern women need protection by strong, masculine Western men. Gallimard ends up falling in love with Song and has an affair with her to fulfill the stereotypical idea of a dominant Western male controlling an Eastern woman. Throughout Gallimard’s relationship with Song, the readers discover that Song is in reality a male spy for the Chinese government. Song had manipulated his looks and actions to mirror those of the ideal Chinese woman in order to earn Gallimard’s affection. M. Butterfly’s main issue arises from the cultural stereotypes of the masculin...
...rrounding the victim. Thus, it should be taken seriously and investigated immediately and thoroughly. Not only does sexual harassment create a hostile environment for the company's employees, it creates an environment which may offend prospective clients and permanently taints the company's reputation.
...uses the reader to be more invested in the story and therefore truly strive to understand the world portrayed instead of just shallowly absorbing the setting. This is a strength because it gave the reader unique outlook on the Asian cultures because the audience feels personally involved in these situations. There are a few weaknesses in the book. I think perhaps, by putting the audience in these men’s shoes you cause them develop a bias. The reader will possibly have and emotional tie to the characters and because of this not see straight facts of history. The book is highly recommended to readers interested in pre-modern history, the book is a good look into the eastern world especially if one lacks research experience with that part of the world and its history.
Luckily, the damage was not as bad on the machine as initially thought, and after everyone at the plant worked overtime, the order was shipped very late into the evening. Working overtime is against current division policy, but was necessary to meet Bill's demand about shipping the product today. Afterwards, Alex knows he cannot dedicate the entire plant to just one order and begins to consider why the plant is underperforming when he has good people, good technology, and a good plant. Alex concludes the competition is killing him, specifically the Japanese competition, which is still beating them on price and delivery although Alex's plant has closed the gap in quality and product design. Alex has already cut costs by as much as he can but his prices are still above the competition. Also, Alex's plant has piles of inventory lying around and despite materials being released on schedule, nothing is completed and shipped out on time.
Sisak, J. R., & Laird, M. J. (2001). Sexual harassment claims: A process in reducing corporate liability. Equal Opportunities International, 20(3), 19-27. Retrieved from http://search.proquest.com/docview/199612169?accountid=15070
In her essay “Shakespeare's Tempest and the Discourse of Colonialism,” Deborah Willis argues that the play takes on a much more complex and complete identity concerning the aristocracy of colonialism, and she presents the idea that Caliban as the “other” (Willis, p.277) isn’t inherently wrong but rather misguided in readings. While her article brings up important issues concerning the reading of The Tempest, she ignores the vastness and all-consuming nature of colonialism. Her essay helped me to conclude that I perceive The Tempest as not only being solely about colonialism, but all of the issues featured in the play being tied back to colonialism, including those that Willis emphasizes aren’t as important or are ill-founded.
In our society sexual harassment has been in the workplace for years. The use of sexual harassment in the workplace has been remembered best as a weapon used to keep women in their place which would cause them to forfeit promotions within their organizations. It was once believed that women were the only victims but the shift is now changing men are also reporting that they are also victims of sexual harassment on the job. In 1964 the Civil Rights Act was passed and employers began to recognize that they were liable for two types of sexual harassment. The first kind of harassment is Quid pro quo when a supervisor offers the employee sexual advances in order to get or keep a job, and also this harassment is used to determined if an individual will get a promotion. The second form of harassment is when supervisors or coworkers make working conditions hostile and unbearable. In both instances the legal ramification will cost an organization to suffer a financial loss in productivity, time, and money. Throughout this research my finding is that it's to the company's best interest to provide a clear policy on sexual harassment.
Sexually harassing conduct constitutes a violation of Title VII of the Federal Civil Rights Act (title 42, U.S.C. SECTION 2000) and the California Fair Employment and Housing Act (FEHA) (Gov. Code section 12940, et seq.). Departmental policy requires that all employees assume responsibility to maintain a work environment free from such conduct. Agencies should publicize penalties and encourage assertive actions on the employees who are targets of unwanted sexual attention. The managers and supervisors should be firm and consistent in punishing the harasser. A...
Alex is back to his old self again, thinking bad thoughts, crasting, and doing a bit of the ultra-violent. However, he quickly grows tired of his old lifestyle. When he comes to this realization, Alex says, “…now I felt this bolshy big hollow inside my plott, feeling very surprised too at myself. I knew what was happening, O my brothers. I was like growing up.” Even though he as regained the freedom of choice, can choose badness if he wants to, Alex exerts his freedom in a new way, he chooses goodness. He is truly cured.
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.