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Evolution of films as a genre
Cinema then and now
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David Cronenberg
People can interpret different things in different ways. Some people look at the Eiffel
Tower and say that it is a work of genius. Others may look at it as if it were the ugliest thing in
Europe. Two opposing views creates controversy. People look at the work of the well known
director, David Cronenberg, the same way. In my essay, I will not take a side, but I will clearly
and concisely outline and detail both sides of his work.
David Cronenberg was born May 15, 1943 in Toronto Ontario. His childhood was rather
disturbing, with abusive parents, and living a very sheltered life in the suburbs of Toronto for most
of his life. He went to the University of Toronto, where he studied film and producing and
direction. David’s first big screen success came to him in 1969 when his simple and tasteful film
"Stereo" got shot down at the box office. David was somewhat discouraged by this and in 1970
would shock the world with his first film of the horror or shock film industry that broke all the
limits.
"Crimes of the Future" was a large success at the box office and at he 1970 Cannes Film
Festival. Little did the public know, David Cronenberg was not finished there. The ideas he had
stored in his uncanny mind of his were peculiar, odd and extraordinary. With his continuing
success artistically, the public began to find his work vulgar and disturbing. In 1983, David
Cronenberg produced and directed the highly sucessful "The Fly." From that film on his work was
very controversial. The artists found his work deep, and meaningful, while the ordinary person
though it to be the work of a madman.
He had 5 more films to direct. "Dead Ringers" , "Naked Lunch", "Madame Butterfly",
"Crash" and "ExistenZ." As his films progressed they got either more artistic and meaningful or
more sickening. Naked Lunch was once again cheered at the 1991 Cannes Festival, but less than
he previous successes. His work is often stylish and experimental. With plots concerning the
aftermath of some disastrous biological mishap. The Fly and The Dead Zone prove this point.
These two movies in the 1980s have given David his cult status. David Cronenberg’s 1993
entitled, Madame Butterfly enraged critics even more but the artists found his work compelling.
It was at the 1996 Cannes Film Festival that the bomb was dropped.
Francois Truffaut, when referring to Hitchcock said that “he exercises such complete control over all the elements of his films and imprints his personal concepts at each step of the way, Hitchcock has a distinctive style of his own. He is undoubtedly one of the few film-makers on the horizon today whose screen signature can be identified as soon as the picture begins.” Many people have used Hitchcock as the ultimate example of an auteur as there are many common themes and techniques found amongst his films. Even between the two films “Shadow of a Doubt” and “Vertigo,” many commonalities occur.
...ed against the moon, his films have sketched images in our minds we are unable to forget. His influence upon mainstream Hollywood directing is more than evident. Whether it be making us reflect on past tragedies or teaching us that differences should be celebrated aside from being just recognized, his methods of storytelling have established him as more than just a wonderful film director, but as a great humanitarian.
Elsaesser, Robert. "The Pathos of Failure: American Films in the 1970s" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 279-292. Print.
--clockwork orange... at times I wish I had those eye-lid clamps for some of my classes, that and bottle of visine, too. it's a nicely designed page, with lots of information on his films. I forgot he was the one who directed dr. strangelove, a personal classic of mine.
Early in his career he created one of horror film, Nosferatu (1922); his last film was Tabu (1931), a documentary film in the South Seas. He was one of the pioneers in the technical side of the film industry, experimenting special effects in Nosferatu and Faust and the use of the moving camera in The Last Laugh. But at the same time he was a master storyteller, a director who could describe simple stories with a vast range of emotion and meaning.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Connelly, Marie. "The films of Martin Scorsese: A critical study." Diss. Case Western Reserve University, 1991. Web. 07 Apr 2014.
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has led several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
During the mid and late 1970’s, the mood of American films shifted sharply. People needed to get away from such negative memories as the Vietnam War, long gas lines, the resignation of President Nixon, and ...
In a career that spans almost four decades, Spielberg's films have touched many themes and genres. During the 1970s, 1980s, and 1990s, three of his films, Jaws, E.T., and Jurassic Park became the highest grossing films for their time. During his early years as a director, his sci-fi and adventure films were often seen as the archetype of modern Hollywood blockbuster film-making. In recent years, he has tackled emotionally powerful issues such as the Holocaust, slavery, war, and terrorism.
Of all the 1980’s films, that can be described as “Eighties Teen Movies” (Thorburn, 1998) or “High School Movies” (Messner, 1998), those written and (with the exception of “Pretty In Pink” (1986) and “Some Kind of Wonderful”(1987)) directed by John Hughes were often seen to define the genre, even leading to the tag “John Hughes rites de passage movies” as a genre definition used in 1990s popular culture (such as in “Wayne’s World 2” (1994 dir. Stephen Surjik)). This term refers to the half dozen films made between 1984 and 1987; chronologically, “Sixteen Candles” (1984), “The Breakfast Club” (1985), “Weird Science” (1985), “Ferris Bueller's Day Off” (1986), “Pretty In Pink” (1986) and “Some Kind Of Wonderful” (1987) (the latter two being directed by Howard Deutch). For the purpose of this study, “Weird Science” and “Some Kind of Wonderful” shall be excluded; “Weird Science” since, unlike the other films, it is grounded in science fiction rather than reality and “Some Kind of Wonderful” as its characters are fractionally older and have lost the “innocence” key to the previous movies: as Bernstein states “the youthful naivete was missing and the diamond earring motif [a significant gift within the film] was no substitute” (Bernstein, 1997, p.89). Bernstein suggests that the decadent 1980s were like the 1950s, “an AIDS-free adventure playground with the promise of prosperity around every corner … our last age of innocence” (Bernstein, 1997, p.1). The films were very much a product of the time in terms of their production (“suddenly adolescent spending power dictated that Hollywood direct all its energies to fleshing out the fantasies of our friend, Mr. Dumb Horny 14 Year Old” Bernstein, 1997, p.4), their repetition (with the growth of video cassette recorders, cable and satellite with time to fill, and also the likes of MTV promoting the film’s soundtracks) and their ideologies.
Medhurst, A. 1995, “It Sort of Happened Here: The Strange Brief Life of the British Pop Film,” Celluloid jukebox: popular music and the movies since the 50s, pp. 60-71
Born on 30th of July 1970 in London United Kingdom to a British father and American mother. Because of that he has both British and American citizenship and has been living in both London and Chicago since his childhood. He found his passion for filmmaking at early ages and at age 7 he made his first short film with his father’s camera. Eventually just like most directors he did not attend film universities, instead he went on to study English literature in London, his hometown. One of his early short films which is probably his best also, is ‘Doodlebug’ which he made in