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dante's inferno analysis
dante's inferno analysis
dante's inferno analysis
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Some people believe the Inferno is an allegorical confrontation of Dante’s sins among his lifetime. There are many examples in his writing that show this, some of which include symbols, people form his lifetime, and events pertaining to his personal beliefs.The first main example of this exists in Canto Thirty-Two, the betrayers of kindred, or more specific to Dante himself; betrayers of country. Dante was exiled from his home in Florence where he served as a politician.Considering his own personal treachery, it makes sense for him to have chosen the ninth ring of the traitors to be the worst of all. In this Canto, Dante has a run-in with one of the sinners in particular, Bocca. In their confrontation, the Bocca is too embarrassed to admit his deed. Dante offers to discuss with Bocca his sin, being interested and curious with him. He asks, “if you should look for fame, I’ll make note of you with all the rest.”(Dante 32.92-93). Bocca replies, “I crave the opposite.”(Dante 32.94). By this Bocca means that he does not wish to share his deed, as he is most likely embarrassed. Considering Dante’s love of his country, I think that he included this confrontation to show that he too is embarrassed of his own treachery.
The second primary example of Dante’s confrontation to his own sins is located in Canto Twenty-Three, the Hypocrites in ring six of Hell. I believe that the reason Dante acted so afraid in this Canto is because he felt guilty. During this Canto, Dante exclaims quite a few words revealing his discomfort. The first, “O weary mantle for eternity!”(Dante 23.67) and he continues on asking Virgil, “Please find someone/who we might recognize by deed or name.”(Dante 23.73-75). In this section of Canto Twenty-Three, Dante is afrai...
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...ustice in the work against the sinners is clarified yet again in Canto Twenty. This particular ring of hell is reserved for those who meddle with the future, distinctively fortune tellers, astrologers, and witches and wizards. Dante writes these future-seers as, “For backward to the kidneys turned the face, and backward always did they have to go, as they had lost sight of the things ahead.”(Dante 20.13-15). To earn just against the future-seers, Dante writes them as having their heads facing backwards on their bodies so they can never see ahead, or more importantly, the future. Dante writes them being punished base on their fraudulent act, specifically this punishment for this sin. This supports the theory that Dante wrote based on his belief of divine justice. In the remaining cantos, Dante loosely bases the retribution of the sinners on their specific damnation.
At the outset of Dante’s “Inferno,” he is introduced as a man lost in a sinful forest of his own creation. He is, by all accounts, beyond saving. Even Beatrice, in conversation with Virgil, states that, “[Dante] is, I fear, already so astray / that I have come to help him much too late” (ii.65-66). It is only through the compassion and the divine pity of Beatrice, and the more active role taken on by Virgil—who is also shown to have “felt compassion for [Dante’s] pain", that Dante is provided an opportunity to regain a pious sense of self, and in doing so increase his odds of salvation (ii.50). This basic human conception of pity and empathy dominates a great deal of Dante’s interactions in the underworld. He begins his descent consistently overwhelmed, at first weeping in response to the “sighs and lamentations and loud cries […] echoing across the starless air” (iii.22-23).
Descending from the first to the second level of Hell, Dante witnesses the transition to greater agony and greater punishment for the damned. Overwhelmed by the sinner’s harrowing cries and the extensive list of seemingly innocent souls given to him by Virgil, Dante beckons for two lovers to approach him, desperate for some sense of comfort. The souls are known to be the historical figures Francesca de Rimini and her lover Paolo, forever trapped in the circle of lust due to their sinful adultery. Through her words spoken to Dante, Francesca shows how she feels she has been unjustly punished and is deserving of others’ sorrow, and Dante, despite his awareness that she is a sinner, pities her. A close reading of this passage is necessary to better understand Dante’s internal battle with showing compassion where it is not deserved and Francesca’s incessant denial of her sins.
Anyone who has read Dante’s Inferno is familiar with a certain main character, Virgil. Who is this Virgil that Dante put in his book and where did Dante get the idea of having Virgil as his guide on Dante’s journey through the spirit world? In addition to Virgil, readers of Inferno are also familiar with concepts and characters such as God, angles, demons, Satan, and Hell. Where did Dante get these concepts? Dante did not come up with these ideas on his own, but used familiar characters and places from outside sources such as the Aeneid and the Bible to create his epic poem.
Inferno is the story of Dante's journey through Hell on his way to heaven to see Beatrice. There is the recurring theme throughout the text. Dante loves her so he is willing to go through the perilous and difficult journey to get to her. Dante was a rather religious individual and it shows throughout his writing. “The time was the beginning of the morning; the sun was rising now in fellowship with the same stars that had escorted it when Divine Love first moved those things of beauty; so that the hour and the gentle season gave me good cause for hopefulness on seeing that b...
In The Inferno of Dante, Dante creates a striking correspondence between a soul’s sin on Earth and the punishment it receives in hell for that sin. This simple idea serves to illuminate one of Dante’s recurring themes: the perfection of god’s justice. Bearing the inscription the gates of hell explicitly state that god was moved to create hell by justice. Wisdom was employed to know what punishments would be just, power to create the forms of justice, and love to show that the punishments are conditioned with compassion, however difficult it may be to recognize (and the topic of a totally separate paper). Certainly then, if the motive of hell’s creation was justice, then its purpose was (and still is) to provide justice. But what exactly is this justice that Dante refers to? According to the Oxford English Dictionary, it is the So hell exists to punish those who sin against god, and the suitability of Hell’s specific punishments testify to the divine perfection that all sin violates.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
He reacts to the inscription by crying out, “Master, I said, these words I see are cruel” (Dante pg.14). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs when he sees the angels. The angels deny the travelers access through the city. Virgil even appears startled and confused by this. This does not help Dante’s nerves at all. Dante doesn’t seem to understand why even the “well known” Virgil is denied access through the city. This seems to cause some confusion among them both. If Virgil is denied access then Dante will definitely be
Dante’s Inferno is the narration told of the life of Dante Alighieri. The narration is done by Dante himself where he explains his life and various encounters. Dante is known for writing various stories and poems which he did after he was exiled from Florence where he was an ambassador. He had lived a life among the middle class, loved and lost his love to death, and gotten into leadership in Florence. His various experiences in life had caused him to have a distorted view of the purity of the Catholic Church in its indulgence in politics. The terms of the exile demanded that his return would be punishable by death.
When Dante and Virgil reach the gate of Hell, Dante is overcome with fear upon reading the inscription above the gate and hearing the screams and lamentations of those inside. He reacts to the inscription by crying out, " ‘Master,’ I said, ‘these words I see are cruel.’ " (III.12). By this he shows his fear of the unknown because he does not yet know exactly what he will witness during his descent. One of Dante’s truest display of fear occurs upon reaching the vile City of Dis. When the "fallen angels" deny the travelers access through the city, Virgil, usually unflappable, even appears shaken up. Understandably, this does not help Dante’s nerves at all. He actually makes a side comment to the reader declaring the terror he felt after the angels had defied Virgil’s request saying: "And now, my reader, consider how I felt / when those foreboding words came to my ears! / I thought I’d never see our world again!" (VIII.
Dante Alighieri's The Inferno is a poem written in first person that tells a story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking into the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme.
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
There is a strong emphasis on perception throughout the novel. It is through sight that Dante acknowledges hell and learns from it. At the commencement of his journey into hell, Dante says to Virgil, "lead me to witness what you have said . . . and the multitude of woes" (Inferno 9).1 Dante’s purpose is to witness and learn from the perils of hell so he can li...