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A conclusion on the history of ballet
The history of ballet essay
Essay on russian culture
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Despite his size, Ivan Braginsky was an extremely graceful man. Coming from Russia, a land infamous not only for the mystery and treacherous terrain, but also it’s stereotypical form of entertainment, ballets.
Over six feet tall, this goliath could be surprisingly stealthy, leaving world conferences when they became too tedious for his liking, sneaking up behind his prey (America, for the hell of it) and various other grievances that the nations complained of.
Except, sometimes one could not help but stare at such a beautiful man. Yes, beautiful. There were times when even his worst of enemies couldn’t help but gawk at his smooth, soundless footsteps, or the elegant way his arms would progress with his strides.
Finally anyone would be shocked to see him dance, it was just... Thats where Ludwig’s train of thought promptly ended, his brain had short circuited and he was at an inconvenience.
One, there was a tall, sexy Russian who, -only moments ago- had been the undisputed ruler of the dance floor.
Two, he was giving the poor german a rather heated look, or maybe heated was not the proper word for it it was an I want you look and it nearly made him blush.
Three, Ivan was beaconing to him with one, long finger, had the nation been drunker, Germany was sure he would’ve joined him without hesitation.
Filthy American music blasted through the expensive speakers in the back of the room. Ludwig vaguely registered the lyrics as something lewd and raunchy, it seamed to perfectly sum up the gestures he was receiving from Russia.
Ivan, who was obviously fead up with the German’s unresponsive behavior, strode toward him at a quick pace, not stopping until he was mere inches away from those icy blue eyes and soft, temptin...
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...as the twosome released.
Ivan slowly pulled himself out of the other, and grinned sleepily, Germany however just collapsed very ungracefully unto the bed like a rag doll. Russia fell next to him and smiled.
“Good, da?” He yawned, stretching out his arms to put one around the blond and pull him close.
“Ja. May I, may I stay the night?” Germany asked, Ivan looked surprised momentarily, but nodded,
“Da, stay as long as you like~” Ludwig was conflicted suddenly, and Russia could see it. “Vhat is it Ludovik?” His accent was getting more prominent as he was getting tired.
“What if...What I like is...forever?” The German turned away shamefuly.
“Then...You may stay.” He smiled, the corners of Germany’s mouth turned upward. The happy moment lasted till they slept.
But Ludwig was wondering if he was going to regret this when he was sober in the morning.
dirty when this dance takes place, but when one thinks of the waltz they think
So on receiving the news of Ivan Ilych’s death the first thought of each of the gentlemen in
A wooden door awaited him at the end of the hallway. Next to it was a large brass key hanging on a hook that Ivan would be most likely guarding if he was here. He grabbed it and inserted it into the lock. As he opened the door, he was met with a dimly lit room. Staring back at him were many dark and thin men. It was evident that they had been there for a while due to their scrawny figures.
Alex looked on the ground behind them and observe the cold bodies. “We will sleep here for a while.”
In his final days, Ivan screams a loud and dreadful scream that lasts three days. Ivan struggles in the black sack, certain that he will not escape. His pain and agony results from him not being able to fit right through the sack because of his conviction that his life has been a good one, “this justification of his life clutched, would not let him move forward, and tormented him most of all” (90). Suddenly, at the end of the third day, “some force” strikes Ivan in the chest and side and pushes him through the sack and into the presence of a bright light. At that moment, Ivan's son, Vasya, approaches his side. As Ivan's hand falls on his son's head, Vasya begins to cry. When Ivan catches a glimpse of the light, it is revealed to him that though
I am in Moscow for a few days to see two performances of the Great Grigorovich ballet, Ivan the Terrible. I have seen this on video, but never live on stage, and it exceeded even my already high expectations. The casting last night was magnificent - Mikhail Lobukhin as Ivan, with Svetlana Zakharova as Anastasia and Denis Rodkin as Prince Kurbsky. In a word - EXTRAORDINARY! This truly is a wonderful piece of theatre - dark in places, yes, but intense, dramatic, compelling. I was barely conscious of breathing throughout, it held me so enthralled. It is a ballet that deserves to be seen on this huge Bolshoi stage and it seems so authentically Russian to me, set in 16th century Russia, with wonderful costumes of the time. Just the opening
First of all, when he defected, he shed a light on how crude and miserable living in Russia was at the time. Although people knew about the conditions, this was illuminated when someone as popular as Baryshnikov decided to risk his life to abandon the USSR. Next, it inspired people to push past their hardships and become the best they could be. Not only did Baryshnikov survive ballet school, he also defected from Russia, and started a new life in America. Male and female ballerinas both have to endure schooling which can overpower his/her life. It is stressful enough to exceed what the teachers demand from their students, but this is what Baryshnikov did. He impressed his teachers with his jumps and his technique. He also had the stress of moving to a new country. It would be hard to perform with something as big as defecting hanging over your head. Baryshnikov additionally did not have any family to support his decisions. It is difficult to dive head first into the unknown with no one to encourage you. All of those factors show how strong Baryshnikov is and how he inspires people to be strong too. Finally, he influenced the American Ballet Theater. When he first was accepted in the company, he showed a new way of performing. It was fresh and motivating to the other dancers. Later, when he became the Artistic Director, he was able to influence more people; both his dancers and the audience. Later in life, when he created the White Oak Dance Project, he proved that anyone can do anything. The dancers were only slightly past their prime, but they created beautiful dances. The legacy of Baryshnikov shows how to work through hardships and how he affected the world of
“It’s fine. I can’t be here very much longer anyway. I gotta get outta here.” George said.
gone and all the music and laughter had stopped, he snuck in and heinously murdered all the danish warriors in their sleep.
“Very well. May I live in this castle till the end of my days or until I find someplace better?”
Vaslov Nijinsky was the choreographer for this ballet. He was considered the greatest male dancer of the 20th century and his works were known for their controversy. In this ballet Nijinsky’s choreography far exceeded the limits of traditional ballet. And for the first time the audience was experiencing th...
“—creepy as hell, yeah. You know, I bet the guys crazy.” Boyd is staring at the Frenchman, grinning ever so slightly. “I’d go nuts, too, if you put me on a boat for two months with some assholes who don’t even speak my language.”
In the short story “The Death of Ivan Ilych” by Leo Tolstoy, the narrator desribes how Ivan, a government official who has a horrible illness and is painfully dying while at home, while being very lonely. Ivan has a very small-minded personality, and on top of that he does not have a very good family life at home or with his close friends Peter and Schwarts. Somehow Gerasim catches Ivan’s interest and eventually becomes one of the only people that Ivan is nice too because he actually understands what Ivan is going through. Ivan’s friends and family know that he is dying, but they try very hard to not think about his death. In this short story, Tolstoy gives insight to how people change after Ivan dies and examines the relationships he had with his wife, two kids, friend peter and Gerasim.
This point of the story is indirectly brought out in the very beginning when Ivan's colleagues, and supposedly his friends, learn of his death. The narrator states in paragraph 5:
“Well – do you want to marry? Not much. But it would be a home for me