Daddy Good Country People and Shiloh
Sylvia Plath’s “Daddy”, Flannary O’Connor’s “Good Country People”, and Bobbie Ann Mason’s “Shiloh” all have something in common. In each, the relationship between a parent and child is discussed. It is left up to the reader to decide the nature of the relationship.
Although what stands out in Sylvia Plath’s poem "Daddy" is the Nazi imagery, it is interesting to note that the father is not called a Nazi in the first half of the poem. In the first stanza he is a "black shoe / In which [she has] lived like a foot" (2-3) which is certainly a stifling image but not yet a clear reference to the father's evil nature. Next he is "Marble heavy, a bag full of God" and a "Ghastly statue" (8-9), images which reveal the daughter's struggle to cope with his death but do not reflect any bad intent on the part of the father. From line 15 to the midway point of "Daddy," Plath begins to use Nazi imagery, but she still does not attack the father. Instead, the poem focuses on the daughter's frustrating attempt to connect with her dead father through his native language, German. In the second half of "Daddy," it is difficult at first to pinpoint where Plath starts to include thoughts of her husband. The speaker of the poem doesn’t make specific reference of a marriage until line 67, there is evidence before that which suggests that the speaker had found a replacement for her father. The language of lines 48 to 50, "Every woman adores a Fascist, / The boot in the face, the brute / Brute heart of a brute like you," connotes an abusive relationship between husband and wife, not parent and child. Likewise, the phrase "the black man who / Bit my pretty red heart in two" (55-56) is much more approp...
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...d Norma Jean for the death of her baby, claiming that Norma Jean neglected the child. For years Mabel was after Leroy and Norma Jean to take a trip to Shiloh, the site of a Civil War battle that ended tragically. This battle was the first indication of how horrible the war would be, just as Norma Jean began to realized what her life would be like with Leroy home all of the time. Somewhere along the trip Norma Jean decided to end the marriage. Mabel pushed Norma Jean into marriage when Leroy got her pregnant, Mabel criticized her all of the time, Mabel seemed to always take Leroy’s side when discussing Norma Jean, and Mabel pushed for the trip to Shiloh. Norma Jean’s feelings of anger most likely stem from her mother’s overbearing qualities.
Bibliography:
Sylvia Plath’s “Daddy”
Flannary O’Connor’s “Good Country People”
Bobbie Ann Mason’s “Shiloh”
The couple had lost their only child died as an infant and as Leroy read, "For most people losing a child destroys the marriage (68). Norma Jean 's mother, Mabel, visits the couple constantly, watching over Norma Jean and criticizing her periodically. As a result, Mabel discovers Norma smoking. This causes Norma Jean 's last wall of independence to crumble in a flurry of tears. Later, Norma tells Leroy, " I feel eighteen again. I can 't face that all over again (76)." Earlier, in the same outburst, Norma exclaims, "She won 't - you won 't leave me alone.(76)" This led up to a climatic scene featuring Norma at the edge of a river waving her arms. Either waving good by to Leroy, or, as Leroy suspected,
The first conflict in this story is between Leroy and his distance from his wife for such a long time. Mrs. Moffitt has been trying to cope with her husbands’ absence by doing other activities such as: working out, going back to school, and visiting with her mother. Another conflict resides within Leroy himself. He has not been there for his wife and he is trying to make it up to her in any way he can. This couple has been through the loss of an infant child in addition to Leroy’s absence. This is another issue that is causing them to experience the conflicts they do. Mr. and Mrs. Moffitt do not speak of this lost child, which causes more conflict between their marriage together. Leroy, once being settled at home with nothing to do, began to work with his hands to construct or design objects. He wanted to build his wife a log cabin as he was making replicas out of toothpicks. I think him wanting to build this house is to prove to himself and his wife that he can still be productive and good for something. The relationship Leroy has with Norma Jean’s mother is quite different. Any time she comes around, he makes jokes instead of having real conversation with her. I think he makes the jokes to ease the tension and to not address real issues that are present. Leroy has also stated that all those years driving in the same neighborhood he did not take the time to notice how much it had changed.
Mason uses the characters to present problems and conflict that are central to the American society. The problems that are examined in this story are very prevalent in our culture. Dysfunctional marriages/relationships and identity problems are some of the main problems that occur with Leroy and Norma Jean. During the time period when this story was written there was a big movement in our culture for change. This development was called the women's rights movement. As Mason states, "Something is happening. Norma Jean is going to night school. She has graduated from her six-week body-building course and now is talking an adult-education course in composition at Paducah Com.
No matter what actions or words a mother chooses, to a child his or her mother is on the highest pedestal. A mother is very important to a child because of the nourishing and love the child receives from his or her mother but not every child experiences the mother’s love or even having a mother. Bragg’s mother was something out of the ordinary because of all that she did for her children growing up, but no one is perfect in this world. Bragg’s mother’s flaw was always taking back her drunken husband and thinking that he could have changed since the last time he...
...yle that is placed before her. She was rushed into a marriage just as fast as she decided she wanted out of it. With the pressure of expecting a child, and then coping with the absence of her husband for fifteen years, Norma Jean tried to make things work, working around Leroy. Finally, after awhile it seemed as though she was pushed to the limit, and she decided to do something for herself. Norma Jean probably did not have it in mind to grow apart from Leroy, but she had to find herself before she could completely love someone else. After she realized what she wanted, she understood that she could not find that in Leroy. Unfortunately for Leroy, he had found what he had been missing for all of those years, but it was too late for him to grasp it; the change had already taken place. Leroy pleads with Norma Jean to try to work things out and to start over again, but for Norma Jean, she had already begun to start over when he had left her alone for fifteen years. Looking back on the relationship, blame could never wholly be placed on one character. Over the years Norma Jean and Leroy had begun to go their separate ways by doing what was important to them; together they grew apart.
The character Norma Jean fits all the psychological characteristics of behavior change in mothers who are coping with life after losing their child to sudden infant death syndrome. The most common symptoms are anxiety and depression (Boyle 933 par.1). She is always trying to stay busy. First she decided to build her own body up. She goes to the gym or does exercises around the house whenever she is home. Second she decided to take night classes at her local community college. She comes home and writes essays of stories she has read. She never seems to be in a relaxed state of being. These are signs of anxiety. The definition of anxiety is uneasiness. She can’t decide what she wants to do with herself. There are many reasons for her depression. She is trying to cope with the death of her child, her empty marriage to Leroy and her less than supportive mother.
“Daddy” contains allusions to World War 2 with images of a swastika in the sky (line 46-47) and references to German concentration camps, “A Jew to Dachau, Auschwitz, Belsen” (line 33). She states her father clearly to be a German man with “I thought every German was you” (line 29), “with your Luftwaffe” (line 42), “And your Aryan eye, bright blue” (line 44). Plath alludes to the popular anti-Semitism of her era in Germany depicted in lines 31-40. She then describes herself as a “Jew” to degrade herself against her German father. The diction of her lines “Chuffing me off like a Jew” (line 32) and “I think I may well be a Jew” (line 35) dehumanizes Jews in which she uses to also describe herself. To describe even more hatred towards her father, the multiple usages of the word “black” (lines 2, 51, 55, 65, 76) depicts her father as a dark menacing shadow in her life that has a evil dark “black” heart. She compares him to the man she married when Plath states, “I made a model of you” (line 64). She then describes that husband as a vampire that drank her blood (lines 72-74), because he reminded Plath of her father in the statement “They always knew it was you” (line 79). In Plath’s mind she only married her husband to be reminded of her father but soon realized it was a toxic relationship in line 80 in which she says “Daddy, daddy, you bastard, I’m through”.
This story reveals to the reader how distance and low communication can separate individuals from each other. Leroy, the narrator, is a person that has lived separated from his wife Norma Jean for a lot of time because of the job he has. This has created a gap between the two of them. After the accident when Leroy has to stay in the house to recuperate, they find out that they both really don't know each other. He is having a lot of time on his hands, so he decides to build a model of the house he promised Norma Jean when they got married. This only creates a problem since his wife doesn't want a log cabin. Leroy is finally noticing that everything has changed, that nothing is the same as before. He was to busy or hardly ever in town to realize all the changes that where happening around him. When he tries to get closer to Norma Jean, apparently it separates them more. During their trip to Shiloh, Norma realizes that everything is going back to the way it was before Leroy started his trucking job. This makes her feel eighteen again and she is not willing to do that again. This creates a confusing situation for Leroy because he does not understand why Norma is acting that way. Finally he realizes that all that time apart has created a relationship where Norma pre...
While most of us think back to memories of our childhood and our relationships with our parents, we all have what he would call defining moments in our views of motherhood or fatherhood. It is clearly evident that both Theodore Roethke and Robert Hayden have much to say about the roles of fathers in their two poems as well. While the relationships with their fathers differ somewhat, both men are thinking back to a defining moment in their childhood and remembering it with a poem. "My Papa's Waltz" and "Those Winter Sundays" both give the reader a snapshot view of one defining moment in their childhood, and these moments speak about the way these children view their fathers. Told now years later, they understand even more about these moments.
The struggle to battle with the persistent grief of self-blame and lack of identity is a constant reminder to the barriers in relationships. Leroy grieves over the fact that he has lost his identity as a father and husband. Although he often thinks of Randy, the memories of him have faded. As a result, he latches on to Norma Jean but she doesn’t respond back. This causes him to feel like a failure of a husband. Norma Jean is grieving over the emptiness in her life. It was not the life she thought she would have. Her deceased son symbolizes her emptiness because of his death. She also feels emptiness towards her husband. For example, she feels very uncomfortable around him and always tries to find something for him to do. When Leroy arrives back home from his accident Mason implies, “he thinks she’s seems a little disappointed” (Mason 220), displaying Norma Jean frustrated with his lying around doing nothing but watching television and smoking pot. In addition, Norma Jean feels emptiness towards her mother, which is presented in the way her mother criticizes her. When tragedies occur in a family and self-confidence fades it can take over your life a...
Throughout the poem, Plath contradicts herself, saying, ‘I was seven, I knew nothing’ yet she constantly talks of the past, remembering. Her tone is very dark and imposing, she uses many images of blindness, deafness and a severe lack of communication, ‘So the deaf and dumb/signal the blind, and are ignored’. Her use of enjambment shows her feelings and pain in some places, in other places it covers up her emotional state. She talks of her father being a German, a Nazi. Whilst her father may have originated from Germany, he was in no way a Nazi, or a fascist. He was a simple man who made sausages. ‘Lopping the sausages!’ However she used this against her father, who died when she was but eight, saying that she still had night mares, ‘They color1 my sleep,’ she also brings her father’s supposed Nazism up again, ‘Red, mottled, like cut necks./There was a silence!’. Plath also talks of her father being somewhat of a general in the militia, ‘A yew hedge of orders,’ also with this image she brings back her supposed vulnerability as a child, talking as if her father was going to send her away, ‘I am guilty of nothing.’ For all her claims of being vul...
Sylvia Plath’s jarring poem ‘Daddy’, is not only the exploration of her bitter and tumultuous relationship with her father, husband and perhaps the male species in general but is also a strong expression of resentment against the oppression of women by men and the violence and tyranny men can and have been held accountable for. Within the piece, the speaker creates a figurative image of her father by using metaphors to describe her relationship with him: “Not God but a Swastika” , he is a “… brute” , even likening him to leader of the Nazi Party; Adolf Hitler: “A man in black with a Meinkampf look .” Overall, the text is a telling recount of her hatred towards her father and her husband of “Seven years” and the tolling affect it has had on
Daddy was written on October 12, 1962 by Sylvia Plath, shortly before her death, and published posthumously in Ariel in 1963. Throughout the poem it could be viewed from a feminist perspective, drawing attention to the misogynistic opinions and behaviours of the time it was written. Misonogy is a person who dislikes, despises, or is strongly prejudiced against women. It can be manifested in numerous ways, including sexual discrimination, denigration of women, violence against women, and sexual objectification of women. Plath uses the reversal of gender stereotypes/roles within Daddy, which could be interpreted as an attempt to empower women.
Reveals and proves how free spirited and understanding she was. It conveys that people in your life can be influential, but only to a certain extent; then, it is up to the individual, to find the beauty and love in your life, and to find that in another human being is beautiful. Plath’s life was everything but easy. Plath conveys a myriad of themes in her poems from deaths to upbeat random ideas, which she demonstrates in her poems “Daddy,” “Fever 103,” and “Fiesta Melons.”
Sylvia Plath has brought the attention of many Women’s studies supporters while being recognized as a great American poet. Most of her attention has come as a result of her tragic suicide at age thirty, but many of her poems reflect actual events throughout her life, transformed into psychoanalytical readings. One of Plath’s most renowned poems is “Daddy”. In this poem there are ideas about a woman’s relationship with men, a possible insight on aspects of Plath’s life, and possible influences from the theories of Sigmund Freud.