Culture is an integral part of every society. Culture is a learned pattern of behavior or ways by which people live their lives or how society behaves. Some characteristics of the culture of people or a society are their music, food, laws, arts, marriage, festivals among others. Ghana is the first sub-Saharan African nation to gain its independence from the British in 1957. It is located in West Africa and it consists of different ethnic groups with different dialects. One such group is the Ga-Adangbe tribe. The Ga-Adangbe tribe constitutes of the Adangbe and the Ga people of Ghana who form one ethnic group known as the Ga-Adangbe tribe. The Ga-Adangbe people inhabit the Accra Plains. The Adangbe people inhabit the eastern part of Accra while the Ga people inhabit the western part of Accra coastlands. The language of both ethnic groups is from a common proto-Ga-Adangbe ancestral language. There is one notable thing about these ethnic groups in Ghana and it is their culture of festivals. These festivals range from the naming of a child, puberty rites, marriage and funerals among other things. One of these beautiful festivals that this paper seeks to discuss is puberty rites. The Ashanti tribe who hail from the Ashante Region of Ghana and the Adangbe tribe who hail from Eastern Region of Ghana celebrate this beautiful festival called puberty rites. The Ashanti tribe of Ghana calls …show more content…
The practice was observed when the Krobos still inhabited the mountain and was continued when they settled in the areas surrounding the mountains. There are different versions as to how Dipo originated in the Krobo society. There are no disputes about the different versions even though some Krobos are more inclined to some versions than others (especially the one about the nobleman who had two wives). I believe that accounts of the origin of the custom would help give a better understanding of its
o Herero's are the largest groups of in the Dobe area. They are Bantu speaking people.
In the late 1800s, the Yoruba’s formed a treaty with the Fulani and in 1901 they
The center of discussion and analysis about the sex/gender system focus on the differences between African, European and Creole Women. The sex/gender system describe by Morgan focus on their production, body and kinship. European women are seen as domestic, African women’s work overlaps between agricultural and pastoral. They’ll work in the field non-stop, even after giving birth. African women hold knowledge about the pastoral and agricultural work “in the planting and cultivation of fields the daily task of a good Negro Woman” (145). While Creole women were subordinated, with the job of produce and reproduce. When it came to body, European women’s bodies were seeing as fragile. After birth the rest for a while before they could stand back again or return to their activities “European observers believed the post-delivery period of abstinence lasted three months, and others commented up two- to three year period o...
Africa, like many continents, have a variety of cultures and customs. These customs are unique and specific base on regions and religion. In this short document, “Africa: Will You Marry Me”, invites viewers to observe common practices and religions of Ethiopia, Mali, Niger, and Senegal. Through this forty-five-minute documentary, a family from each country is interviewed to portray the average customs in that particular part of Africa. The first interview was in Ethiopia with a young women named Rahel.
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
Thesis & Preview of Main Points: I will discuss the culture of Ethiopia and its geography
Located in the Great Lakes area of East Africa, Kenya is home to an estimated 47 million. The country, covering over 223,000 square miles is bordered by Ethiopia and Sudan to the north, Uganda to the west, Tanzania to the south, and Somalia to the east. The areas around the coast of the Indian Ocean present a tropical climate, while the highlands are more temperate. There is no specific cultural normality with the nation because of such diverse ethnic backgrounds. As much of Kenya is riddled with poverty, her economy is based on labor-intensive industries, such as mining, manufacturing, mining, forestry, and agriculture. The
The majority of the Yoruba people live on the west coast of Africa in Nigeria, but can also be found in many other places, as they are one of the largest cultural classifications in Africa. There are approximately 40 million Yoruba world-wide. As a matter of fact, most of the slaves brought to America were Yoruban, and descendants of their tribes can be found everywhere, including Europe, Brazil, Cuba, and the Caribbean. The Yoruba have been constructing and thriving in sophisticated urban kingdoms for more than 1,500 years, and have produced extraordinary art work since the 5th century BC.
One of the biggest ways Africans were able to endure the institution of slavery was by finding similarities in the European culture that coincided with their native customs. “ The similarities between many European and African Cultural elements enabled the slave to continue to engage in many traditional activities or to create a synthesis of European and African cultures.”1 While there were many
The first step to understanding the response of the Benin people to this arrival is to look to their conception of their own identity. The Benin call themselves, their capital, and their language Edo, and some Edo can rightfully claim to have lived in the region for a thousand years. When speaking of Benin, the idea of a "traditional" culture is not wholly erroneous - their ancestry is older and on a more direct line than most Europeans can imagine. But the ancient kingdom of Benin did not encompass all Edo-speaking people and it was also not restricted to them, as it included ethnic groups such as the Yoruba, Igbo, Ijaw, and Itsekiri (Duchateau 9). The amount of racial cohesion in this "traditional culture" should no...
This essay deals with the nature of a cross cultural encounter between the Benin people and Portuguese traders in the 15th and 16th centuries, which resulted in the depiction of Portuguese figures in Benin brass plaques. It will propose that this contact between people with different cultures was on the basis of'mutual regard' (Woods, K. 2008, p. 16), and although the Portuguese had qualms about idolatry in Benin it will show that assumptions by Europeans up to the 20th century of the primitive nature of tribal African societies was inaccurate with regard to the Benin people, who had a society based on the succession of the King or 'Oba', a Royal Family and Nobility. The essay will finally suggest that Benin’s increase in wealth following the arrival of the Portuguese led to a resurgence in bronze sculptures and the introduction of a new form, the rectilinear plaque. The plaque under consideration, is of a forward facing man, with an aquiline nose, thin lips, neatly trimmed beard, wearing a sun hat with flaps and looking intently at the viewer. He is dressed in a typical 16th century Portuguese style, wearing a decorated tunic with padded shoulders and tight breeches with short boots.
Sex transcends the mere act of copulation, but is used to indicate that there is a deep connection between sex, worship, and African traditional beliefs. In essence, sexuality in African carvings is used more for the purpose of deification rather than to demonstrate human eroticism. Sex was considered sacred among most African traditional communities, and to talk about sex let alone incorporate sex in carvings was considered a taboo (Marshall Cavendish Corporation 79). It was only when such carvings were intended to glory some deity that sex was freely used in carvings in African communities. It is for this reason that most carvings that depicted sexuality were exaggerated in terms of the size. This was to create a distinction between the sexuality of ordinary people and the sexuality of the supernatural (Marshall Cavendish Corporation 79). The paper will look at how sexuality was used in African carvings to bring in...
Adichie portrays the persisting existence of traditional African culture through Odenigbo’s mother – who symbolizes the extreme end of traditional beliefs. When Odenigbo’s mother visits Odenigbo and Olanna at their apartment in Nsukka, she is immediately personified as the traditional Nigerian village woman. Unaccepting of modern attitudes and advancements, she “peered suspiciously at the stove, knocked on the pressure cooker and tapped the pots...
The small African village located on the bank of the river Niger has a story of its own, that only the old and wise are able to des...
There has been an uneven distribution of poverty incidence and poverty gap in Ghana over the past decades. A proportion of the population of Ghana enjoys fair outcome of the national development whiles others lumber in poverty. In fact, poverty level would have reduced in Ghana if there is a decreasing inequality. The disparities in the distri-bution of welfare between the rural poor and the urban population in Ghana may be attributed to several factors.