Criticism of Oscar Wilde’s The Picture of Dorian Gray
The novel, The Picture of Dorian Gray, written by Oscar Wilde originally appeared in Lippincott’s Monthly Magazine in 1890. It was then published in 1891, in book form, containing six additional chapters with revisions. The first reviews of Dorian Gray were mostly unfavorable. It was condemned for its speculative treatment of immoral or at least uncomfortable subjects. A review in the St. James’s Gazette by Samuel Henry Jeyes, journalist and biographer was titled "‘A Study in Puppydom." Jeyes refers to Wilde’s idle, “effeminate” characters in the book and writes: “The puppies appear to fill up the intervals of talk by plucking daisies and playing with them, and sometimes drinking ‘something with strawberry in it" (Beckson 69).
An unsigned review in Athenaeum, called the book “unmanly, sickening, vicious (although not exactly what is called ‘improper’), and tedious.” (Beckson 82) Charles Whibley, journalist and writer for the Scots Observer, wrote that "Mr. Oscar Wilde has again been writing stuff that were better unwritten" and went on with "...it is false to human nature-for its hero is a devil; it is false to morality-for it is not made sufficiently clear that the writer does not prefer a course of unnatural iniquity to a life of cleanliness, health, and sanity." He ends the article by saying ‘...he can write for none but outlawed noblemen and perverted telegraph boys, the sooner he takes to tailoring (or some other decent trade) the better for his own reputation and the public morals" (Beckson 75).
Wilde replied to these damaging attacks and told an acquaintance after these first reviews that the story would be "......
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...ver reached, which supersedes that earlier didactic purpose, and makes the quite sufficing interest of an excellent story."’
He concludes by saying "We need only emphasize, once more, the skill, the real subtlety of art, the ease and fluidity withal of one telling a story by word of mouth, with which the consciousness of the supernatural is introduced into, and maintained amid, the elaborately conventional, sophisticated, disabused world Mr. Wilde depicts so cleverly, so mercilessly"(Beckson 83-6).
In conclusion, it became apparent with reading the reviews of The Picture of Dorian Gray that the critics seemed to be reviewing the author instead of the book.
BIBLIOGRAPHY
Beckson, Karl. Oscar Wilde. New York, Barnes & Noble, 1970.
Gagnier, Regenia. Idylls of the Marketplace. Stanford, Stanford University Press, 1986.
At heart, Willie Stark is a good man with good intentions, but his philanthropic nature clashes with his burning desire for success. Cousin Willie’s political career was conceived out of his search for truth. After the schoolhouse incident, Willie is proclaimed an “honest man” and is thrust into the governor’s race (Warren 97). But Willie is heartbroken when Sadie Burke cruelly informs him, “You a...
...was depicted through her persistence to help aid Toby and eventually gain his approval as well as becoming his equal. Meanwhile, Toinette’s dependability is depicted through her selfless; as Argan’s nurse/maidservant and confidant to his daughter. And her quick wit that in the end allowed her to come up with a plan that would ultimately make that play the quirky comedy it is today. Thus, concluding that both Maria and Toinette are similar, because they are both strong character and quite witty, witty enough to change the total outcome of their respective plays.
Foster, Richard. “Wilde as Parodist: A Second Look at The Importance of Being Earnest” In College English, Vol. 18, no. 1, October, 1956: pp. 18-23.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Sharland, A., Fiedler, A., & Menon, M. (2013). ETHICS IN THE BUSINESS CURRICULUM: DOES DELIVERY NEED TO BE REVISITED?. Southern Journal of Business & Ethics, 5.
In conclusion, it has been reiterated that Lord Henry's influence, the changes in Dorian, and the immorality of the yellow book further enforced The Picture of Dorian Gray as a moral book. Oscar Wilde allows for those who could understand the real meaning of the novel by comprehending the importance of these three things to discern that he fully intended on writing this novel as a moral book.
The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Woodcock, George. The Paradox of Oscar Wilde. London-New York: T.V. Boardman and Co., Ltd., 1950.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
The Global Positioning System, more commonly called the GPS is a satellite based system that provides navigation for almost everything from cell phones to automobiles. This wonderful technology is very vital in today’s economy because of its prominence in banking, financial markets, power grids, farming, construction and so much more. It also protects human life by preventing accidents, helping in search and rescue missions and is critical to nearly every facet of military operations. There are three segments that make up the global positioning system: the space segment, the control segment and the user segment. The segment we are familiar with is the user segment. The user segment is what receives GPS signals, determines the distance between a satellite and a receiver and solves the navigation equations, all in order to obtain the coordinates of a specific place. The space segment consists of 31 satellites but there is an availability of at least 24 satellites that are approximately 6 000-12 000 miles above the earth.