Critical Study of Art

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Critical Study of Art

Le Potager De Pissarro, Pontoise (Pissarro’s Vegetable Garden, Pontoise)

Title: Le Potager De Pissarro, Pontoise (Pissaro's Vegetable Garden,

Pontoise)

Artist: Paul Cezanne

Date: 1877

Country of Origin: France

Size: height: 48.3 x width: 59.9 cm

Materials Used: Oil on canvas

This particular piece of Cezanne's work was not commissioned by anyone

but Cezanne himself for entertainment value as it is of Pissaro's

gardens, however recently it has been displayed at the Addison Fine

Arts Gallery in New York.

The piece was produced during the movement of impressionism;

impressionism is a light, spontaneous manner of painting which began

in France as a reaction against the formalism of the dominant Academic

style. Its naturalistic and down-to-earth treatment of its subjects

has its roots in the French Realism of Corot and others. The

movement's name came from Monet's early work, Impression: Sunrise,

which was singled out for criticism by Louis Leroy on its exhibition.

The hallmark of the style is the attempt to capture the subjective

impression of light in a scene.

Impressionist painters were considered radical in their time because

they broke many of the rules of picture-making set by earlier

generations. They found many of their subjects in life around them

rather than in history, which was then the accepted source of subject

matter. Instead of painting an ideal of beauty that earlier artists

had defined, the impressionists tried to depict what they saw at a

given moment, capturing a fresh, original vision that was hard for

some people to accept as beautiful. They often painted out of doors,

rather than in a studio, so that they could observe nature more

directly and set down its most fleeting aspects-especially the

changing light of the sun.

The impressionists specialized in landscape, informal portraits in a

domestic setting, and still life-genres that before the 1870s had been

regarded as of lesser importance than history painting. It was a major

achievement of the impressionists to overturn this prejudice.

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