Tragically for Thel, she appears to comprehend that this move can not happen without the afflictions of mortal life, and in view of her understanding, she doubts the value of going into mortal presence by any stretch of the imagination. Now, a combination of Thel 's thoughts can be made, keeping in mind the end goal to decide the wellspring of her fears. As a result of her insight into Death 's unavoidability, and her ensuing comprehension of the curtness of life, Thel 's tries to build a reason for mortal presence. When this pursuit is combined with her longing to "delicate hear the voice" of God after death, Thel 's apprehension of disappointment starts to develop. This trepidation will turn out to be more clear as the sonnet advances, and …show more content…
Like the Cloud, the Clod of Clay underlines that " 'we live not for ourselves '" and that everything has its motivation. The Clod of Clay most successfully passes on the last thought by illustration: when the Clod hears the sobbing Worm, she goes to its guide and solace, sustaining it with "smooth affection". In the event that a Clod of Clay is given a reason, an importance in life, ought not Thel have confidence that her life will have the same? This inquiry of confidence is articulately tended to by the Clod of Clay when she passes on to Thel that she doesn 't comprehend why God wants to give the life of a Clod of Clay reason, as well as a pride in that reason: " 'But how this is, sweet house keeper, I know not, and I can 't know,/I contemplate and I can 't consider; yet I live and cherish '". These last two lines cause a crucial change in Thel 's view of the mortal world, and in her association with its motivation and with God. She at last appears to comprehend that with a confidence in God, everything has its motivation, and that design is administration and penance for
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Overall, dwell on this process of changing throughout the poem, it can be understood that the poet is demonstrating a particular attitude towards life. Everyone declines and dies eventually, but it would be better to embrace an optimistic, opened mind than a pessimistic, giving-up attitude; face the approach of death unflinchingly, calmly.
... bruised by the poor reception of his poetry. The realizations that we all "must die", and that attempts to attain immortality through art are in vain, leave this sonnet with a lasting and overriding sense of despair.
Predominantly the poem offers a sense of comfort and wisdom, against the fear and pain associated with death. Bryant shows readers not to agonize over dying, in fact, he writes, "When thoughts of the last bitter hour come like a blight over thy spirit, and sad images of the stern agony, and shroud, and pall, and breathless darkness, and the narrow house, make thee to shudder, and grow sick at heart -- go forth under the open sky, and list to Nature 's teachings." With this it eludes each person face their own death, without fright, to feel isolated and alone in death but to find peace in knowing that every person before had died and all those after will join in death (Krupat and Levine
the poet is trying to portray the fragility of a life, as it is created with the intent to be lost (death
Death, to the surrounding people, can often be seen as a horrible and depressing time in one’s life, while the same result may occur in the person going through the time period. One must remember, though, that no matter how the person has lived throughout their life, everyone must die eventually, for it is the circle of life. The playwright, Everyman, notes of the importance of having devotion and loyalty in Jesus Christ, for that is the only way to Heaven. Also, the play and The Sandbox greatly illustrate how a person near death is feeling and his emotions, while also describing the sympathy of others around him and their experiences.
The theme death has always played a crucial role in literature. Death surrounds us and our everyday life, something that we must adapt and accept. Whether it's on television or newspaper, you'll probably hear about the death of an individual or even a group. Most people have their own ideas and attitude towards it, but many consider this to be a tragic event due to many reasons. For those who suffered greatly from despair, living their life miserably and hopelessly, it could actually be a relief to them. Death affects not only you, but also those around you, while some people may stay unaffected depending on how they perceive it.
...nsight to address the lack of courage and faith that plagues every human being. “The poem succeeds admirably in registering a mood not merely of disillusionment, but of personal weakness” (Morace 950). Without the faith and courage to face the final judgment, and move on to the afterlife, one will be left to linger in purgatory.
In the famous “to be or not to be” soliloquy, Hamlet examines the power of death by suicide. The powerful words of “to be or not to be” question whether to live or not to live. Hamlet weighs the morality of “whether ‘tis nobler in the mind to suffer” or to end one’s life. In comparison, death is like sleep, a way to relieve the pain and suffering. Hamlet thinks death is the desirable course, but he worries about the uncertainty of afterlife. After Hamlet’s realization of the afterlife, he reconfigures his metaphor to include dreaming. It is the fear of the afterlife that prevents people from ending their pain with suicide. Hamlet finds i...
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
There are several death related motifs present in the poem. For instance, the poem opens with a passage from Dante’s Inferno, foreshadowing the theme of death in the poem. The speaker says “I know the voices dying with a dying fall.” He also references Lazarus from the Bible, who was raised from the dead, further developing the death motif. The speaker also seems to be looking back on life, referring to past experiences and his aging, as if he believes his death is imminent. He seems to have an obsession with hiding his age. According to the Psychoanalytic Criticism Chapter, the greater our fear of something is, the greater our obsession becomes (24). The speaker's fear of death has lead him to wear clothes that are fashionable for young people, such as rolling his trousers, and goes to great lengths to cover his age in other ways, such as parting his hair behind to cover a bald spot. The last stanza of the poem has a rather depressing and sad ending, a result of fear of
In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.
In the fifteen Dubliners stories, city life, religion, friends and family bring hope to individuals discovering what it means to be human. Two stories stood out in James Joyce’s Dubliners. One story attempts to mislead readers as it is hard to follow and the other story is the most famous story in the book. In the stories “Clay” and “The Dead,” James Joyce uses escape themes to deal with the emotions of the characters, Maria and Gabriel living in the Dublin society. Both stories take place during the winter on Halloween and Christmas, which are the holiday seasons and the season of death.