In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression. The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment.
Women were not only oppressed by male acquaintances and the general male audience, but even their own husbands. Over time, the wallpaper shows the narrator’s self-expression through entrapment. The results of common male to female oppression correlate to the progression of the narrator’s mental state in Gilman’s story. As the perception of the wallpaper by the narrator develops, so does Gilman’s perception of oppressed women’s eventual reaction towards males and society. The woman battles this oppression in the entirety of the story which can be seen as she becomes overly preoccupied and irritated with the faded yellow wallpaper in her bedroom.
Obsession Overcomes Oppression In the short story "The Yellow Wallpaper" by Charlotte Perkins Gillman, the reader is taken into the mind of a mentally disturbed woman named Jane who has been imprisoned by trying to fit the stereotypical wife mold of the nineteenth century. The reader is able to take opinions from Jane which reflect the stereotypes of frailty and the nurturing roles given to women. These opinions close all of the doors for the emotions taking place except those of Jane. By showing the story from her perspective, a bias of men is formed. Through Jane's perceptions of her surroundings, the reader is able to understand how men assign the roles of women and essentially, drive them to madness.
Gilman does so by t... ... middle of paper ... ...she sees in the wallpaper is trapped behind the pattern, just like the narrator is trapped in the room. The woman’s mental status gets so deteriorated that she has a breaking point when she “escapes” her imprisonment. The author writes, “Then I peeled off all the paper I could reach standing on the floor” (320). Taking down the wallpaper symbolizes her finally freeing herself. Charlotte Gilman accomplishes her goal of spreading awareness about the oppression of women by forcing the readers to dig deep into The Yellow Wallpaper.
Annie Deng ENG 101-L80 Essay 1 The Results of Patriarchic Suppression The "Yellow Wallpaper" by Charlotte Perkins Gilman, is an example of how women were repressed by society in the nineteenth century. The narrator is an upper-middle class woman who is likely to be suffering from post-partum depression, but due to an ineffective cure, she starts to go insane. The narrator’s husband, John, assumed that because he was a physician, he knew best and dominated her actions. She then retreats into her obsession with the wallpaper on the walls, the only thing she can control. Her craze for the wallpaper begins when she imagines a woman behind the bars, and eventually leads to her ripping the woman and the wallpaper off the walls completely, symbolizing her exit from oppression.
It represents the psychological block that society attempts to place on women during the 1800’s. The color distinct color yellow is connected with sickness and weakness which displays the gender differences of how society sees women as weak and men inferior. The wallpaper in fact makes the main character feel “sick” as the short story develops. As a matter of fact, the wallpaper draws a line between insanity and sanity that the narrator faces. Quawas offers honest insight and advice on “The Yellow Wallpaper,” and its symbolic significance that is portrayed throughout the short story.
In the late 1800’s and early 1900’s, women were often portrayed as submissive to men. Women were seen as oppressed by society as well as by the males in their lives. Both of Gilman’s bodies of works, “The Yellow Wallpaper” and “Turned”, illustrate the fight for selfhood by women in a demoralized and oppressive environment. The narrator’s escape from her unbalanced marriage and captivity is her complete loss of sanity. Mrs. Marroner overcomes her husband’s infidelity and emotional control by taking in the vulnerable Gerta and leaving her husband.
Mallard are trying to break away from the society beliefs of the time period. In The Yellow Wallpaper as Jane progressively gets worse the reader begins to see her lose her mind. Jane begins to see shapes in the wallpaper then as she gets worse she sees a woman trapped inside the wallpaper. This women can represent of the oppressed women of the time period and Jane. Jane then describes how the shadows of the bars over the window cast over the woman in the yellow wallpaper.
The feminist literary lens addresses the imprisonment of women, and the imbalance of power between the two genders. During the whole of the story, John portrays his male dominant characteristics by treating th... ... middle of paper ... ...power struggle. The Yellow Wallpaper has profound symbolism that transcends from Gilman’s personal life. The dominance of John’s over the wife’s is a clear reflection of the dominant differences between men and women in the past. Through the interaction between the characters, and the wife’s inner thoughts, one can say that the women during the time period had very little or no freedom of speech.
“But John says if I feel so I shall neglect proper self-control; so I take pains to control myself-before him at least, and that makes me very tired” (Gilman pg 275). At the end of a rose for Emily the reader finds themselves sympathizing about how her life ended up, and how it all could ... ... middle of paper ... ...he eventual results the male dominating characters create, even if they have they had right intentions is a breakdown of the women’s psyche. John’s wife ends up going crazy and tearing the wall paper off the wall, in doing so she is able to break free from his domination. The last lines in the story have her walking over top of him as if he is nothing to her anymore. Homer Barron is found dead in the upstairs room of Emily’s house in what appears to be a murder, not only is he denied a proper burial he is left to rot away locked in a place that only Emily has the key to open.