Analysis of the Curandera The difficult of being in a minority culture in the United States stems from the many divisions of social rank. People are often categorized by race, gender, and sexuality, and then valued through a standing practice of measuring what is preferred or ideal. Through misguided judgment, the individuals who do not represent a popular culture image struggle with a battle between who they are and who society wants them to be. A chapter from Chicana Art: The Politics of Spiritual and Aesthetic Altarities titled “Spirit/Glyphs” addresses struggles faced by the mestiza, or someone of two cultures, and the spiritual separation that occurs from being integrated into American culture. The author, Laura E. Pérez, argues that …show more content…
The narrator originally felt as if her hands were a burden as they could not perform the tasks that her sisters’ delicate hands could. This class has taught about the unfair treatment Chicanas receive for not only being Hispanic, but also being female. In patriarchal societies, females are often ridiculed for not being able to perform womanly tasks. Viramontes addresses this dilemma by using the narrator as a symbolic character who finds purpose in her flaws. The hands that were made fun of for being unable to perform delicate tasks were molded into hands used for labor. Viramontes is presenting to her audience that the different aspects of an individual can be empowering, and it is how one interprets purpose. Curanderas have the role of spiritual healing, but also the role of empowering women of color. Through the narrator, Viramontes takes a common hardship faced by Hispanic females and shapes purpose out of …show more content…
The short story aims to push the audience to think in a new way. Viramontes wants her readers to extract more from The Moths than just a story of a Hispanic female achieving spiritual awareness; she wants her readers to experience that spiritual awareness as well. The objective of the short story is to allow the reader to grow as the character does. A moment of awakening occurs for the narrator at the end of The Moths. After her grandmother has passed, the narrator gets in the tub and begins to weep. “I cried, rocking us, crying for her, for me, for Amá” (pg. 307). This line shows the acceptance of loss, acceptance of suffering, and an inevitable moving forward. The narrator experiences “sadness and relief” all at once. Viramontes is showing the final progression of the character. As the character transforms, Viramontes allows the reader to see into the inner workings of struggle, oppression, and neglect, and how someone can break through and become a more enlightened version of their past self. This is a role of the curandera; to allow art to be a cultural capital and move someone
It is influential to have strong people who want to fight for their rights. It is often easy to focus on oppression than it is to change it. It takes courage to be able to go against the rules of law. In both “In The Time Of The Butterflies” and “The Censors” , Juan and the Mariposas not only reveal their courage, but also develop significant symbols to the roles of each one of them during their time overcoming oppression. The Mirabal’s behavior towards their determination to fight for freedom, symbolizes the hope for freedom. The Dominicans were blessed to have four courageous women who went against the law in order to better their country for all. In the other hand, Juan role to overcome oppression resulted in his death and death to many innocent people. His behavior symbolize distrust, one cannot trust anyone, not even yourself. He was so caught up with his job, doing what he believed was right, he ended up censoring
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
This book was published in 1981 with an immense elaboration of media hype. This is a story of a young Mexican American who felt disgusted of being pointed out as a minority and was unhappy with affirmative action programs although he had gained advantages from them. He acknowledged the gap that was created between him and his parents as the penalty immigrants ought to pay to develop and grow into American culture. And he confessed that he got bewildered to see other Hispanic teachers and students determined to preserve their ethnicity and traditions by asking for such issues to be dealt with as departments of Chicano studies and minority literature classes. A lot of critics criticized him as a defector of his heritage, but there are a few who believed him to be a sober vote in opposition to the political intemperance of the 1960s and 1970s.
Islas, Arturo. From Migrant Souls. American Mosaic: Multicultural Readings in Context. Eds. Gabriele Rico, Barbara Roche and Sandra Mano. Boston: Houghton Mifflin Co. 1995. 483-491.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
Heilbroner, Robert L. “Don’t Let Stereotypes Warp Your Judgments.” Emerging Voices: Readings in the American Experience. Ed. Sara M. Blake and Janet Madden Orlando: Holt, Rinehart, and Winston, 1993. 436-442.
In “I am Joaquin”, women are represented minimal, unspecific, and stereotypical. The term coined by Gonzales was not inclusive to women. A lack of women’s acknowledgment engagement with the Chicano Movement is present in Gonzales poem. In these lines “I shed the tears of anguish as I see my children disappear” Gonzales gives the impression of stereotypical women (I am Joaquin) . An image of a mother stereotype is depicted instead of an image of women contributing and involved in the movement through activism and organizations. Women such as Dolores Huerta played a vital role in the evolvement of the Chicano Movement however, the Chicano Social Identity is not inclusive to women because women are defined by men. Dolores Huerta was an important farmworker organizer within the farmworker struggles.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Although our society is slowly developing a more accepting attitude toward differences, several minority groups continue to suffer from cultural oppression. In her essay “How to Tame a Wild Tongue,” Gloria Anzaldúa explores the challenges encountered by these groups. She especially focuses on her people, the Chicanos, and describes the difficulties she faced because of her cultural background. She argues that for many years, the dominant American culture has silenced their language. By forcing them to speak English and attempting to get rid of their accents, the Americans have robbed the Chicanos of their identity. She also addresses the issue of low self-esteem that arises from this process of acculturation. Growing up in the United States,
Martínez, Elizabeth Sutherland. 1998. De Colores Means all of us: Latina Views for a Multi-Colored Century. U.S.: South End Press.
I definitely identify most with modern American culture. Although I am half Hispanic and half white, I was raised more “white” than Hispanic (e.g. food, language, holidays, music, etc.). On the surface you can see a white American, English speaking, femininely dressed young lady, but I am much more than what is on the outside. Like I stated earlier I was raised more “white”, but I still identify a little with my Hispanic culture. In this paper I will be addressing 10 surface and 10 deep aspects of my cultural identity.
Her goal is to replace the stereotypes surrounding Hispanic women with a set of realities, to help her do that she used her words. Meaning Cofer believes she can empower her readers through “The Myth of the Latin Woman.” Cofer also believes that language can be used to disempower because she explained to her readers how it made her feel when people stereotyped her. “Then I walked between them and to my room. My friend complimented me on my cool handling of the situation, but I confessed that I had really wanted to push the jerk into a swimming pool”(Cofer 112.) This proves that the words the man sang to Cofer had made her feel upset and disempowered. My views on this issue have become a lot more serious since reading Cofer's essay. I have personally not experienced a lot of people stereotyping me the way they did to Cofer and maybe that has something to do with the fact that I live in a diverse city and new society. But regardless if we go through it or not I feel that this is still a fight for every
In the essay "It’s Hard Enough Being Me," Anna Lisa Raya relates her experiences as a multicultural American at Columbia University in New York and the confusion she felt about her identity. She grew up in L.A. and mostly identified with her Mexican background, but occasionally with her Puerto Rican background as well. Upon arriving to New York however, she discovered that to everyone else, she was considered "Latina." She points out that a typical "Latina" must salsa dance, know Mexican history, and most importantly, speak Spanish. Raya argues that she doesn’t know any of these things, so how could this label apply to her? She’s caught between being a "sell-out" to her heritage, and at the same time a "spic" to Americans. She adds that trying to cope with college life and the confusion of searching for an identity is a burden. Anna Raya closes her essay by presenting a piece of advice she was given on how to deal with her identity. She was told that she should try to satisfy herself and not worry about other people’s opinions. Anna Lisa Raya’s essay is an informative account of life for a multicultural American as well as an important insight into how people of multicultural backgrounds handle the labels that are placed upon them, and the confusion it leads to in the attempt to find an identity. Searching for an identity in a society that seeks to place a label on each individual is a difficult task, especially for people of multicultural ancestry.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.